William Matthews (poet)

William Matthews
Born William Matthews
November 11, 1942
Cincinnati, Ohio
Died November 12, 1997
New York
Occupation American poet and essayist
Genre poetry
Notable works
  • Time & Money
  • Search Party: Collected Poems
  • After All: Last Poems
Notable awards
Children sons Sebastian Matthews and Bill Matthews

William Matthews (November 11, 1942 – November 12, 1997) was an American poet and essayist.

Life

Born and raised in Cincinnati, Ohio, Matthews attended Berkshire School and later earned a bachelor's degree from Yale University as well as a master's from the University of North Carolina at Chapel Hill.[1]

In addition to serving as a Writer-in-Residence at Boston's Emerson College, Matthews held various academic positions at institutions including Cornell University, the University of Washington at Seattle, the University of Colorado at Boulder, and the University of Iowa. He served as president of Associated Writing Programs and of the Poetry Society of America.[2] At the time of his death he was a professor of English and director of the creative writing program at City College of New York [3] A reading series has been named for him at City College of New York.[4][5] His sons are Sebastian Matthews and Bill Matthews.

Awards

During his 27 years as an author, Matthews received fellowships from the Guggenheim Foundation, and the National Endowment for the Arts. In 1980, Matthews was the poet in residence at The Frost Place in Franconia, New Hampshire, and in 1997 he was a recipient of the Ruth Lilly Poetry Prize.

Works

Matthews published 11 books of poetry, including Time & Money which won the National Book Critics Circle Award in 1996 and was a Lenore Marshall Poetry Prize finalist. Two posthumous collections have been released: Search Party: Collected Poems and After All: Last Poems. Frequent subjects in his writing are the early years of professional basketball and historical Jazz figures.

Matthews believed that poetry should have subject matter, so as to provide the substance needed for the art to fulfill its function.[6]

Bibliography

References

Further reading

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