The Thing (2011 film)

The Thing

Theatrical release poster
Directed by Matthijs van Heijningen Jr.
Produced by
Written by Eric Heisserer
Based on Who Goes There?
by John W. Campbell
Starring
Music by Marco Beltrami
Cinematography Michel Abramowicz
Edited by
Production
company
Distributed by Universal Pictures
Release date
  • October 10, 2011 (2011-10-10) (Universal City premiere)
  • October 14, 2011 (2011-10-14) (US)
Running time
 103 minutes[1]
Country
  • United States
  • Canada[2]
Language English
Norwegian
Budget $38 million[3]
Box office $27.4 million[4]

The Thing is a North American 2011 science-fiction horror film directed by Matthijs van Heijningen Jr. and written by Eric Heisserer based on the novella Who Goes There? by John W. Campbell. It is a prequel to the 1982 film of the same name by John Carpenter, which was itself a remake of the 1951 film The Thing from Another World. The film stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen, Adewale Akinnuoye-Agbaje, and Eric Christian Olsen. They are part of a team of Norwegian and American scientists who discover an alien buried deep in the ice of Antarctica, realizing too late that it is still alive.

Plot

In 1982, an alien spacecraft is discovered beneath the Antarctic ice by a team from a Norwegian research base: Edvard (Trond Espen Seim), Jonas (Kristofer Hivju), Olav (Jan Gunnar Røise), Karl (Carsten Bjørnlund), Juliette (Kim Bubbs), Lars (Jørgen Langhelle), Henrik (Jo Adrian Haavind), Colin (Jonathan Lloyd Walker), and Peder (Stig Henrik Hoff). Columbia University paleontologist Kate Lloyd (Mary Elizabeth Winstead) is recruited by Dr. Sander Halvorson (Ulrich Thomsen) and his assistant Adam Finch (Eric Christian Olsen) to investigate the discovery.

They travel to the Norwegian base, Thule Station, located in Antarctica near U.S. Outpost 31, in a helicopter manned by Carter (Joel Edgerton), Derek (Adewale Akinnuoye-Agbaje), and Griggs (Paul Braunstein). After viewing the spacecraft, Kate, Sander, and Adam are told the group also discovered an alien body from the crash, buried in the ice nearby. In the afternoon the body is brought to the base in a block of ice.

That evening, while the team celebrates their find, Derek sees the alien burst from the ice and escape the building. The team searches for the creature and discovers that it killed Lars' dog. Olav and Henrik find the alien, which then grabs and engulfs Henrik. The rest of the group arrive and set fire to the creature, killing it. An autopsy of the scorched alien corpse reveals that its cells were consuming and imitating Henrik's own.

Derek, Carter, Griggs and a sick Olav take the helicopter to seek help. Kate discovers bloody dental fillings near a blood-soaked shower. She runs outside to flag down the helicopter after it takes off. When it attempts to land, Griggs transforms into the Thing and attacks Olav, causing the helicopter to spin out of control and crash in the mountains. When Kate returns to the shower, she finds the blood is gone.

The team decides to send a party to the closest base, but Kate confronts them with her theory that the Thing can imitate them and has likely already done so. They dismiss her claims, but Juliette says she saw Colin leaving the showers. When Juliette and Kate look for the vehicle keys to prevent the others from leaving, Juliette transforms and tries to attack Kate. As Kate flees, she runs past Karl, who is impaled by the creature. Lars arrives with a flamethrower and burns the creature just as it assimilates Karl. At nightfall, they burn the remains of the Juliette-Thing and Karl's body.

That night, Edvard, Kate and Lars find Carter and Derek stumbling into base, half frozen. The team refuses to believe that they could have survived the crash. Kate has them isolated until a test can be prepared to verify they are human. Adam and Sander had started to work on a test, but the lab is set on fire in the few minutes it's left unattended. Kate proposes another test, believing that the Thing cannot imitate inorganic material. She inspects everyone and singles out those without amalgam dental fillings: Sander, Edvard, Adam, and Colin, while herself, Peder, Jonas and Lars are proven human.

Lars and Jonas go to retrieve Carter and Derek for testing, and discover they have broken out. As Lars searches a nearby building, he is suddenly pulled inside. The group hears Carter and Derek breaking into the building and rushes to intercept them. In the middle of a standoff, Edvard orders Peder to burn them. Before he can, Derek shoots Peder dead in self-defense with Lars' gun, but also punctures the flamethrower's fuel tank, setting off an explosion that knocks Edvard unconscious.

When brought to the rec room, Edvard transforms and infects Jonas and kills Derek before assimilating Adam. Kate torches the infected Jonas and Derek's body before she and Carter pursue the Thing. While the pair searches, Sander is ambushed by the Thing and Colin hides in the radio room and isn't seen again. They get separated and the Thing, into which Edvard and Adam are now fused, corners Carter in the kitchen, but Kate burns it before it can kill him. They then see an infected Sander drive off into the blizzard and pursue him in the remaining snowcat. While they are pursuing Sander, Kate notices that Carter is wearing his gold earring, reassuring her that he is still human at this point.

They arrive at the spacecraft, where it suddenly activates and its engines begin to melt the ice over it. Kate falls into the ship and is separated from Carter. Kate discovers the source of the radio transmission at the beginning of the film, in the form of a giant glowing cylinder with strange geometric blocks forming and shifting apart, the signal still broadcasting. Confronted by Sander, who has transformed into a larger creature, Kate destroys it with a thermite grenade and the explosion deactivates the ship, shutting down its engines. Kate and Carter escape the ship and Carter suggests driving to a Soviet base about fifty miles away, saying that they'd stashed enough fuel in their snowcat to be just able to cover that distance.

As Kate and Carter return to their vehicle, Kate notices that Carter is missing his earring and becomes suspicious. She tells him that she knew he was human earlier because he was still wearing the earring, implying she suspects he may have been assimilated while they were separated in the alien ship. Upon hearing this, Carter realizes that the earring is missing and points to his ear while attempting to explain its disappearance and reassure Kate. When Carter points to the wrong ear, Kate realizes he must have been assimilated and proceeds to burn him. She then retreats to Sander's snowcat and stares blankly as the screen fades black.

As the final credits roll, a helicopter pilot, Matias, arrives by morning at the now destroyed Norwegian outpost. He shouts, looking for any survivors. Colin is shown to have committed suicide in the radio room using a straight razor to slash both his arms and throat to ensure the Thing could never get to him. Matias sees the charred remains of the Adam/Edvard-Thing in the snow.

Lars, now revealed to be alive and uninfected, orders Matias at gunpoint to show his dental fillings to prove that he is a human. The Thing, having taken the form of Lars' deceased dog, runs out of the camp. Lars realizes it's the Thing and orders Matias to start the helicopter. As the dog flees, the two chase it in the Norwegian helicopter, with Matias piloting and Lars leaning out of the open doorway, trying to shoot it with a scoped rifle, thus leading into the events of the 1982 film.

Cast

Production

Development

"It's a really fascinating way to construct a story because we're doing it by autopsy, by examining very, very closely everything we know about the Norwegian camp and about the events that happened there from photos and video footage that's recovered, from a visit to the base, the director, producer and I have gone through it countless times marking, you know, there's a fire axe in the door, we have to account for that…we're having to reverse engineer it, so those details all matter to us ‘cause it all has to make sense."
 — Eric Heisserer describing the process of creating a script that is consistent with the first film.[17]

After creating the Dawn of the Dead remake, producers Marc Abraham and Eric Newman began to look through the Universal Studios library to find new properties to work on.[18] Upon finding John Carpenter's 1982 film The Thing, the two convinced Universal to create a prequel instead of a remake, as they felt that remaking Carpenter's film would be like "paint(ing) a moustache on the Mona Lisa".[19] Eric Newman explained; "I'd be the first to say no one should ever try to do Jaws again and I certainly wouldn't want to see anyone remake The Exorcist... And we really felt the same way about The Thing. It's a great film. But once we realized there was a new story to tell, with the same characters and the same world, but from a very different point of view, we took it as a challenge. It's the story about the guys who are just ghosts in Carpenter's movie – they're already dead. But having Universal give us a chance to tell their story was irresistible."[20]

In early 2009, Variety reported the launch of a project to film a prequel—possibly following MacReady's brother during the events leading up to the opening moments of the 1982 film—with Matthijs van Heijningen Jr. as director and Ronald D. Moore as writer.[21][22] Matthijs van Heijningen, Jr. became involved in the project when his first planned feature film, a sequel to the Dawn of the Dead remake, a zombie film taking place in Las Vegas written and produced by Zack Snyder, who directed the Dawn of the Dead remake, and co-produced by Abraham and Newman, called Army of the Dead, was cancelled by the studio three months before production began. Needing to start all over again, he asked his agent to see if there was a The Thing project in development, since Alien and The Thing are his favorite films.[23] As a fan of Carpenter's film, he was interested in the project because, being European himself, he had always wondered what happened at the Norwegian camp.[24] In March 2009, Moore described his script as a "companion piece" to Carpenter's film and "not a remake."[25] "We're telling the story of the Norwegian camp that found the Thing before the Kurt Russell group did", he said.[25] Eric Heisserer was later hired to do a complete rewrite of Moore's script.[26] Heisserer explained that in writing the script, it was necessary for him to research all the information that was revealed about the Norwegian camp from the first film, down to the smallest details, so that it could be incorporated into the prequel in order to create a consistent backstory.[17] The decision was made to name the film the same title as the first film, because the producers felt adding a "colon title" such as Exorcist II: The Heretic had felt less reverential.[24] In April 2010 it was revealed that Scott Frank had been hired to work uncredited on new dialogue for the film.[27]

Matthijs van Heijningen, Jr. explained that he created the film not to simply be a horror film, but to also focus largely on the human drama with the interaction between characters, as the first film had.[28] The director felt that horror films worked better when time was spent to explore the characters' emotional journeys, allowing the audience to care about them.[29] Mary Elizabeth Winstead insisted that the film would not feature any romantic or sexual elements with her character, as it would be inappropriate considering the tone of the film.[30] Adewale Akinnuoye-Agbaje said that the film would try to recreate the feeling of paranoia and distrust that the first film had, where the characters can't tell who has been infected by the alien.[31] The filmmakers drew additional inspiration for the film from the original novel Who Goes There?, in making the characters in the film educated scientists as opposed to "blue collar" workers.[24] However, the filmmakers drew no influence from the events of The Thing video game.[24] The director also drew additional inspiration from the film Alien in creating the film, particularly in regard to casting a female lead,[28] and in the way the alien creatures are filmed by not showing too much of them.[23] Matthijs van Heijningen also cited the films of director Roman Polanski as influence, such as his work on Rosemary's Baby.[29] Actual Norwegian and Danish actors were cast in the film to play the Norwegian characters,[24] and the director allowed the actors to improvise elements different from what was scripted when they felt it was appropriate, such as a scene where the characters sing a Norwegian folk song called Sámiid Ædnan ("Lapland").[29][30][32] Many scenes involving characters speaking Norwegian were subtitled,[33] and the language barrier between them and the English speaking characters is exploited to add to the film's feeling of paranoia.[34] Director Matthijs van Heijningen said that the film would show the alien creature in its "pure form", as it was discovered in its ship by the Norwegians; however, it is not revealed whether this is the creature's original form or the form of another creature it had assimilated.[6] Addressing rumors stating that John Carpenter wished to have a cameo appearance in the film,[24] Carpenter himself corrected these in an interview for the fan site "Outpost 31", in August 2012. "[Those] rumors are not true", Carpenter stated in the interview.[35]

Filming and post-production

The film was shot in the anamorphic format on 35 mm film, as the director dislikes the look of films shot digitally.[29] The director chose not to fast cut the film, instead opting for a slower pace, hoping to build a sense of pending dread.[29] The prequel was filmed in Pinewood Toronto Studios, Port Lands on March 22, 2010 and ended on June 28, 2010.[36] On set, the director had a laptop computer which contained "a million" screen captures of the Carpenter film, which he used as a point of reference to keep the Norwegian camp visually consistent with the first film.[37] Alec Gillis and Tom Woodruff, Jr. of Amalgamated Dynamics created the practical creature effects for the film.[38] In addition to creating the effects for the human-Thing transformations, Gillis, Woodruff and their team had the challenge of coming up with the look of the alien in the ice block unearthed by the Norwegians. While it was initially only intended to be shown as a silhouette, the director liked their designs and encouraged them to fully create the creature, which was realised by creating a monster suit that Tom Woodruff wore.[34] The effects team opted to use cable-operated animatronics over more complex hydraulic controls, as they felt they gave a more "organic feel".[34] In order to emulate the creature effects of the first film, Heisserer revealed that traditional practical effects would be used on the creatures whenever possible.[39] The film's computer-generated imagery was created by Image Engine, the effects house who worked on Neil Blomkamp's 2009 film District 9.[28] Computer Graphics were used to digitally create extensions on some of the practical animatronic effects, as well as for digital matte paintings and set extensions.[28] Alec Gillis stated that the advancement of animatronic technology since 1982 combined with digital effects allowed the effects team to expand upon the possible creature conceptions.[37] Matthijs van Heijningen preferred to use practical effects over computer imagery, as he believed actors give better performances when they have something physical to react to.[24] However, in post-release interviews, Alec Gillis revealed that while Amalgamated Dynamics creature designs for the film remained intact, most of their practical effects ended up being digitally replaced in post-production. The creation of Gillis's all-practical-effects independent horror film Harbinger Down was partially in response to this.[40][41] Stunt men covered in fire-retardant gel were used in scenes when characters are set on fire.[34] The original Ennio Morricone score was reflected in the film's score, but it was initially reported that Morricone did not score the film, nor was his music from the 1982 version used.[33] However, his theme "Humanity (Part II)" appears in a bonus scene during the prequel's ending credits (indicating how it leads directly into the 1982 film).

The interior of the crashed alien spacecraft was created by production designer Sean Haworth.[34] To design the ship, Haworth had to recreate what little was shown of the spacecraft in the Carpenter film, then "fill the gaps" for what was not originally shown. Haworth and a team of approximately twelve others then created the inside of the ship as a several story-high interior set constructed mostly out of a combination of foam, plaster, fiberglass, and plywood.[34] The ship was designed specifically to look as if it were not made to accommodate humans, but rather alien creatures of different size and shape who could walk on any surface.[34] A section of the craft called the "pod room" was designed to imply the alien creatures manning it had collected specimens of different alien species from around the universe for a zoological expedition.[34][42]

While the film was originally set for release in April, Universal Pictures changed the date to October 14, 2011,[43] to allow time for reshoots. The intention of the reshoots was to "enhance existing sequences or to make crystal clear a few story beats or to add punctuation marks to the film's feeling of dread."[44] On his Facebook page, Matthijs van Heijningen, Jr. claimed that the reshoots of the film included making an entirely different ending, referring to the original cut as the "Pilot Version" and the new cut as the "Tetris Version". In the original ending, Kate was to discover the original pilots of the spaceship which had all been killed by The Thing, which was an escaped specimen they had collected from another planet, implying that the ship was crashed in an attempt to kill the monster. "I liked that idea because it would be the Norwegian camp in space. Kate sees the pod room and one pod being broken, giving her the clues what happened. What didn't work was that she wanted to find Sander and stop the ship from taking off and still solve the mystery in the ship. These two energies were in conflict."[45]

Release

Box office

The Thing grossed $8,493,665 over the opening weekend and ended up third on the box office chart. It was distributed to 2,996 theaters and spent a total of one week on the top 10 chart, before dropping down to the 16th position in its second week. It concluded its domestic run with a total of $16,928,670.[46] Its box office collections was called "an outright disappointment" by Box Office Mojo, who goes on to say "[the film] was naturally at a disadvantage: a vague "thing" doesn't give prospective audiences much to latch on to. It was therefore left up to fans of the original, who are already familiar with the concept, to turn out in strong numbers."[47] The film grossed $9,530,415 in foreign countries,[48] bringing the total worldwide box-office gross so far to $27,428,670.[46]

Reception

On Rotten Tomatoes, the film has an approval rating of 36% based on 149 reviews, with an average rating of 5.1/10. The site's critical consensus reads, "It serves the bare serviceable minimum for a horror flick, but The Thing is all boo-scares and a slave to the far superior John Carpenter version."[49] On Metacritic, which assigns a weighted average rating to reviews, the film a score of 49 out of 100, based on 31 critics, indicating "mixed or average reviews".[50] In CinemaScore polls users gave the film a "B-" on an A+ to F scale.[51]

Michael Phillips of the Chicago Tribune gave the film a rating of 3 out of 4, saying "While I wish van Heijningen's Thing weren't quite so in lust with the '82 model, it works because it respects that basic premise; and it exhibits a little patience, doling out its ickiest, nastiest moments in ways that make them stick".[52] Andrew O'Hehir of Salon.com called it a "Loving prequel to a horror classic", saying "It's full of chills and thrills and isolated Antarctic atmosphere and terrific Hieronymus Bosch creature effects, and if it winks genially at the plot twists of Carpenter's film, it never feels even a little like some kind of inside joke."[53] James Berardinelli gave it three stars out of four, saying that it "offers a similar overall experience" to the 1982 film, but "without replicating styles and situations".[54] Christopher Orr of The Atlantic wrote that the narrative choices open to a prequel "exist on a spectrum from the unsurprising to the unfaithful", but van Heijningen "has managed this balancing act about as well as could be hoped" and although the line between homage and apery is a fine one, "in our age of steady knockoffs, retreads, and loosely branded money grabs, The Thing stands out as a competent entertainment, capably executed if not particularly inspired."[55] Josh Bell of Las Vegas Weekly rated the film three out of five stars and wrote, "Winstead makes for an appealing protagonist, and Kate is portrayed as competent without being thrust into some unlikely action-hero role."[56]

Kathleen Murphy of MSN Movies rated it two-and-a-half out of five stars, calling it "a subpar slasher movie tricked out with tired 'Ten Little Indians' tropes and rip-offs from both Carpenter and the Christian Nyby-Howard Hawks' 1951 version of the chilling tale that started it all, John W. Campbell, Jr.'s Who Goes There?".[57] Jim Vejvoda of IGN Movies also rated the film two-and-a-half out of five, saying, "This incarnation of The Thing is much like the creature it depicts: An insidious, defective mimic of the real, er, thing. It's not an entirely lost cause, but it is a needless one."[58] Roger Ebert gave the film two and a half stars out of four, the same rating he gave the 1982 film.[59] In Patrick Sauriol of Coming Attractions' review, he states, "Stack it up against John Carpenter's version and it looks less shiny, but let's face it, if you’re that kind of Thing fan you’re going to go see the new movie anyway. Try and judge today's Thing on its own merits."[60]

Accolades

The film was nominated for two awards at the 38th Saturn Awards, but lost to The Girl with the Dragon Tattoo and X-Men: First Class, respectively.

Year Award Category Recipient Result Ref.
2012 Saturn Awards Best Horror/Thriller Film The Thing Nominated [61]
Best Make-Up Tom Woodruff, Jr. and Alec Gillis Nominated

Soundtrack

The Thing: Original Motion Picture Soundtrack
Soundtrack album by Marco Beltrami
Released October 11, 2011
Genre Film score
Length 55:31
Label Varèse Sarabande

The music composed for the film by Marco Beltrami was released in October 11, 2011. The soundtrack was released under the label Varèse Sarabande.[62]

Track listing

  1. "God's Country Music" – 1:27
  2. "Road to Antarctica" – 2:41
  3. "Into the Cave" – 0:39
  4. "Eye of the Survivor" – 2:25
  5. "Meet and Greet" – 2:55
  6. "Autopsy" – 3:08
  7. "Cellular Activity" – 1:38
  8. "Finding Filling" – 3:25
  9. "Well Done" – 1:32
  10. "Female Persuasion" – 4:51
  11. "Survivors" – 3:28
  12. "Open Your Mouth" – 4:20
  13. "Antarctic Standoff" – 3:28
  14. "Meating of the Minds" – 4:28
  15. "Sander Sucks at Hiding" – 2:22
  16. "Can't Stand the Heat" – 2:10
  17. "Following Sander's Lead" – 2:39
  18. "In the Ship" – 2:39
  19. "Sander Bucks" – 0:45
  20. "The End" – 2:33
  21. "How Did You Know?" – 2:29

Reception

AllMusic rated the album 3.5/5 saying, "Composer Marco Beltrami's appropriately tense and brooding score for director Matthijs van Heijningen, Jr.'s 2011 [prequel to] The Thing dutifully echoes Ennio Morricone's stark score for the original version, which in its own way echoed the soundtrack work of that film's director, John Carpenter."[63]

Uncredited

The Norwegian characters play an excerpt from the song Sámiid Ædnan.

Home media

The Thing was released on Blu-ray and DVD on January 31, 2012 in the US.[64] The film earned an additional $5,174,780 through DVD sales.[65]

The film was made into a maze at both Universal Studios Hollywood's and Universal Orlando Resort's 2011 Halloween Horror Nights events, having the subtitle Assimilation at Hollywood's version.

References

  1. ↑ "The Thing (15)". British Board of Film Classification. 2011-08-25. Retrieved 2011-08-28.
  2. ↑ http://lumiere.obs.coe.int/web/film_info/?id=37115
  3. ↑ "Can 'The Thing' remake help stop Universal's losing streak?". Los Angeles Times. March 15, 2010. Retrieved April 20, 2010.
  4. ↑ "Box Office Mojo: The Thing (2011)". Box Office Mojo. 2011-11-01. Retrieved November 1, 2011.
  5. ↑ Fischer, Russ (April 7, 2010). "First Set Image for Universal’s Prequel to The Thing". /Film. Retrieved April 20, 2010.
  6. 1 2 3 "NYCC 2010: ‘The Thing’ Panel Reveals First Footage". geeksofdoom.com. October 10, 2010. Retrieved January 24, 2011.
  7. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 "'The Thing' Production Notes" (PDF). The Thing 2011 Film Official Site. Universal Studios. 2011. Retrieved October 7, 2011. External link in |work= (help)
  8. ↑ Edgerton, Joel (April 6, 2010). "Joel Edgerton discusses new Thing". Total Film. Future Publishing. Retrieved April 20, 2010.
  9. ↑ "Casting update for "The Thing" Prequel !". Oh My Gore. March 21, 2010. Retrieved April 20, 2010.
  10. ↑ "'The Thing' Prequel Gains Some Muscle".
  11. 1 2 3 Miska, Brad (March 17, 2010). "Update: A Massive Amount of Norwegians Fill 'The Thing' Cast". Bloody Disgusting. Retrieved April 20, 2010.
  12. ↑ "The Thing Prequel: Are These 'Them Crazy Swedes'?". Dread Central. CraveOnline. March 17, 2010. Retrieved April 20, 2010.
  13. ↑ Miska, Brad (June 30, 2010). "Official Plot Synopsis for 'The Thing' Prequel". Bloody Disgusting. Retrieved June 30, 2010.
  14. ↑ Barton, Steve (June 30, 2010). "Official Synopsis: The Thing Prequel". Dread Central. Retrieved June 30, 2010.
  15. ↑ Miska, Brad (April 18, 2010). "Last Second 'The Thing' Casting". Bloody Disgusting. Retrieved April 20, 2010.
  16. ↑ "Jonathan Walker Joins the Cast of The Thing Prequel". Dread Central. CraveOnline. April 19, 2010. Retrieved April 20, 2010.
  17. 1 2 "Eric Heisserer Talks 'The Thing' Prequel/Remake". BloodyDisgusting.com. August 7, 2009. Retrieved January 24, 2011.
  18. ↑ "Interviews With ‘The Thing’ Prequel Director and Producers – Screen Rant". Screen Rant.
  19. ↑ "The Panel From Another World". IGN. October 9, 2010. Retrieved January 24, 2011.
  20. ↑ "Producers Talk Attraction to The Thing Prequel". dreadcentral.com. March 16, 2010. Retrieved January 24, 2011.
  21. ↑ Fleming, Michael (January 28, 2009). "Universal bringing back 'The Thing'". Variety. Retrieved June 11, 2009.
  22. ↑ "Director Found For 'The Thing' Prequel". Bloody Disgusting. January 15, 2009. Retrieved June 11, 2009.
  23. 1 2 "The Thing (Prequel) – The Thing Gets Unleashed". ign.com. October 22, 2010. Retrieved January 26, 2011.
  24. 1 2 3 4 5 6 7 "PODCASTS – THE THING PREQUEL NYCC PANELl". Spill.com. October 15, 2010. Retrieved January 24, 2011.
  25. 1 2 Collura, Scott (March 18, 2009). "Exclusive: Moore Talks The Thing". IGN Entertainment. Retrieved July 21, 2009.
  26. ↑ Darren (March 27, 2009). "Eric Heisserer Hired To Rewrite 'The Thing' Sequel". Sci Fi Scoop. Retrieved June 17, 2010.
  27. ↑ Siegel, Tatiana (24 April 2010). "Top scribes reap pic rewrite riches". variety.com. Retrieved 20 June 2016.
  28. 1 2 3 4 "First LookA Visit to the Set of 'The Thing' Prequel: Part 1". bloody-disgusting.com. October 4, 2010. Retrieved January 26, 2011.
  29. 1 2 3 4 5 "Director Matthijs van Heijningen On Set Interview THE THING". =April 18, 2011.
  30. 1 2 "Mary Elizabeth Winstead On Set Interview THE THING". collider.com. October 4, 2010. Retrieved April 18, 2011.
  31. ↑ "The Thing (Prequel) – The Supporting Cast of The Thing". ign.com. October 22, 2010. Retrieved January 26, 2011.
  32. ↑ "First inside look at The Thing prequel shows why it may be awesome after all". io9.com. October 4, 2010. Retrieved July 14, 2011.
  33. 1 2 "First Look: ‘The Thing’ Prequel, Starring Mary Elizabeth Winstead and Joel Edgerton". slashfilm.com. October 4, 2010. Retrieved January 24, 2011.
  34. 1 2 3 4 5 6 7 8 "First LookA Visit to the Set of 'The Thing' Prequel: Part 2". bloody-disgusting.com. October 14, 2010. Retrieved January 26, 2011.
  35. ↑ "Interview with John Carpenter". outpost31.com. August 2012.
  36. ↑ "The Thing Prequel Starts Shooting in March". ShockTilYouDrop. CraveOnline (originally published by Production Weekly). January 3, 2010. Retrieved January 4, 2010.
  37. 1 2 "The Thing Prequel: Interview With Cast & Crew!". electroshadow.com. April 18, 2011. Retrieved April 18, 2011.
  38. ↑ "The Thing F/X Team Revealed!". Dread Central. CraveOnline. February 25, 2010. Retrieved April 20, 2010.
  39. ↑ Woerner, Meredith (April 27, 2010). "What Sick John Carpenter Moments Will The Thing Prequel Explain?". io9. Retrieved June 17, 2010.
  40. ↑ "Shock Interview: ADI's Alec Gillis on Harbinger Down and the Kickstarter Campaign". shocktillyoudrop.com. May 15, 2013. Retrieved June 20, 2013.
  41. ↑ "Alien and The Thing FX master Kickstarts CGI-free film". SciFiNow. May 18, 2013. Retrieved June 20, 2013.
  42. ↑ http://www.coronacomingattractions.com/news/exclusive-script-review-thing-prequel
  43. ↑ "Universal Pulls 'The Thing' From 2011 Release Slate". Bloody Disgusting. November 12, 2010. Retrieved July 26, 2011.
  44. ↑ "Additional Shooting On ‘The Thing’ The Reason For The Films Delay". indieWire. November 16, 2010. Retrieved January 26, 2011.
  45. ↑ "The Thing (2011): why was the Pilot Creature fired?". Monster Legacy. February 8, 2012. Retrieved February 18, 2012.
  46. 1 2 The Thing (2011) (2011) – Box Office Mojo
  47. ↑ Weekend Report: Remakes Can't Retire 'Real Steel' – Box Office Mojo
  48. ↑ The Thing (2011) (2011) – International Box Office Results – Box Office Mojo
  49. ↑ The Thing at Rotten Tomatoes
  50. ↑ "The Thing Reviews". Metacritic. Retrieved October 14, 2011.
  51. ↑ Pamela McClintock (2011-10-14). "'Box Office Report: 'Footloose' Grosses $5.57 Million, On Course To Dance Away With The Weekend – The Hollywood Reporter:". The Hollywood Reporter. Retrieved 2011-10-14.
  52. ↑ Phillips, Michael (2011-10-13). "The Thing movie review by Chicago Tribune's Michael Phillips – chicagotribune.com:". Chicago Tribune. Retrieved 2011-10-14.
  53. ↑ O'Hehir, Andrew (2011-10-13). ""The Thing": Loving prequel to a horror classic – Salon.com:". Salon.com. Retrieved 2011-10-14.
  54. ↑ THE THING (2011) – Reelviews Movie Reviews
  55. ↑ Orr, Christopher (14 October 2011). "'The Thing' Is a Just-Fine Thing". The Atlantic. Retrieved 22 May 2012.
  56. ↑ Bell, Josh (2011-10-12). "Las Vegas Weekly : – Meet the new "Thing" same as the old "Thing"". Las Vegas Weekly. Retrieved 2011-10-13.
  57. ↑ Murphy, Kathleen (2011-10-12). "The Thing (2011)". MSN. Retrieved 2011-10-13.
  58. ↑ Vejvoda, Jim (2011-10-12). "The Thing Review". IGN. Retrieved 2011-10-13.
  59. ↑ The Thing :: rogerebert.com :: Reviews
  60. ↑ Sauriol, Patrick (2011-10-12). "Review: The Thing". Corona's Coming Attractions. Retrieved 2012-02-12.
  61. ↑ "Nominations for the 38th Annual Saturn Awards". Saturn Award. Academy of Science Fiction, Fantasy & Horror Films. February 29, 2012. Archived from the original on February 29, 2012. Retrieved February 29, 2012.
  62. ↑ Marco Beltrami’s ‘The Thing’ Soundtrack announced | Film Music Reporter
  63. ↑ The Thing [2011 Original Score] – Marco Beltrami | AllMusic
  64. ↑ "Amazon.com: The Thing (2011)". Amazon. December 1, 2011. Retrieved December 16, 2011.
  65. ↑ "The Thing – DVD Sales". the-numbers.com. Retrieved October 1, 2013.
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