The Untouchables (film)

The Untouchables

Theatrical release poster
Directed by Brian De Palma
Produced by Art Linson
Screenplay by David Mamet
Based on The Untouchables
by Eliot Ness and Oscar Fraley
Starring
Music by Ennio Morricone
Cinematography Stephen H. Burum
Edited by Gerald B. Greenberg
Bill Pankow
Distributed by Paramount Pictures
Release date
  • June 2, 1987 (1987-06-02) (New York City premiere)
  • June 3, 1987 (1987-06-03) (United States)
Running time
119 minutes
Country United States
Language English
Budget $25 million[1]
Box office $106.2 million[2]

The Untouchables is a 1987 American gangster film directed by Brian De Palma, produced by Art Linson, written by David Mamet, and based on the book The Untouchables (1957). The film stars Kevin Costner, Charles Martin Smith, Andy Garcia, Robert De Niro, and Sean Connery. Ness forms the Untouchables team to bring Al Capone to justice during Prohibition. The Grammy Award-winning score was composed by Ennio Morricone and features some period-correct music by Duke Ellington.[3]

The Untouchables premiered on June 2, 1987 in New York City, and went into general release on June 3, 1987 in the United States. The film grossed $106.2 million worldwide and received generally positive reviews from critics. It was nominated for four Academy Awards; Connery won the Academy Award for Best Supporting Actor.[4]

Plot

During Prohibition in 1930, Al Capone has nearly the whole city of Chicago under his control and supplies illegal liquor. Bureau of Prohibition agent Eliot Ness is assigned to stop Capone, but his first attempt at a liquor raid fails due to corrupt policemen tipping Capone off. He has a chance meeting with Irish-American veteran officer Jimmy Malone, who is fed up with the rampant corruption and offers to help Ness, suggesting that they find a man from the police academy who has not come under Capone's influence. They recruit Italian-American trainee George Stone (aka-Giuseppe Petri) for his superior marksmanship and intelligence. Joined by accountant Oscar Wallace, assigned to Ness from Washington, D.C., they conduct a successful raid on a Capone liquor cache and start to gain positive publicity, with the press dubbing them "The Untouchables." Capone later kills the henchman in charge of the cache as a warning to his other men.

Wallace discovers that Capone has not filed an income tax return for some years and suggests that the team try to build a tax evasion case against him, since he is well-insulated from his other crimes. An alderman offers Ness a bribe to drop his investigation, but Ness angrily refuses it and throws him out of the office. When Capone gunman Frank Nitti threatens Ness' family, Ness has his wife and daughter moved to a safe house. His team flies to the Canada–United States border to intercept an incoming liquor shipment, aided by the Royal Canadian Mounted Police, killing several gangsters and capturing George, a Capone bookkeeper. Malone then shoots a gangster through the mouth (not revealing the man is already dead) to scare George into agreeing to testify against Capone.

Wallace prepares to escort George from the Chicago police station to a safe house, but they are shot and killed by Nitti, who has infiltrated the station. Ness confronts Capone and his men over the deaths, but Malone intervenes to save him from being killed and urges him to persuade the district attorney not to dismiss the charges against Capone. Realizing that police chief Mike Dorsett sold out Wallace and George, Malone forces him to reveal the whereabouts of Walter Payne, Capone's chief bookkeeper. That night, a knife-wielding thug sneaks into Malone's apartment; Malone chases him out with a shotgun, but falls victim to Nitti's Tommy gun ambush. Ness and Stone arrive at the apartment; before dying, Malone tells them which train Payne will take out of town.

At Union Station, Ness and Stone find Payne guarded by several gangsters. A gunfight breaks out on the lobby steps, resulting in all the gangsters being killed and Payne being taken alive. As Payne testifies at Capone's trial, explaining the untaxed cash flows throughout the syndicate, Ness notices that Capone seems unusually relaxed and also spots Nitti carrying a gun under his jacket. Ness has the bailiff remove Nitti and searches him outside the courtroom; though he has the mayor's permission to carry the weapon, Ness finds a matchbook in Nitti's pocket containing Malone's address and realizes that Nitti killed Malone. Nitti shoots the bailiff and flees to the courthouse roof. Ness gives chase and in the ensuing confrontation, pushes Nitti to his death after he mocks the way Malone died.

Stone gives Ness a list, taken from Nitti's jacket, that shows bribes paid to the jurors. When the judge refuses to consider it as evidence of jury tampering, Ness bluffs him into thinking that his name is in Payne's ledger of payoffs. The judge subsequently orders that the jury be switched with one in another courtroom, prompting Capone's lawyer to enter a guilty plea on his behalf; Capone is later sentenced to eleven years in prison. Ness closes up his office and gives Malone's St. Jude medallion and callbox key to Stone as a farewell gift. As Ness leaves the police station, a reporter mentions a rumor that Prohibition may soon be repealed and asks what Ness will do if that happens. Ness replies, "I think I'll have a drink."

Cast

Background

De Niro wanted one extra scene written for his character, and time to finish his commitment to the Broadway production of Cuba and His Teddy Bear and to gain about 30 pounds (14 kg) to play Capone; according to De Palma, De Niro was "very concerned about the shape of his face for the part."[1] The Untouchables began production in Chicago on August 18, 1986.[5] Actual historical Chicago locations were featured in the movie.[6]

A month after the film was released, De Palma downplayed his role on the film:

Being a writer myself, I don't like to take credit for things I didn't do. I didn't develop this script. David [Mamet] used some of my ideas and he didn't use some of them. I looked upon it more clinically, as a piece of material that has to be shaped, with certain scenes here or there. But as for the moral dimension, that's more or less the conception of the script, and I just implemented it with my skills – which are well developed. It's good to walk in somebody else's shoes for a while. You get out of your own obsessions; you are in the service of somebody else's vision, and that's a great discipline for a director.[7]

De Palma met with Bob Hoskins to discuss the role in case De Niro, the director's first choice for the part, turned it down. When De Niro took the part, De Palma mailed Hoskins a check for £20,000 with a "Thank You" note, which prompted Hoskins to call up De Palma and ask him if there were any more movies he didn't want him to be in.[8] Mickey Rourke turned down the lead role of Ness.[9]

Production

Principal photography begin in the summer of 1986 in Chicago, Illinois where Eliot Ness' story begins with him taking down Al Capone and recruiting his team The Untouchables. One afternoon in August 1986, Paramount Pictures contacted Garry Wunderwald of the Montana Film Commissioner's Office to find a 1930-period bridge to imply a border crossing between the United States & Canada. The one bridge that Wunderwald suggested was the Hardy Bridge, which crosses the Missouri River near the small town of Cascade, Montana. From October 6 to October 20, the Hardy Bridge was closed to traffic to film the iconic shootout sequence. 25 local residents were cast to ride horseback as red coated Royal Canadian Mounted Police during the scene. The crew then built cabins and summer homes along the river. 600 trees were brought in from Lincoln and Kalispell areas, and planted in a day and a half. Several 1920s & 1930s-era Fords and Ford Model-T from ranchers from Conrad and Great Falls were also brought in. Actual filming took approximately 10 days, but the production staff reserved the bridge for enough time to allow for production delays. Hundreds of people were allowed to watch filming from a nearby field. Actor Sean Connery, who plays Jim Malone in the film, treated well-wishers and fans openly and cordially. Production was completed shortly after.[10]

Reception

The Untouchables opened on June 3, 1987 in 1,012 theatres where it grossed $10,023,094 on its opening weekend and ranked the sixth-highest opening weekend of 1987. It went on to make $76.2 million in North America.[11] According to producer Art Linson, the polls conducted for the film showed that approximately 50% of the audience were women. "Ordinarily, a violent film attracts predominantly men, but this is also touching, about redemption and relationships and because of that the audience tends to forgive the excesses when it comes to violence".[12]

The Untouchables received positive reviews from film critics and has an 80% rating on Rotten Tomatoes. The consensus reads, "Slick on the surface but loaded with artful touches, Brian DePalma's classical gangster thriller is a sharp look at period Chicago crime, featuring excellent performances from a top-notch cast."[13] Vincent Canby, of The New York Times, gave the film a positive review, calling it "a smashing work" and saying it was "vulgar, violent, funny and sometimes breathtakingly beautiful".[14] Conversely, Roger Ebert of the Chicago Sun-Times praised the film for its action sequences and locations but disapproved of David Mamet's script and Brian De Palma's direction.[15] Hal Hinson, in his review for the Washington Post, also criticized De Palma's direction: "And somehow we're put off here by the spectacular stuff he throws up onto the screen. De Palma's storytelling instincts have given way completely to his interest in film as a visual medium. His only real concern is his own style".[16] Time magazine's Richard Schickel wrote, "Mamet's elegantly efficient script does not waste a word, and De Palma does not waste a shot. The result is a densely layered work moving with confident, compulsive energy".[17]

Ebert singled out De Niro's scenes portraying Al Capone as the biggest disappointment of the film, while giving praise to Sean Connery's work. While he was voted first place in an Empire magazine historical poll for worst film accent,[18] Connery was awarded the Academy Award for Best Actor in a Supporting Role for his performance. Pauline Kael called it "a great audience movie – a wonderful potboiler." Time magazine ranked it as one of the best films of 1987.[19]

Accolades

Award Category Subject Result
Academy Awards Best Supporting Actor Sean Connery Won
Best Costume Design Marilyn Vance Nominated
Best Original Score Ennio Morricone Nominated
Best Production Design Patrizia von Brandenstein Nominated
William A. Elliott Nominated
Hal Gausman Nominated
ASC Award Outstanding Achievement in Cinematography in Theatrical Releases Stephen H. Burum Nominated
ASCAP Award Top Box Office Films Ennio Morricone Won
BAFTA Awards Best Supporting Actor Sean Connery Nominated
Best Music Ennio Morricone Won
Best Production Design Patrizia von Brandenstein Nominated
William A. Elliott Nominated
Hal Gausman Nominated
Best Costume Design Marilyn Vance Nominated
Blue Ribbon Award Best Foreign Film Brian De Palma Won
César Award Best Foreign Film Nominated
David di Donatello Award Best Foreign Film Art Linson Nominated
Golden Globe Awards Best Supporting Actor – Motion Picture Sean Connery Won
Best Original Score Ennio Morricone Nominated
Grammy Award Best Film Soundtrack Won
Japan Academy Prize Best Foreign Language Film Nominated
Kansas City Film Critics Circle Award Best Supporting Actor Sean Connery Won
London Film Critics' Circle Award Best Actor of the Year Won
Los Angeles Film Critics Association Award Best Supporting Actor 2nd place
Nastro d'Argento Silver Ribbon for Best Score Ennio Morricone Won
NBR Award Top 10 Films Won
Best Supporting Actor Sean Connery Won
NSFC Award Best Supporting Actor 2nd place
NYFCC Award Best Supporting Actor 2nd place
WGA Award Best Adapted Screenplay David Mamet Nominated

American Film Institute

Video game

Reception
Review scores
PublicationScore
CVG85%[25]
Crash94%[26]
EGM5.8/10 (SNES)[27]
Sinclair User95%[28]
Your Sinclair94%[29]
Zzap!6496%[30]
The Games Machine96%[31]
Awards
PublicationAward
Zzap!64Gold Medal
CrashCrash Smash
Your SinclairMegagame

A side-scrolling video game was released by Ocean Software in 1989 on ZX Spectrum, Amstrad CPC, Commodore 64, MSX, Amiga, DOS, and later on NES and SNES. Based loosely on the movie, the game plays out some of the more significant parts of the film. Set in Chicago, the primary goal of the game is to take down Al Capone's henchmen and eventually detain Capone.

Electronic Gaming Monthly gave the Super NES version a 5.8 out of 10, commenting that "This title would have been better if it were Super Scope compatible, for it is a bit difficult to use the pad during the shooting sequences."[27]


References

  1. 1 2 Siskel, Gene (September 21, 1986). "De Niro, De Palma, Mamet Organize Crime with a Difference". Chicago Tribune. ProQuest Archiver. Retrieved 2010-06-04.
  2. "The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement". John W. Cones, 1997, SIU Press, p.7. Retrieved 2013-12-29.
  3. Tullio Kezich (September 6, 1987). "Piace Al Capone superstar". la Repubblica (in Italian). p. 23.
  4. "The 60th Academy Awards (1988) Nominees and Winners". oscars.org. Retrieved 2011-07-31.
  5. "The Untouchables, a Brian De Palma film, to begin production in Chicago on August 18". PR Newswire. HighBeam Research. August 14, 1986. Retrieved 2010-06-04.
  6. Actual Chicago and Montana locations of historical buildings used in The Untouchables
  7. Bennetts, Leslie (July 6, 1987). "The Untouchables: De Palma's Departure". The New York Times. Retrieved 2010-06-04.
  8. "Bob Hoskins paid not to play Capone". Metro Newspapers. March 19, 2009. Retrieved 2011-06-03.
  9. "Mickey Rourke: a life in film". Time Out. Retrieved 10 September 2015.
  10. D’AMBROSIO, BRIAN. "The Untouchables’ Montana touch: Hollywood shoot-out scene comes to Montana". Montana Magazines. Retrieved 2017-03-09.
  11. "The Untouchables". Box Office Mojo. Retrieved 2008-07-17.
  12. Darnton, Nina (June 12, 1987). "At the Movies". The New York Times. Retrieved 2010-03-31.
  13. "The Untouchables (1987)". Rotten Tomatoes. Retrieved 13 July 2015.
  14. "De Niro in The Untouchables". The New York Times. June 3, 1987. Retrieved 2008-07-17.
  15. Ebert, Roger (June 3, 1987). "The Untouchables". Chicago Sun-Times. Retrieved 2008-07-17.
  16. Hinson, Hal (June 3, 1987). "The Untouchables". Washington Post. Retrieved 2008-07-17.
  17. Schickel, Richard (June 8, 1987). "In The American Grain". Time. Retrieved 2010-03-31.
  18. "Connery 'has worst film accent'". BBC. June 30, 2003. Retrieved 2008-07-17.
  19. "Best of '87: Cinema". Time. January 4, 1988. Retrieved 2010-03-31.
  20. AFI's 100 Years...100 Movies Nominees
  21. AFI's 100 Years...100 Thrills Nominees
  22. 1 2 AFI's 100 Years...100 Heroes and Villains
  23. AFI's 100 Years of Film Scores Nominees
  24. AFI's 10 Top 10 Ballot
  25. "Archive - Magazine viewer". World of Spectrum. Retrieved 2013-03-05.
  26. "Archive - Magazine viewer". World of Spectrum. Retrieved 2013-03-05.
  27. 1 2 "Review Crew: The Untouchables". Electronic Gaming Monthly (54). EGM Media, LLC. January 1994. p. 44.
  28. "Archive - Magazine viewer". World of Spectrum. Retrieved 2013-03-05.
  29. "The Untouchables". Ysrnry.co.uk. Retrieved 2013-03-05.
  30. "Zzap!64 100th Issue Pull-Out Special Page 5". Zzap64.co.uk. Retrieved 2013-03-05.
  31. "Archive - Magazine viewer". World of Spectrum. Retrieved 2013-03-05.
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