The Fifth Century
| The Fifth Century | ||||
|---|---|---|---|---|
| Studio album by Gavin Bryars | ||||
| Released | November 18, 2016 | |||
| Recorded | July 2014 and June 2015 | |||
| Studio | Gould Hall at the Curtis Institute of Music and the Saint Paul's Episcopal Church in Philadelphia | |||
| Genre | Classical Music, Choral | |||
| Length | 50:07 | |||
| Label | ECM New Series ECM 2405 NS | |||
| Producer | Manfred Eicher | |||
| Gavin Bryars chronology | ||||
| ||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| All Music |    [1] |
| The Guardian | [2] |
The Fifth Century is a classical and choral studio album by Gavin Bryars, and played by the saxophone quartet PRISM and The Crossing choir. This album was released in the label ECM New Series in November 2016.[3]
Composition
The album is divided in two part. The first seven tracks are a named after a setting of words by the theologian and poet Thomas Traherne, and performed by an orchestra, the saxophone quartet and the choir at the Gould Hall in the Curtis Institute of Music in july 2014. The second part, named "Two Love Songs" is the last two tracks of the album are an a cappella settings for the women of The Crossing. It was recorded at the Saint Paul's Episcopal Church in june 2015.[3]
Reception
James Manheim in his review for All Music says that "He [Gavin Bryars] has not written much choral music, but this ECM release may make his fans wish he had written more." and about the production, he says that "As usual with ECM, the sound engineers are among the stars of the show; their work on The Fifth Century, at the Curtis Institute in Philadelphia, is especially enchanting."[1]
In The Guardian, Kate Molleson gave this album three stars and says that "the saxes weave around like extra voices and the blended sound of The Crossing and Prism is creamy and pliable" and Molleson add about the "Two love songs" part that it's "sung with a grace so chilly it might freeze at any moment."[2]
Track listing
ECM New Series – ECM 2405 NS.[3]
All music composed by Gavin Bryars, based on the work of Thomas Traherne.
| Part one: The Fifth Century | ||
|---|---|---|
| No. | Title | Length |
| 1. | "We see the heavens with our eyes" | 9:47 |
| 2. | "As sure as there is a space infinite" | 5:37 |
| 3. | "Infinity of space is like a painter's table" | 3:54 |
| 4. | "Eternity is a mysterious absence of times and ages" | 6:42 |
| 5. | "Eternity magnifies our joys exceedingly" | 3:17 |
| 6. | "His omnipresence is our field of joys" | 5:50 |
| 7. | "Our bridegroom and our king being everywhere" | 7:14 |
| Part two: The Love Songs | ||
|---|---|---|
| No. | Title | Length |
| 8. | "Io amai sempre" | 3:59 |
| 9. | "Solo et pensoso" | 3:47 |
| Total length: | 50:07 | |
Personnel
- Prism Quartet:
- Matthew Levy – tenor saxophone
- Timothy McAllister – soprano saxophone
- Taimur Sullivan – baritone saxophone
- Robert Young – alto saxophone
- The Crossing – choir
- John Grecia – piano
References
- 1 2 "The Fifth Century (All Music Review)". All Music. Retrieved June 2, 2017.
- 1 2 "The Fifth Century (The Guardian Review)". The Guardian. Retrieved June 2, 2017.
- 1 2 3 "The Fifth Century". ECM New Series. Retrieved June 2, 2017.