The Fred Allen Show

The Fred Allen Show
Other names The Linit Bath Club Revue
The Salad Bowl Revue
The Sal Hepatica Revue
The Hour of Smiles
Town Hall Tonight
Texaco Star Theatre with Fred Allen
Genre Comedy
Running time 30 minutes (1932–1934; 1942–1949)
60 minutes (1934–1942)
Country of origin United States
Language(s) English
Syndicates CBS
NBC
Starring Fred Allen
Portland Hoffa
Minerva Pious
Parker Fennelly
Jack Smart
Alan Reed
John Brown
Charlie Cantor
(full list below)
Announcer Ken Roberts
Edmund Ruffner
Harry Von Zell
Arthur Godfrey
Jimmy Wallington
Kenny Delmar
Produced by Roger White
Pat Weaver
Vick Knight
Howard Reilly
Original release October 23, 1932 (1932-10-23) – June 26, 1949 (1949-06-26)
Opening theme Oh, Mr. Allen?
Other themes Smiles
Ending theme Darn Ya, Smile
Sponsored by Linit Bath Soap
Hellmann's Mayonnaise
Ipana
Sal Hepatica
Texaco
Tenderleaf Tea
Ford Motor Company

The Fred Allen Show was a popular and long-running American old-time radio comedy program starring comedian Fred Allen[1] and his wife Portland Hoffa. Over the course of the program's 17-year run, it was sponsored by Linit Bath Soaps, Hellmann's, Ipana, Sal Hepatica, Texaco and Tenderleaf Tea. The program ended in 1949 under the sponsorship of the Ford Motor Company.[2]

The most popular period of the program was the few years of sponsorship under the Texaco Gas Company. During this time, the program was known as Texaco Star Theatre with Fred Allen. On the December 6, 1942 episode of the program, Allen premiered his first in a series of segments known as "Allen's Alley". The segments would have Allen strolling through an imaginary neighborhood, knocking on the "doors" of various neighbors, including average-American John Doe (played by John Brown), Mrs. Nussbaum (Minerva Pious), pompous poet Falstaff Openshaw (Alan Reed), Titus Moody (Parker Fennelly), and boisterous southern senator Beuregard Claghorn (announcer Kenny Delmar).[3] Texaco ended its sponsorship of the program in 1944.

Some prominent guest stars on Allen's program over the years included Frank Sinatra, Orson Welles, Roy Rogers, Bela Lugosi, Ed Gardner, Norman Corwin and Edgar Bergen & Charlie McCarthy.[4]

The Linit Bath Club Revue

The first version of The Fred Allen Show premiered under the title of The Linit Bath Club Revue on the Columbia Broadcasting System Sunday night October 23, 1932.[5][6]

According to his official website, Fred Allen had trouble from the beginning of it all with the program's sponsor, Linit bath soaps and with the advertising agency that supervised production. After only a single season and 26 weeks on the air, on April 16, 1933, Linit pulled the plug on the Revue.[7]

The Salad Bowl Revue

After the failure and conflict brought on by Linit, in 1933 Allen made the move to NBC with The Salad Bowl Revue. The program premiered on NBC's Red Network on August 4 of that year. The program moved to a new night, Fridays. To avoid any unneeded conflict as he had with Linit, Allen took over all writing responsibilities of the show. Sponsorship changed over to Hellmann's Mayonnaise.[8] Not popular enough with viewers and increased tension between Allen and Hellmann's, The Salad Bowl Revue concluded on December 1, 1933.

Sal Hepatica and The Hour of Smiles

The same advertising agency that represented Hellmann's Mayonnaise also served as the representative for Bristol-Myers' Sal Hepatica laxative. So on January 3, 1934, The Sal Hepatica Revue was born. Edmund "Tiny" Ruffner from The Salad Bowl Revue rejoined Allen as announcer, as well as the Ferde Grofé Orchestra and actors Minerva Pious, Jack Smart and Allen's wife Portland Hoffa all rejoining Allen on Sal Hepatica.

The biggest change besides the title and the commercials was the move from Friday to Wednesday nights. In writing the show, Allen did begin to experiment with a community show theme. He began to gain a reputation for topical humor with news from the fictional town of Bedlamville. He peppered his "Town Hall bulletins" with fictional local characters such as Hodge White the Grocer and Pop Mullen the Lunch Wagon Man, who were all described, but never given voice.[9]

Bristol-Myers also were the manufacturers of Ipana toothpaste during this time and decided to expand The Sal Hepatica Revue to the entire 9:00 hour on March 21, 1934. Bristol-Myers felt as though they could save money by advertising two products on one single program in one hour. The program was renamed The Hour of Smiles. The first half-hour (9–9:30) was sponsored by Ipana, "the smile of beauty", and the last half-hour (9:30–10:00) was sponsored by Sal Hepatica, "the smile of health".[9]

The concept was also slightly retooled. Allen's concept for The Hour of Smiles was to be a small town hall weekly entertainment. The program didn't have the budgetary freedom to hire big name acts to fill the hour-long program, so other features had to be invented. The weekly newsreels gave Allen a chance to burlesque current events and people in the public eye. The second half of the show was often devoted to amateurs. Not only was this an inexpensive and entertaining time filler, but it allowed Allen to do the ad-lib, which he enjoyed very much.

Town Hall Tonight

On July 11, 1934, The Hour of Smiles was renamed Town Hall Tonight keeping in sync with Allen's town hall concept on Hour of Smiles. Regulars on the program included Allen, Hoffa, Pious and Smart along with newcomers Scrappy Lambert, Bob Moody, Randolph Weyant and Leonard Stokes (known on the program as the "Town Hall Quartet") and Helen Carroll. In the fall of 1938, Allen signed The Merry Macs to a full-season contract.[10] Tiny Ruffner was the original announcer for this version of the program with Harry Von Zell taking over those duties starting with the second season.[2] Town Hall Tonight was renamed The Fred Allen Show on October 4, 1939.

Opening and closing

A typical opening heard by listeners on Town Hall Tonight might have been as follows:

Announcer: An hour of smiles, it's Town Hall Tonight. 60 minutes of fun and music brought to you by Ipana toothpaste; Ipana, for the smile of beauty. Fun with our star comedian Fred Allen, music with Peter Van Steeden, new features, new laughs, it's Town Hall Tonight.[11]

A typical closing that could be heard by listeners every week on the program might have been as follows:

Announcer: We hope, ladies and gentlemen, that tonight's program has brought you all another hour of smiles and that you'll remember to be with us again next Wednesday. In the meantime, we hope you'll remember the product that makes this Fred Allen show possible, Ipana toothpaste for the smile of beauty.
Allen: Good night, ladies and gentlemen, and don't forget next Wednesday night for another hour of smiles in the old town hall. This is Fred Allen saying good night.
Announcer: This is the Red Network of the National Broadcasting Company.

The Benny-Allen Feud

The memorable "feud" between Fred Allen and Jack Benny of The Jell-O Program began on a 1936 episode of Town Hall Tonight. On December 30, 1936, Allen had as one of his guests in the amateur portion of his program future professional violinist Stuart Canin. Then 10-year-old Canin performed Schubert's The Bee on his violin.[12] After his rendition of the classic, Allen made reference to "a certain alleged violin player [who] should be ashamed of himself,"[13] noting the not so good violin playing synonymous with Benny.

For a decade, the two exchanged insults on both men's shows so convincingly that fans of either show might have believed they had become blood enemies. In fact, the two men were good friends and admired each other greatly. Benny and Allen often appeared on each other's shows during the feud, both in acknowledged guest spots and surprise cameos. On one Christmas program, Allen thanked Benny for sending him a Christmas tree, but then added that the tree had died. "Well, what do you expect," quipped Allen, "when the tree is in Brooklyn and the sap is in Hollywood." Benny in his memoir, Sunday Nights at Seven, and Allen in his memoir, Treadmill to Oblivion, revealed that both comedians writing staffs often met together to plot the direction of the mock feud. If Allen parodied The Jack Benny Program (as "The Pinch Penny Program"), Benny responded with a parody of Town Hall Tonight ("Clown Hall Tonight"). Their playful sniping ("Benny was born ignorant, and he's been losing ground ever since.") also appeared in the films Love Thy Neighbor and It's in the Bag!.

The comedians planned to settle their fictional feud on March 21, 1937, during a broadcast of Jack Benny's show from the Hotel Pierre in New York, but the event never transpired and the trade of insults continued for years.[14]

One memorable period during the feud came during Allen's parody of the popular quiz show Queen for a Day. Calling the sketch "King for a Day", Allen played the host and Benny a contestant who sneaked onto the show using the alias Myron Proudfoot. Benny answered the prize-winning question correctly and Allen crowned him "king" and showered him with worthless prizes. Allen proudly announced, "Tomorrow night, in your ermine robe, you will be whisked by bicycle to Orange, New Jersey, where you will be the judge in a chicken-cleaning contest." A professional clothes press was wheeled on stage to press Benny's suit. Allen instructed his aides to remove Benny's suit, one item at a time, ending with his trousers, each removal provoking laughter from the studio audience. As his trousers began to come off, Benny howled, "Allen, you haven't seen the end of me!" Allen replied, "It won't be long now!"

It is reported that laughter from the audience was so loud that announcer Kenny Delmar was unable to deliver the final commercial advertisement and the show's credits.

Production costs and ratings

To promote Town Hall Tonight, Bristol-Myers spent between roughly $20 and $25,000 an episode. By 1938, costs decreased to around $10,000, around $4,500 less than the average production cost of a top-ten rated radio program.[15] Network time, however, for the hour-long program cost approximately $1,200 more than other shows in the top ten.

According to a 1937 ratings survey conducted by the Cooperative Analysis of Broadcasting (CAB), Town Hall Tonight was the fifth most listened to program in America amongst urban listeners. The show did not score well in the ratings among rural listeners.[15]

Texaco Star Theatre

In the early months of 1940, Allen's contract with Bristol-Myers was set to expire. However, during the same time, Allen was in contract negotiations with the Texas Company. Allen and the Texas Company, or Texaco, as it was more commonly referred to, reached a deal during the third week of May which had Allen hosting the new Texaco Star Theatre.

On October 2, 1940, the Texaco Star Theatre with Fred Allen premiered on Allen's home station of CBS airing Wednesdays at 9. This was the first time Allen hosted a radio program on the network in seven years. The show moved to Sundays on March 8, 1942 replacing The Ford Symphony Hour.[16] On October 4, 1942, the show changed from an hour-long format to a 30-minute format[17] marking the first time Allen hosted a 30-minute program in eight years.

The program saw the inclusion of regulars Charlie Cantor, Alan Reed and John Brown. Harry Von Zell was the original announcer followed by Arthur Godfrey[18] then Jimmy Wallington. Allen left the program due to health issues and hosted his last episode of Texaco Star Theatre on June 25, 1944.

Allen's Alley

Besides the Benny-Allen feud, perhaps the most memorable part of The Fred Allen Show were the "Allen's Alley" segments. The segments would usually have Allen strolling through an imaginary neighborhood, knocking on the "doors" of various neighbors.[19] The first "Allen's Alley" segment was broadcast on Sunday December 6, 1942.

More often than not on the segments, Allen could be found visiting average-American John Doe (played by John Brown), the Brooklyn tenement of Mrs. Pansy Nussbaum (Minerva Pious), pompous poets Falstaff Openshaw (Alan Reed), Humphrey Titter and Thorndyle Swinburne, the farmhouse of Titus Moody (Parker Fennelly), famous for his line "Howdy, Bub" he used when greeting Allen, the shack of Ajax Cassidy (Peter Donald), and the antebellum mansion of boisterous southern senator Beauregard Claghorn (announcer Kenny Delmar).[20]

Mrs. Nussbaum was usually always heard relaxing her weekly problems with husband Pierre. Network executives were, for a time, worried that Mrs. Nussbaum's Jewish accent might offend certain listeners. Even so, audience reaction to Mrs. Nussbaum were favorable. And soon her along with the residents of "Allen's Alley" became household names and were among some of the best-known characters of radio's golden age.[20]

The Fred Allen Show

After a nearly 16-month hiatus from radio due to high blood pressure, Allen returned to radio with The Fred Allen Show on Sunday October 7, 1945. He also returned to his old network of NBC.[21] The program, originally broadcast in the 8:30 timeslot, moved up to the 8:00 slot in January 1949 in its final season. Standard Brands was the original sponsor of the program, paying nearly $20,000 a week for the production of the show and to advertise their Tenderleaf Tea and Blue Bonnet margarine.[22]

The Fred Allen Show soon became a part of radio's "most listened-to night of the week". Also with Allen on Sunday nights included Jack Benny and Edgar Bergen. For the 1945–46 and 1947–48 radio seasons, both The Jack Benny Program and The Chase and Sanborn Hour proceeded Allen on Sunday nights.[22] The Chase and Sanborn Hour also, coincidentally, was sponsored by Standard Brands through their Chase and Sanborn Coffee division.

During the show's third season in January 1949, Standard Brands dropped The Fred Allen Show mainly due to the high cost of production and talent for the program. The Ford Motor Company soon picked up the increased tab of $22,000 a week needed to produce the program.[22]

Censors

Fred Allen was noted for his battles with network officials during his radio years which often led to the censoring of a few moments to minutes of his show. These battles apparently date back to Town Hall Tonight. To try and control this behavior, network officials began making Allen submit "verbatim scripts" prior to air for their approval. Oftentimes, network officials would make Allen delete or revise a joke here and there before approving the script for approval. In retaliation, Allen began inserting jokes in his script he had no intention of using on air as "bargaining chips" for the network, agreeing to cut certain jokes in exchange for others.[14] In addition, Allen would often ad-lib material and since most radio programs in those days were broadcast live, with the exception of the occasional delay here and there, the audience would sometimes hear a bleep in place of a word or phrase.

Such an incident happened in the night of the April 20, 1947 broadcast of The Fred Allen Show. Allen was censored for 30 seconds[23] when he referred to an imaginary NBC vice-president who was "in charge of program ends". He went on to explain to his audience that this vice-president saved these hours, minutes and seconds that radio programs ran over their allotted time until he had two weeks' worth of them and then used the time for a two-week vacation. In the coming weeks, several other comedians were also censored for speaking about the Allen incident. Red Skelton of The Raleigh Cigarette Program and Bob Hope of The Pepsodent Show were amongst those comedians.[24] After sometime of public outcry and protests, NBC indicated it would no longer censor future broadcasts of any show for similar instances.[25][26]

Decline

During the final years of his radio show, Fred Allen suffered two declines. One decline in his program's ratings and an unfortunate decline in his health.

On February 1, 1948, The Fred Allen Show received a Hooperating of 28.7 and was the number one listened-to program on radio. However, when ABC pitted the new Stop the Music program against the Allen and Bergen-McCarthy programs, ratings for both programs plummeted.[22] By the May 7 rating, the program went down to number 13 with a rating of 16.4. The lowest Hooperating the program received was a 7.9 in March 1949.[27] During this time, Stop the Music was a top-ten rated program.

Allen announced during the summer of 1949 that he would not return to radio the following fall due to health issues and on June 26, 1949, The Fred Allen Show ended for good. Ironically, his last guest was Jack Benny. Shortly after the end of his program, he signed a contract stating that in the future he could only perform on NBC radio programs. This was a precautionary measure as several of NBC's biggest stars, including Skelton, Benny and Bergen, were lost in William S. Paley's infamous "talent raids" and were now performing on CBS.

Allen never starred in another weekly radio program again nor did he take his program to the new medium of television like his radio "foe" Jack Benny. Allen did become a supporting cast member of The Big Show starring Tallulah Bankhead between 1950 and 1952. He also hosted his own television series, Judge for Yourself, for one season on NBC[28] before becoming a regular panelist on the CBS television game show What's My Line?.

Allen's health worsened further during his time on What's My Line? and on March 17, 1956 while strolling down the streets of New York City, he suffered a heart attack and died at the age of 61.[29] During the final ninety seconds of the next night's What's My Line? broadcast, host John Charles Daly along with fellow panelists Arlene Francis, Dorothy Kilgallen and Bennett Cerf, and former regular panelist Steve Allen, gave brief but heartfelt tributes to Allen.[30]

Ratings

Season Year Timeslot Listeners (in millions) Rank (viewers) Ref
1 1932-1933 Sundays at 9-9:30 pm N/A Not in top 20 [31]
2 1933-1934 Wednesdays at 9-9:30 pm 18.5 17th (tied with Myrt and Marge) [32]
3 1934-1935 Wednesdays at 9-10 pm 32.0 4th [33]
4 1935-1936 22.2 7th (tied with First Nighter) [34]
5 1936-1937 20.6 [35]
6 1937-1938 20.5 9th [36]
7 1938-1939 18.1 [37]
8 1939-1940 16.6 18th [38]
9 1940-1941 N/A Not in top 20 [39]
10 1941-1942 [40]
11 1942-1943 Sundays at 9:30-10:00 pm 21.6 15th [41]
12 1943-1944 19.8 14th [42]
13 1944-1945 N/A Not in top 20 [43]
14 1945-1946 Sundays at 8:30-9:00 pm 22.7 8th [44]
15 1946-1947 24.9 5th [45]
16 1947-1948 28.7 1st [46]
17 1948-1949 N/A Not in top 20 [47]

References

  1. Fred Allen Radio Shows
  2. 1 2 Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio. Oxford University Press. p. 261. ISBN 978-0-19-507678-3. Retrieved November 12, 2015.
  3. Fred Allen Radio Broadcasts at the Old Time Radio Catalog
  4. "The Fred Allen Show". www.radiospirits.com. Retrieved November 14, 2015.
  5. "Fred Allen Comedy-O-Rama Tribute Page". www.comedyorama.com. Retrieved November 14, 2015.
  6. Vaudeville old & new: an encyclopedia of variety performances in America, Volume 1. Psychology Press. 2004. p. 21. ISBN 978-0-415-93853-2. Retrieved November 14, 2015.
  7. "FRED ALLEN: Early Radio - Linit Bath Club Review". www.fredallen.org. Retrieved November 14, 2015.
  8. Havig, Alan (2010). Fred Allen's Radio Comedy. Temple University Press. p. 50. ISBN 978-1-4399-0560-9. Retrieved November 14, 2015.
  9. 1 2 "FRED ALLEN: Molehill Men and Town Hall Tonight & Hour of Smiles". www.fredallen.org. Retrieved November 14, 2015.
  10. Wolters, Larry (September 4, 1938). "Host of Stars Engaged for Fall Programs". Illinois, Chicago. Chicago Tribune. p. Part 3-Page 4. Retrieved 4 April 2016.
  11. Terrace, Vincent (1998). Radio Programs, 1924–1984: A Catalog of More Than 1800 Shows. McFarland. p. 122. ISBN 978-1-4766-0528-9. Retrieved November 14, 2015.
  12. Benny, Joan; Benny, Jack (1990). Sunday Nights at Seven: The Jack Benny Story. Warner Books. p. 131. ISBN 0-446-51546-9.
  13. "FRED ALLEN & JACK BENNY FEUD". www.fredallen.org. Retrieved November 15, 2015.
  14. 1 2 Sterling, Christopher H. (2013). Biographical Dictionary of Radio. Routledge. p. 3. ISBN 978-1-136-99376-3. Retrieved November 15, 2015.
  15. 1 2 Havig, p. 53
  16. Havig, p. 54
  17. "When Radio Was Spotlight: SOMEBODY, I SAY, SOMEBODY KNOCKED! Fred Allen and His Alley". www.whenradiowas.com. Retrieved November 18, 2015.
  18. Terrance, p. 123
  19. Browne, Roy Broadus; Browne, Pat (2001). The Guide to United States Popular Culture. Popular Press. p. 26. ISBN 978-0-87972-821-2. Retrieved November 18, 2015.
  20. 1 2 Sterling, p. 4
  21. Havig, p. 55
  22. 1 2 3 4 Havig, p. 56
  23. Sterling, Christopher H. (2004). Encyclopedia of Radio 3-Volume Set. Routledge. p. 76. ISBN 978-1-135-45649-8. Retrieved November 20, 2015.
  24. "Bob Hope and Red Skelton Join Fred Allen as 'Silent Stars'". Reading Eagle. April 22, 1947. p. 14. Retrieved November 20, 2015.
  25. "NBC Also Stills Skelton and Hope on Radio Ribbing". Spokane Daily Chronicle. April 23, 1947. p. 14. Retrieved November 21, 2015.
  26. "NBC Drops Ban on Radio Jibes". The Leader-Post. April 24, 1947. p. 4. Retrieved November 21, 2015.
  27. Havig, p. 57
  28. Brooks, Tim; Marsh, Earle (2003). A Complete Directory to Prime Time Cable and Network TV Shows, 1946–Present. New York: Random House Publishing. p. 622. Retrieved November 21, 2015.
  29. "Fred Allen Dies While on Stroll. Won Fame as Wit on Radio After a Stage Career". New York Times. 1956-03-18. Retrieved November 21, 2015.
  30. ""Fred Allen tribute episode" - March 18, 1956 broadcast of What's My Line?". YouTube.com.
  31. Radio Ratings: 1932-1933 Season
  32. Radio Ratings: 1933-1934 Season
  33. Radio Ratings: 1934-1935 Season
  34. Radio Ratings: 1935-1936 Season
  35. Radio Ratings: 1936-1937 Season
  36. Radio Ratings: 1937-1938 Season
  37. Radio Ratings: 1938-1939 Season
  38. Radio Ratings: 1939-1940 Season
  39. Radio Ratings: 1940-1941 Season
  40. Radio Ratings: 1941-1942 Season
  41. Radio Ratings: 1942-1943 Season
  42. Radio Ratings: 1943-1944 Season
  43. Radio Ratings: 1944-1945 Season
  44. Radio Ratings: 1945-1946 Season
  45. Radio Ratings: 1946-1947 Season
  46. Radio Ratings: 1947-1948 Season
  47. Radio Ratings: 1948-1949 Season

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