Twitterature

Twitterature (a portmanteau of Twitter and literature) is literary use of the microblogging service of Twitter. It includes various genres, including aphorisms, poetry and fiction written by individuals or collaboratively.

The 140-character maximum imposed by the medium provides a creative challenge.

Genres

Aphorism

Aphorism Example
The most effective way to learn is by devoting oneself to a single subject for months at a time. Its opposite is school.

Aaron Haspel, @ahaspel[1]

Aphorisms are popular because their brevity is inherently suited to Twitter. People often share well known classic aphorisms on Twitter, but some also seek to craft and share their own brief insights on every conceivable topic.[2][3] Boing Boing has described Twitter as encouraging "a new age of the aphorism", citing the novel aphorisms of Aaron Haspel.[1]

Poetry

Poetry Example

 Augusti.
Och fast det är hett
i solen
känns det ibland
känns det ibland
som om jag
faller
handlöst mot hösten.

Göran Greider, @GreiderDD[4]

Haikus are a brief poetic form well suited to Twitter; many examples can be found using the hashtag #haiku. Other forms of poetry can be found under other hashtags or by "following" people who use their Twitter accounts for journals or poetry. For example, the Swedish poet and journalist Göran Greider tweets observations and poems using the Twitter handle @GreiderDD (Göran Greider) as shown in the example on the right.

Fiction

Twitterature fiction includes 140-character stories, fan fiction, the retelling of literary classics and legends, twitter novels, and collaborative works.

140-character story example
I was mowing the lawn. I peered at my neighbor's immaculate yard; his grass was literally greener. Then a meteor fell atop his lovely house.

Arjun Basu, @ajunbasu[14]

Twitter novel example #1
I've grown to like small places. I like bugs, bug homes, walking stick bugs, blades of grass, ladybug Ferris wheels made out of dandelions.

Nick Belardes, @smallplaces[15]

Twitter novel example #2
Willum Mortimus Granger was beside himself. In fact when his body was found, the top half was right next to the bottom.

Robert K. Blechman, @RKBs_Twitstery[16]

Collaborative work example
Sam was brushing her hair when the girl in the mirror put down the hairbrush, smiled & said, "We don't love you anymore.

Neil Gaiman

Weird Twitter

Weird Twitter is a loose genre of Internet humour dedicated to publication of humorous material on Twitter that is disorganised and hard to explain.[20][21][22]

Related to anti-humour and created primarily by Twitter users who are not professional humourists, Weird Twitter-style jokes may be presented as disorganised thoughts, rather than in a conventional joke format or punctuated sentence structure.[23][24][25][26] The genre is based around the restriction of Twitter's 140-character message length, requiring jokes to be quite short.[27] The genre may also include repurposing of overlooked material on the internet, such as parodying posts made by spambots or deliberately amateurish images created in Paint.[28][29] The New York Times has described the genre as "inane" and intended "to subtly mock the site's corporate and mainstream users."[30][31]

History

Twitter was launched in 2006. The first Twitter novels appeared in 2008. The origins of the term "Twitterature" are hard to determine, but it was popularized by Aciman and Rensin's book. Since then the phenomenon has been discussed in the arts and culture sections of several major newspapers.[2][7][12][32] In addition to "twovel", the terms "twiction" and "tweet fic" (Twitter fiction), "twiller" (Twitter thriller)[33] and "phweeting" (fake tweeting) also exist.[12]

Twitterature has been called a literary genre, but is more accurately an adaptation of various genres to social media.[7] The writing is often experimental or playful; with some authors or initiators seeking to find out how the medium of Twitter affects storytelling or how a story spreads through the medium. A Swedish site called Nanoismer.se was launched in 2011 to "challenge people to write deeper than what Twitter is for".[34]

References

  1. 1 2 Marshall, Colin (February 9, 2015). "Aphorist proves Twitter is the form's perfect new home".
  2. 1 2 Becker, Tobias (August 27, 2012). "Auf die Länge kommt es an". Der Spiegel (in German).
  3. Burman, Carina (March 15, 2014). "Storlekens betydelse". Upsala Nya Tidning (in Swedish).
  4. @GreiderDD (Göran Greider) (August 2, 2014). "Twitter update" (Tweet) (in Swedish).
  5. Jorge, Clinton, et al. "Storytelling and the use of social media in digital art installations." International Conference on Interactive Digital Storytelling. Springer International Publishing, 2013.
  6. Friedlander, Joel (July 8, 2010). "Writing's Next Frontier: Twitter Fiction". The Book Designer. Retrieved August 30, 2014.
  7. 1 2 3 Bremmer, Magnus (August 29, 2009). "Twitter kan förändra vårt sätt att berätta". Svenska Dagbladet (in Swedish).
  8. "@arjunbasu's Twitter profile". Retrieved August 31, 2014.
  9. Al Sharaqi, Laila (April 21, 2016). "Twitter Fiction: A New Creative Literary Landscape". Advances in Language and Literary Studies. Retrieved September 3, 2016.
  10. "Twitter fiction: 21 authors try their hand at 140-character novels". The Guardian. 12 October 2012.
  11. Aciman, Alexander; Rensin, Emmet (2009). Twitterature: The World's Greatest Books Retold Through Twitter. Penguin. ISBN 9780141047713.
  12. 1 2 3 4 "A Literary History of Twitter". Daily Telegraph. October 14, 2011.
  13. "Such Tweet Sorrow". Archived from the original on December 24, 2011.
  14. Basu, Arjun (July 1, 2014). "Twister by @ajunbasu". Twitter.
  15. 1 2 Belardes, Nicholas (April 15, 2009). "Twitter Novel In The Twitterverse: Read The First 358 Tweets Of 'Small Places'". thenervousbreakdown.com. Retrieved August 30, 2014.
  16. 1 2 Scileppi, Tammy (January 9, 2015). "Mystery novel told in 140-character chapters". Queens Times-Ledger. Retrieved September 21, 2015.
  17. 1 2 3 Crouch, Ian (July 23, 2014). "The Great American Twitter Novel". The New Yorker.
  18. Lærke Maach, Maja (November 15, 2013). "Politiken giver gratis adgang til Pulitzer-vinders Twitter-roman". Politiken (in Danish).
  19. "Hearts, Keys and Puppetry". iTunes.
  20. Herrman, John; Notopoulos, Katie. "Weird Twitter: The Oral History". Buzzfeed. Retrieved 24 March 2016.
  21. Raymer, Miles. "Weird Twitter Leaves Irony Behind on Instagram". Motherboard. Vice. Retrieved 8 May 2016.
  22. Dewey, Caitlin. "Who is @Darth and why is this person always in my Twitter feed?". Washington Post. Retrieved 8 May 2016.
  23. Douglas, Nick. ""Weird Twitter" explained". Daily Dot. Retrieved 24 March 2016.
  24. Knoblauch, Max. "The 21 Weirdest Twitter Accounts". Mashable. Retrieved 25 March 2016.
  25. Losse, Kate. "Weird Corporate Twitter". The New Inquiry. Retrieved 24 March 2016.
  26. Flynn, John. "The Normal Dudes Of 'Weird Twitter'". Metro Silicon Valley. Retrieved 24 March 2016.
  27. Gallagher, Brenden. "A Survey of The Best and Weirdest of Weird Twitter". Complex. Retrieved 24 March 2016.
  28. Sun, Scott. "An Odd, Uplifting 'Alien': Meet The Man Behind A 'Weird Twitter' Star". All Tech Considered. NPR. Retrieved 25 March 2016.
  29. Bromwich, Jonah. "Crowd-Funding Gets Wacky". New York Times. Retrieved 8 May 2016.
  30. Bridle, James. "Meet the 'alt lit' writers giving literature a boost". The Guardian. Retrieved 8 May 2016.
  31. Armitstead, Claire (January 10, 2014). "Has Twitter given birth to a new literary genre?". The Guardian.
  32. Richtel, Matt (August 29, 2008). "Introducing the Twiller". New York Times. blogs.
  33. Dalén, Karl (December 6, 2011). "De vill göra litteratur av dina tweets". Dagens Nyheter (in Swedish).

Further reading

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