''The Hum'' (O'Hooley & Tidow album)
| The Hum | ||||
|---|---|---|---|---|
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| Studio album by O'Hooley & Tidow | ||||
| Released | 17 February 2014 (UK) | |||
| Recorded | Golcar, Huddersfield and Tunehouse Studio, London | |||
| Genre | Folk; singer-songwriter | |||
| Label | No Masters | |||
| Producer | Gerry Diver | |||
| O'Hooley & Tidow chronology | ||||
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| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| The Irish Times |   [1] |
| The Guardian | [2] |
The Hum, the third album by the folk music duo O'Hooley & Tidow, was released on 17 February 2014 and received four-starred reviews in The Guardian and The Irish Times. Inspired by the sights and sounds of the Colne Valley,[3] it has been described as "a collection of songs paying homage to the West Riding village of Golcar",[4] the former industrial village in the West Riding of Yorkshire where Belinda O'Hooley and Heidi Tidow share a home together.[4]
Production
The vocals, piano, electric piano and accordion on the album were recorded in Golcar, Huddersfield, by Belinda O'Hooley, Heidi Tidow and Neil Ferguson of Chumbawamba. The other instruments were arranged, performed and recorded at Tunehouse Studio, London, by Gerry Diver. The album was mixed and produced by Gerry Diver at Tunehouse Studio, London.[5]
Release
The album was released on 17 February 2014 on the No Masters label.[6][7] Two songs from the album – "Summat's Brewin'" and "Peculiar Brood" – were released as a single on 20 July 2014. A live version of "Summat's Brewin'" was released in August 2015 on their album of the same name.
On 7 September 2014 O'Hooley & Tidow released a video of a live performance of "Peculiar Brood", a portrayal of suicide bombing from a mother’s perspective, using bird imagery. It was filmed by Minster Studios at Holy Trinity Church, Leeds.[8]
Reception
The Hum received a four-starred review in The Irish Times.[1]
In a four-starred review in The Guardian, Robin Denselow described it as the duo's most experimental album to date, with "thoughtful, inventive songs about industry, migrant workers and war alongside a sturdy tribute to Pussy Riot; an exquisite lament about motherhood and sacrifice; a mystical love story about a fox who becomes a woman, and a haunting treatment of Ruins By the Shore, the Nic Jones song of time and decay. Surely one of the albums of the year".[2]
Personnel
- O'Hooley & Tidow
- Belinda O'Hooley – vocals, piano, electric piano, accordion
- Heidi Tidow – vocals
- Additional musicians
- Gerry Diver – fiddle & string section, tenor and bass guitars, pedal steel, bouzouki, Fender Rhodes, autoharp, drums, percussion, programming
Track listing
- "The Hum" (4.02)
- "Just a Note" (3.02)
- "Summat's Brewin'" (3.10)
- "Two Mothers" (5.48)
- "Peculiar Brood" (3.10)
- "Like Horses" (4.35)
- "Come Down from the Moor" (4.56)
- "Coil & Spring" (3.56)
- "Ruins By the Shore" (4.17)
- "Kitsune" (6.05)
References
- 1 2 Joe Breen (14 March 2014). "O'Hooley & Tidow: The Hum". The Irish Times. Retrieved 7 May 2014.
- 1 2 Robin Denselow (20 February 2014). "O'Hooley & Tidow: The Hum – review". The Guardian. Retrieved 3 March 2014.
- ↑ Nick Lavigueur (14 February 2014). "Colne Valley folk duo O'Hooley and Tidow new album inspired by Golcar factory". Huddersfield Daily Examiner. Retrieved 2 February 2015.
- 1 2 Alfred Hickling (1 August 2014). "O'Hooley and Tidow: Getting to the heart of the hum". The Guardian. Retrieved 25 August 2014.
- ↑ Reinhard Zierke (5 July 2014). "O'Hooley & Tidow: The Hum". Mainly Norfolk: English Folk and Other Good Music. Retrieved 25 August 2014.
- ↑ "O'Hooley & Tidow bid farewell to The Fragile". Spiral Earth. 13 August 2013. Retrieved 29 August 2013.
- ↑ Simon Holland (5 December 2013). "New Album: O’Hooley & Tidow – The Hum". Folk Radio UK. Retrieved 8 December 2013.
- ↑ "Tues 7 October ‘Peculiar Brood’ Live at Leeds Holy Trinity Church". O'Hooley & Tidow. 7 October 2014. Retrieved 8 October 2014.