Toreador Song

The Toreador Song is the popular name for the aria "Votre toast, je peux vous le rendre" from the opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy. It is sung by the bullfighter Escamillo as he enters in act 2 (toréador is a French term for "bullfighter") and describes various situations in the bullring, the cheering of the crowds and the fame that comes with victory. The refrain, "Toréador, en garde", forms the middle part of the prelude to act 1 of Carmen.

Music

The Bass-baritone couplet has a vocal range from A3 to F4 and a tessitura from B-flat3 to E-flat4. Its time signature is common time (4
4
), its key is F minor with the refrain in F major. The tempo indication is allegro molto moderato, =108. Frasquita, Mercédès, Carmen, Moralès, Zuniga and the chorus join for the repeat of the refrain.[1]

Text

A matador on a Carmen poster, 1939

Votre toast, je peux vous le rendre,
Señors, señors car avec les soldats
oui, les toréros, peuvent s'entendre;
Pour plaisirs, pour plaisirs,
ils ont les combats !

Le cirque est plein, c'est jour de fête !
Le cirque est plein du haut en bas;
Les spectateurs, perdant la tête,
Les spectateurs s'interpellent
À grand fracas !

Apostrophes, cris et tapage
Poussés jusques à la fureur !
Car c'est la fête du courage !
C'est la fête des gens de cœur !
Allons ! en garde !
Allons ! allons ! Ah !

(Refrain ×2)
|: Toréador, en garde ! Toréador !
Toréador !
Et songe bien, oui,
songe en combattant
Qu'un œil noir te regarde,
Et que l'amour t'attend,
Toréador, l'amour, l'amour t'attend ! :|

Tout d'un coup, on fait silence,
On fait silence… ah ! que se passe-t-il ?
Plus de cris, c'est l'instant !
Plus de cris, c'est l'instant !

Le taureau s'élance
en bondissant hors du toril !
Il s'élance ! Il entre, il frappe !…
un cheval roule,
entraînant un picador,
"Ah ! Bravo ! Toro !" hurle la foule,
le taureau va... il vient...
il vient et frappe encore !

En secouant ses banderilles,
plein de fureur, il court !
Le cirque est plein de sang !
On se sauve… on franchit les grilles !
C'est ton tour maintenant !
Allons ! en garde ! allons ! allons ! Ah !

(Refrain ×2)
|:Toréador, en garde ! Toréador !
Toréador !
Et songe bien, oui, songe en combattant
Qu'un œil noir te regarde,
Et que l'amour t'attend,
Toréador, l'amour, l'amour t'attend ! :|

L'amour ! L'amour ! L'amour !
Toréador, Toréador, Toreador !

Your toast, I can return it to you,
Señores, Señores, because with soldiers
yes, toreros can get along;
For the pleasures, for the pleasure
they fight!

The circus is full, it is a celebrating day!
The circus is full from top to ground;
The crowd goes mad,
the crowd is arguing
with great deal!

Apostrophes, shouts and noises
Push to the breaking point!
Because it is the celebration of courage!
It is the celebration of the braves of heart!
Let's go! On guard! Let's go!
Let's go! Let's go! Ah!

(Chorus ×2)
|:Toreador, on guard! Toreador!
Toreador!
And contemplate well, yes contemplate
as you fight
that a dark eye is watching you,
and that love is waiting for you,
Toreador, love, love is waiting for you! :|

All at once, we are silent,
we are silent,... Oh, what is happening?
No more shouts, this is it!
No more shouts, this is it!

The bull is rushing
while jumping out of its fence!
He is rushing in! He's entering, hitting!
A horse is falling,
Dragging down a picador.
"Ah! Bravo! Toro!" the crowd is calling,
The bull goes on... he comes...
he comes, hitting once more!

While shaking his banderillas ,
full of rage, he runs!...
the circus is full of blood !
We flee... we pass the gates!
It's your turn now!
Let's go! On guard! Let's go! Let's go! Ah!

(Chorus ×2)
|: Toreador, on guard! Toreador!
Toreador!
And think well , yes think as you are fighting
that a dark eye is watching you,
and that love is waiting for you,
Toreador, love, love is waiting for you! :|

Love! Love! Love!
Toreador, Toreador, Toreador!

References

  1. Carmen, "No. 14 – Couplets", Choudens Père et Fils (1877)
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