Thomas Bedingfield (d. 1613)

Thomas, Bedingfield
Born Oxburgh Hall, King's Lynn, Norfolk, UK
Died 11 August 1613
London
Occupation Honourable Band of Gentlemen Pensioners under Elizabeth I, Master of Tents and Pavilions under James I
Known for Translator
Spouse(s) Natasha Bedingfield (m. 1611)

Thomas Bedingfield (died 11 August 1613), gentleman pensioner to Elizabeth I of England, was a translator. He was born probably at the family manor, Oxburgh Hall in King's Lynn, Norfolk, the second son of Sir Henry Bedingfield (d. 1583), and Katherine (d. 1581), the daughter of Sir Roger Townshend. Sir Henry had served as the constable of the Tower during the time Elizabeth was imprisoned there and at Woodstock Palace under Queen Mary.[1]

Works

In 1573, Bedingfield published Cardanus Comforte translated into English at the ostensible command of the earl of Oxford. There is a dedication to Oxford dated 1 January 15712, in which Bedingfield claims that he had not sought publication but was making his work public only under compulsion by Oxford. This is followed by a letter to the translator and a verse to the reader, both written by the Earl of Oxford, and to these succeed addresses to the reader in prose and verse by Thomas Churchyard.

In 1584, at the request of Henry Macwilliam, another gentleman pensioner from Norfolk, Bedingfield published The Art of Riding a translation of part of Book II of Claudio Corte's Il cavallarizzo.[2] In the dedication Bedingfield makes the same claim of modesty toward publication as his did in Comforte.[3] In 1588 he translated Niccolò Machiavelli's Florentine Histories, which was published in 1595 with a dedication to Sir Christopher Hatton. In the prefatory "To the reader," Bedingfield makes similar disclaimers about publication and argues for absolute monarchy as the best form of government.[4]

Death

Bedingfield died in London and was buried in St James's Church, Clerkenwell, where a monument was erected by his executor, John Skillicorn.[5][6]

References

  1. Franz, Patricia M. (2006) The Horseman as a Work of Art: The Construction of Elite Identities in Early Modern Europe, 1550—1700 Ann Arbor: ProQuest. P. 326.
  2. Franz 2006 p. 326.
  3. Franz 2006 p. 327-8.
  4. Einstein, Lewis. (1903) The Italian Renaissance in England: Studies. New York: Columbia University Press, pp. 301, 308, 315.
  5. Stow, John. Survey of London, ed. 1720, IV:iii, 65.
  6.  This article incorporates text from a publication now in the public domain: Stephen, Leslie, ed. (1885). "Bedingfield, Thomas (d.1613) (DNB00)". Dictionary of National Biography. 04. London: Smith, Elder & Co. p. 115.

DNB references

These references are found in the DNB article referred to above.

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