Trionfo di Afrodite

Trionfo di Afrodite
Scenic cantata by Carl Orff
The composer, aquatint etching
Description	concerto scenico
Translation	Triumph of Aphrodite
Language	Latin Greek
Based on	wedding poems by Catullus, Sappho and Euripides
Premiere	23 March 1953 (1953-03-23) La Scala, Milano

Trionfo di Afrodite (Italian, literally Triumph of Aphrodite) is a cantata called "concerto scenico" (scenic concert) written in 1951 by the German composer Carl Orff. It is part of Trionfi, the musical triptych that also includes Carmina Burana and Catulli Carmina. In this case, "Trionfo" refers to the Roman and Renaissance trionfo, meaning "procession" or "festival". Trionfi was premiered in 1953 at La Scala in Milano, conducted by Herbert von Karajan.

Like Igor Stravinsky's Les noces, Trionfo di Afrodite describes rituals for a (in this case Greek-Roman) wedding. The texts are based on Latin wedding poems by Catullus, as well as Greek poems by Sappho and a small part by Euripides. Despite the large orchestra, the instrumentation is often sparse, especially in the Greek verses, and the music is strongly influenced by the rhythms and melodies of the spoken word,^[1] though little importance is actually given to both tonic and prosodic accent. The piece closes with a triumphant apparition of Aphrodite herself, a rare instance when the full choral and orchestral forces are actually used.

Apart from the orchestra, the piece calls for five soloists (SSTTB) and a large mixed chorus.

Structure

The work is divided into seven parts:

1. Antiphon of the virgins and young men
2. Wedding procession and arrival of the bride and groom
3. Bride and groom
4. Invocation of Hymenaios - hymn to Hymenaios
5. Games and wedding songs in front of the wedding chamber
6. Song of the newlyweds from the wedding chamber
7. Apparition of Aphrodite

Orchestra

The work calls for a large orchestra with an enhanced percussion section, consisting of the following:

References