The Manster

The Manster

Theatrical release poster
Directed by
Produced by George P. Breakston
Screenplay by Walter J. Sheldon
Story by George P. Breakston
Starring
Music by Hiroki Ogawa
Cinematography David Mason
Edited by Kenneth G. Crane
Production
company
Shaw-Breakston Enterprises
Release date
  • 28 March 1962 (1962-03-28) (United States)
Running time
 72 minutes
Country United States

The Manster (双頭の殺人鬼, Sôtô no Satsujinki) is a 1962 American science-fiction horror film.

It was produced by George P. Breakston, and directed by Breakston and Kenneth G. Crane from a screenplay by Walter J. Sheldon based on Breakston's story.[1] It starred Peter Dyneley as a foreign correspondent in Japan who is given an experimental drug which causes a second head to grow on his shoulder.

Plot

American foreign news correspondent Larry Stanford (Dyneley) has been working out of Japan for the last few years, to the detriment of his marriage. His last assignment before returning to his wife in the United States is an interview with the renowned but reclusive scientist Dr. Robert Suzuki (Tetsu Nakamura), who lives atop a volcanic mountain.

During the brief interview, Dr. Suzuki amiably discusses his work on evolution caused by sporadic cosmic rays in the atmosphere, and professes that he has discovered a method for producing evolutionary change by chemical means.

Suzuki serves Larry a drugged libation, causing him to fall into a deep sleep. Announcing to Tara (Terri Zimmern), his voluptuous assistant, that Larry is the perfect candidate for his latest evolutionary experiments, he injects an unknown substance into Larry's shoulder.

Upon waking, Larry is oblivious to the true situation and accepts Suzuki's invitation to spend the next week vacationing with him around Japan. Over the next few days, Suzuki uses Tara as a beguiling distraction while conditioning Larry with mineral baths and copious amounts of alcohol, exacerbating the pain in Larry's shoulder.

Meanwhile, Larry's estranged wife (played by Dyneley's actual spouse, Jane Hylton) has traveled to Japan to bring him back home with her. When confronted, Larry refuses to leave his new life of women and carousing. After a few drinks that night, Larry examines his painful shoulder to discover that a large eyeball has grown at the spot of Dr. Suzuki's injection.

Becoming aloof and solitary, Larry wanders Tokyo late at night. He murders a woman on the street, a Buddhist monk and a psychiatrist, while slowly changing form, culminating in his growing a second head. Seeking a cure, Larry climbs the volcano to Dr. Suzuki's laboratory where Suzuki has just informed Tara that Larry has become "an entirely new species" and beyond remedy.

Entering the lab, Larry kills Suzuki and sets the building on fire as Tara flees. Larry splits into two completely separate bodies, bringing himself back to normal. The monstrous second body grabs Tara, and throws her into the volcano. As Larry's wife and the police arrive, he pushes the second body into the volcano. Larry, now cured, is taken away by the police, although it remains unclear how much moral or legal responsibility he has for his violent actions. The movie ends as Larry's wife and his friend discuss the good that remains in Larry.

Cast

Production

The Manster was an American production filmed in Japan.[1][2][3] The film had working titles including Nightmare and The Two-Headed Monster.[4] It was filmed by David Mason and edited by Kenneth G. Crane, with a score written by Hiroki Ogawa.[1]

Release

The Manster premiered in the United States in San Francisco on March 28, 1962, at a runtime of 72 minutes.[1][2] Lopert Pictures released an English dub under the title of The Horror Chamber of Dr. Faustus as part of a double feature with Eyes Without a Face.[3] In the United Kingdom, it was released as The Split.[4]

The film was shown on Elvira's Movie Macabre and later released on DVD.[5]

Reception

In a contemporary review, the Monthly Film Bulletin reviewed a 67-minute version of The Manster titled The Split.[6] The review called the film to be "a pathetic pot-boiler", "never frightening" and an "incredibly far-fetched rehash of all the ingredients of the convention SF-horror film".[7] The review criticized the fact that the second head of the character appears to only "bob up and down on the actor's raincoated shoulder, only visible in night scenes and never in close-up".[7]

In a positive retrospective review, AllMovie film critic Hal Erickson wrote, "Manster is a favorite among campy horror aficionados and for good reason as it is both unintentionally funny and genuinely creepy...Wait till you see the climax, with the hero battling himself on the edge of a live volcano".[8]

Footnotes

  1. 1 2 3 4 Galbraith IV 1996, p. 281.
  2. 1 2 "The Manster". American Film Institute. Retrieved November 9, 2016.
  3. 1 2 Lucas, Tim (August 2008). "Les yeux sans visage (The Horror Chamber of Dr. Faustus)/The Manster". Sight & Sound. Vol. 18 no. 8. p. 34.
  4. 1 2 Galbraith IV 1996, p. 282.
  5. ↑ Bogino, Jeanne (March 1, 2012). "Elvira's Movie Macabre: The Brain That Wouldn't Die; The Manster". Library Journal. Vol. 137 no. 4. p. 62.
  6. ↑ "Split, The". Monthly Film Bulletin. Vol. 28 no. 324. 1961. p. 67.
  7. 1 2 "Split, The". Monthly Film Bulletin. Vol. 28 no. 324. 1961. p. 67.
  8. ↑ Erickson, Hal. "The Manster (1961)". AllMovie. Retrieved November 9, 2016.

References

  • Galbraith IV, Stuart (1996). The Japanese Filmography: 1900 through 1994. McFarland. ISBN 0-7864-0032-3. 
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