The Crown (TV series)

The Crown
Genre
Created by Peter Morgan
Written by Peter Morgan
Starring
Theme music composer Hans Zimmer
Composer(s) Rupert Gregson-Williams
Country of origin
  • United Kingdom[1]
  • United States[2]
Original language(s) English
No. of seasons 1
No. of episodes 10 (list of episodes)
Production
Executive producer(s)
Producer(s) Andrew Eaton
Location(s) United Kingdom
Running time 54–61 minutes
Production company(s)
Distributor Netflix
Release
Original network Netflix
Picture format 4K (Ultra HD)[3]
Original release November 4, 2016 (2016-11-04) – present (present)

The Crown is a biographical drama television series, created and written by Peter Morgan and produced by Left Bank Pictures and Sony Pictures Television for Netflix. The show is a biographical story about the reign of Queen Elizabeth II of the United Kingdom. The first season covers the period from her marriage to Philip, Duke of Edinburgh in 1947 to the disintegration of her sister Princess Margaret's engagement to Peter Townsend in 1955. A second season has been commissioned, which is intended to cover the Suez Crisis in 1956 through the retirement of the Queen's third Prime Minister, Harold Macmillan, in 1963 following the Profumo affair political scandal.

The Crown evolved out of Morgan's 2006 film The Queen and 2013 stage play The Audience. The series is intended to last 60 episodes over six seasons, with 10 one-hour episodes per season, covering the Queen's entire life, and with new actors being cast every two seasons. Claire Foy portrays the Queen in the first two seasons, alongside Matt Smith as Prince Philip and Vanessa Kirby as Princess Margaret. Filming for the series takes place at Elstree Studios in Borehamwood, Hertfordshire, with location shooting at various locations throughout the United Kingdom.

The entire first season was released on Netflix on November 4, 2016, with the second scheduled to be released on December 8, 2017. The Crown has received overwhelmingly positive reception, with critics praising cast performances, direction, writing, cinematography, production values, and the relatively accurate historical accounts of Queen Elizabeth's reign. Significant praise in the first season was directed towards the performances of Foy in the leading role and John Lithgow as Winston Churchill. The series and its stars have been nominated for, and won, numerous awards, including Best Actress and Best Actor at the 23rd Screen Actors Guild Awards for Foy and Lithgow, respectively, and best drama, writing, and directing at the 69th Primetime Emmy Awards.

Premise

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 to the present day. The first season depicts events up to 1955, with Claire Foy portraying the Queen in the early part of her reign.[4] The second season is intended to cover from the Suez Crisis in 1956 through the retirement of the Queen's third Prime Minister, Harold Macmillan, in 1963 following the Profumo affair political scandal.[5][6] A third season will include Princess Margaret's five-year affair with baronet and gardening expert Roddy Llewellyn.[5]

Cast

Main

Recurring

Season 2

Episodes

Season 1 (2016)

No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
11"Wolferton Splash"Stephen DaldryPeter MorganNovember 4, 2016 (2016-11-04)
In 1947 Prince Philip of Greece and Denmark gives up his royal titles and all foreign relations in order to be allowed to marry Princess Elizabeth, heiress presumptive of King George VI. The couple have two children together, Charles and Anne, and live in Malta, where Philip serves as a Lieutenant-Commander in the Royal Navy. They return to London in 1951 when the King has to undergo lung surgery; soon after, he learns he has months to live due to a malignant tumour in his remaining lung. In the knowledge he has very little time left with his family and that Elizabeth will soon be Queen, he counsels Philip on how best to assist his wife in the challenge ahead. Meanwhile, Winston Churchill is re-elected after six years out of government, a move of which the King approves.
22"Hyde Park Corner"Stephen DaldryPeter MorganNovember 4, 2016 (2016-11-04)
Due to King George's ongoing ill health Elizabeth and Philip tour the Commonwealth in his place. While they are in Kenya on safari the King is found dead in his bed, to the devastation of his wife Queen Elizabeth The Queen Mother, his mother Queen Mary, and Elizabeth's sister Princess Margaret. In the African bush, Elizabeth is unreachable and the event is spread via radio to the world before she can be informed. Philip breaks the news to his wife, who then returns to the UK to unite with her family in their grief.
33"Windsor"Philip MartinPeter MorganNovember 4, 2016 (2016-11-04)
Through flashbacks, the abdication of King Edward is explored. In 1952, Edward, now known by the title of Duke of Windsor, returns to the UK for his brother's funeral. There is deep antipathy between the Duke and both his mother, Queen Mary, and sister-in-law Elizabeth, the Queen Mother, who he nicknames 'Cookie', in his letters to his wife Wallis, largely because of the effect that his relinquishing of the Crown had on his brother. Elizabeth meets with Churchill and discusses two of Philip's demands: firstly, the family keeps his name of Mountbatten, and secondly, they remain living at Clarence House rather than moving to Buckingham Palace. Churchill is reluctant to bend to either demand, and the counsel of her uncle Edward convinces Elizabeth to drop the requests, to Philip's fury. Churchill also pushes back Elizabeth's coronation to over a year away, which Elizabeth recognises to be to secure his own power against his party, who believe him too old to be Prime Minister.
44"Act of God"Julian JarroldPeter MorganNovember 4, 2016 (2016-11-04)
A great smog covers London, which Churchill deems an 'Act of God' and mere weather. People begin dying from the suffocating air and from accidents caused by low visibility. Elizabeth is pressured to ask Churchill to step down, but is reluctant as royalty does not usually involve itself with the affairs of government. However, with Churchill blamed for the smog by the Opposition and for attempting to discuss Philip's flying lessons at his Cabinet meeting rather than the smog, she decides to call him for an audience. However, the true nature of the Smog is brought home to Churchill when Venetia Scott (Kate Phillips), his favoured secretary, is hit and killed by a bus due to bad visibility. Deeply saddened, Churchill visits the hospital to see her body, where he sees the chaos and difficulty caused by the smog. The press arrive and Churchill makes an impassioned speech promising more funding and a longer term approach to preventing future smog. Elizabeth changes her mind after the fog clears, moments before their meeting. Meanwhile Philip carries on his flying lessons from the Royal Family's aide, Group Captain Peter Townsend.
55"Smoke and Mirrors"Philip MartinPeter MorganNovember 4, 2016 (2016-11-04)
Queen Mary dies, prompting the Duke of Windsor to make another return trip. He clashes with Elizabeth's Private Secretary Tommy Lascelles when he asks Edward not to attend the upcoming coronation, and informs him that his wife Wallis will not receive an invitation. Elizabeth places Philip in charge of her coronation, and he upsets most of the committee with his insistence that it should be a modern affair, notably deciding to televise the event. He also requests that he should not have to kneel to Elizabeth while she is being crowned, a request which she refuses, causing unrest between the couple about the line between Queen and wife. Elizabeth is crowned at Westminster Abbey, while Edward hosts a viewing of the coronation from his house in Paris.
66"Gelignite"Julian JarroldPeter MorganNovember 4, 2016 (2016-11-04)
Princess Margaret and Group Captain Peter Townsend ask the Queen's permission to marry, but Tommy Lascelles and the Queen Mother are against it. A newspaper gets wind of the story, and starts publishing articles about the relationship. The Queen originally promises to support Margaret, but on reflection explains that it must wait until Margaret is 25, thanks to the Royal Marriages Act 1772. Elizabeth and Philip take Peter with them on a trip to Northern Ireland to show their support, before he is due to head to Brussels on duty. But the popularity shown to Peter by the press and public causes Tommy Lascelles to recommend that the posting to Brussels happen early, before Margaret returns from a trip to Southern Rhodesia. This affects the Queen's relationship with her sister forever.
77"Scientia Potentia Est"Benjamin CaronPeter MorganNovember 4, 2016 (2016-11-04)
The Soviet Union detonates their first hydrogen bomb, sparking an international crisis. With American President Dwight Eisenhower planning to visit Britain, Churchill urges an international summit to avert tension, but falls victim to a stroke which inhibits his ability to govern – and which his aides keep secret from the Queen. Elizabeth ponders whether to replace the retiring Tommy Lascelles with her preferred choice, Martin Charteris, or Michael Adeane, Lascelles's senior deputy, as her private secretary. She also engages a private tutor (Alan Williams) to improve her practical education in science and related subjects, with a positive relationship being formed so that she is encouraged to dress down both Lord Salisbury and Churchill for hiding his illness from her.
88"Pride & Joy"Philip MartinPeter MorganNovember 4, 2016 (2016-11-04)
With Elizabeth and Philip away on a stressful tour of the Commonwealth, Margaret takes on more royal engagements, with mixed results. The Queen Mother goes to Scotland to reflect on her new position in the Royal Family, and ends up buying a castle. Frustrated at being used as a 'prop' and after days of nonstop work, Philip finally loses his temper and he and Elizabeth get in a massive fight that is recorded by photographers outside the home they're staying in. While Elizabeth is able to convince the paparazzi to hand over the recording, the two are unable to resolve the argument, realizing they must pretend to have a stable relationship for the sake of the public. Winston Churchill visits Margaret and tells her that the people do not want someone with passion or personality, as Margaret is trying to give them, as that only creates problems, and tells her she will no longer be taking on Elizabeth's royal engagements. Elizabeth (King George's pride) and Margaret (King George's joy) declare their mutual envy; Margaret is jealous of Elizabeth's 'queenly' status, and Elizabeth is envious of Margaret's freedom and likable personality.
99"Assassins"Benjamin CaronPeter MorganNovember 4, 2016 (2016-11-04)
Philip begins spending more and more time out of the house, while Elizabeth begins to spend more and more time with her horse racing manager Lord Porchester ("Porchie"), a life-long friend of the Royal Family who some had expected Elizabeth to marry. As tension arises, including Elizabeth having a direct line put in for Porchie to call Buckingham Palace, Elizabeth and Philip have an angry confrontation. Afterwards, Elizabeth tells Philip that, to the disappointment of many, the only man she has ever loved in her entire life was Philip. Following a moving speech at a dinner at Downing Street for Churchill's 80th birthday, Philip mouthes a silent apology to Elizabeth, but the tension continues. Graham Sutherland paints Churchill's portrait as an 80th birthday gift from Parliament, but Churchill hates its unflattering accuracy and, after a confrontation with Sutherland, admits his pain at what aging has done to him. The painting is later destroyed on the instruction of his wife, Clementine.
1010"Gloriana"Philip MartinPeter MorganNovember 4, 2016 (2016-11-04)
Elizabeth faces a climax to Margaret's relationship with Peter Townsend. The Queen learns that, contrary to her expectation, Margaret's marriage requires consent of Parliament even after she reaches the age of 25, conflicting with Elizabeth's pledge to support their marriage. Torn between the public's support for Margaret, opposition from Parliament and the Church of England and her own conflicted feelings towards her sister, Elizabeth tries persuading Margaret that the relationship may come at too high a price. The Queen Mother complains to Elizabeth that Philip dominates and is too hard on Charles. Elizabeth, at the suggestion of Tommy Lascelles and the Queen Mother, asks Philip to open the 1956 Summer Olympics in Melbourne in order to adjust to life in Elizabeth's shadow. Anthony Eden becomes Prime Minister upon Churchill's resignation and becomes trapped in an escalating dispute with Egyptian president Gamel Abdel Nasser (Amir Boutrous) over rights to the Suez Canal. A five month long royal tour abroad is added to Philip's trip, Elizabeth suggests he be thankful that everyone is trying to help find him a public role but Philip tells Elizabeth not to disguise a betrayal as a favour.

Season 2

No.
overall
No. in
season
TitleDirected byWritten byOriginal release date
111TBAPhilip Martin[13]TBADecember 8, 2017 (2017-12-08)[14]

Production

Development

Peter Morgan, who wrote the 2006 film The Queen and the 2013 stage play The Audience, is the main scriptwriter for The Crown.[15] The directors of the television series who were also involved in the stage production are Stephen Daldry, Philip Martin, Julian Jarrold, and Benjamin Caron.[16] The first 10-part season was the most expensive drama produced by Netflix and Left Bank Pictures to date, costing at least £100 million.[17][18][19][20] A second season has been commissioned,[21][22] with the series intended to span 60 episodes over six seasons.[4] The series is expected to recast each role with older actors every two seasons, as the series progresses to present day events.[23]

Filming

An estimated 25% of the first season was filmed at Elstree Studios in Borehamwood, Hertfordshire, with the remainder filmed on location, with the season filmed over 152 days. Sets for private quarters, the interior of a private jet, the cabinet room, and the exterior of 10 Downing Street were built at Elstree Studios,[22][24] while Lancaster House, Wrotham Park and Wilton House were used for scenes to double as Buckingham Palace. Ely Cathedral stood in for Westminster Abbey, while filming in South Africa doubled as Kenya.[22] Additional filming locations in the United Kingdom included Eltham Palace, the Royal Naval College,[25] Goldsmiths' Hall, Shoreham Airport, New Slains Castle,[26] Balmoral Castle, Cruden Bay, Lyceum Theatre, Loseley Park, Hatfield House,[24] The Historic Dockyard Chatham,[27] Southwark Cathedral, Ardverikie House, Englefield House, and Glenfeshie Estate.[28] Filming on the second season began in early October 2016.[23]

Historical accuracy

The show has been interpreted by some as perpetuating the myth that the Queen and Prime Minister Sir Anthony Eden forced Princess Margaret to give up the idea of marrying Group Captain Peter Townsend. In reality, evidence shows they produced a plan to remove the hurdle holding up the marriage. In contradiction to the TV dramatization this plan would have allowed Princess Margaret to keep her royal title and her civil list allowance, stay in the country and even continue with her public duties. In the dramatization, the Queen is seen telling her sister that if she marries Townsend she will no longer be a member of the family because of the Royal Marriages Act 1772.[29]

The reenactment of the King's surgery to remove a lung tumour was researched and planned by Pankaj Chandak, specialist registrar in transplant surgery, Guy's and St Thomas' Hospital, London. Mr Chandak and his surgical team then became part of the real scene.[30]

Release

The series' first two episodes were released theatrically in the United Kingdom on November 1, 2016.[31] The first season was released worldwide in its entirety on November 4, 2016.[32][33] The second season is set to be released on December 8, 2017.[14]

Reception

John Lithgow won a Critics' Choice Award and a Screen Actors Guild Award, and was nominated for a Golden Globe Award for his performance as Winston Churchill.

The review aggregator website Rotten Tomatoes reported a 90% approval rating based on 51 reviews, with an average rating of 8.7/10. The website's critical consensus reads, "Powerful performances and lavish cinematography make The Crown a top-notch production worthy of its grand subject."[34] On Metacritic, the series holds a score of 81 out of 100, based on 29 critics, indicating "universal acclaim".[35]

The Guardian's TV critic Lucy Mangan praised the series and said, "Netflix can rest assured that its £100m gamble has paid off. This first series, about good old British phlegm from first to last, is the service's crowning achievement so far."[36] Writing for The Daily Telegraph, Ben Lawrence said, "The Crown is a PR triumph for the Windsors, a compassionate piece of work that humanises them in a way that has never been seen before. It is a portrait of an extraordinary family, an intelligent comment on the effects of the constitution on their personal lives and a fascinating account of postwar Britain all rolled into one."[37] Chief television critic Jaci Stephen of The Mail on Sunday lauded the series and said, "Faultless is the only word for The Crown with its exquisite writing and magnificent acting."[38] Writing for The Boston Globe, Matthew Gilbert lauded the series saying, "The show, created and written by Peter Morgan of The Queen and Frost/Nixon is thoroughly engaging, gorgeously shot, beautifully acted, rich in the historical events of postwar England, and designed with a sharp eye to psychological nuance."[39] Vicki Hyman of The Star-Ledger said, "A sumptuous, stately but never dull look inside the life of Queen Elizabeth (Claire Foy)."[40] The A.V. Club's Gwen Ihnat said, "The Crown easily rises far above, adding a cinematic quality to a complex and intricate time for an intimate family. The performers and creators are seemingly up for the task."[41]

The Wall Street Journal critic Dorothy Rabinowitz said, "We're clearly meant to see the duke [of Windsor] as a wastrel with heart. It doesn't quite come off—Mr. Jennings is far too convincing as an empty-hearted scoundrel—but it's a minor flaw in this superbly sustained work."[42] Television critic Robert Lloyd writing for Los Angeles Times said, "As television it's excellent—beautifully mounted, movingly played and only mildly melodramatic."[43] Hank Stuever of The Washington Post also reviewed the series positively: "Pieces of The Crown are more brilliant on their own than they are as a series, taken in as shorter, intently focused films like The Queen and another Morgan achievement, the play and film versions of Frost/Nixon."[44] Neil Genzlinger of The New York Times said, "This is a thoughtful series that lingers over death rather than using it for shock value; one that finds its story lines in small power struggles rather than gruesome palace coups.".[45] The Hollywood Reporter's Daniel Fienberg reviewed the series positively and said, "The first chapter of Peter Morgan's chronicle of the rule of Queen Elizabeth II remains gripping across the entirety of the 10 episodes made available to critics, finding both emotional heft in Elizabeth's youthful ascension and unexpected suspense in matters of courtly protocol and etiquette."[46] Other publications such as USA Today,[47] Indiewire,[48] The Atlantic,[49] CNN[50] and Variety[51] all reviewed the series positively.

Some were more critical towards the show. In a less enthusiastic review for Time magazine, Daniel D'Addario wrote, "The show will be compared to Downton Abbey, but that late soap opera was able to invent ahistorical or at least unexpected notes, [Claire] Foy struggles mightily, but she's given little: Avoiding her children, her husband, and her subjects in favor of meetings at which she either acquiesces to her advisors or puts off acquiescing until fifteen minutes later, The Crown's Elizabeth is more than unknowable. She's a bore".[52] Vulture's Matt Zoller Seitz quipped, "The Crown never entirely figures out how to make the political and domestic drama genuinely dramatic, much less bestow complexity on characters outside England's innermost circle."[53] Verne Gay of Newsday said, "Sumptuously produced but glacially told, The Crown is the TV equivalent of a long drive through the English countryside. The scenery keeps changing, but remains the same."[54] Slate magazine's Willa Paskin, expressed "It will scratch your period drama itch—and leave you itchy for action."[55] Writing for The Mail on Sunday, Hugo Vickers, an English biographer of the Royal Family, was of the opinion that "while [The Crown] certainly holds the attention, it is marred by a series of sensationalist errors and some quite remarkable lapses into vulgarity."[56]

Accolades

Year Award Category Nominee(s) Result Ref.
2016 American Film Institute Awards Top 10 TV Programs of the Year The Crown Won [57]
Critics' Choice Television Awards Best Drama Series Nominated [58]
Best Supporting Actor in a Drama Series John Lithgow Won
Best Guest Performer in a Drama Series Jared Harris Nominated
Hollywood Music in Media Awards Best Main Title – TV Show/Digital Streaming Series Hans Zimmer Nominated [59][60]
2017 Golden Globe Awards Best Television Series – Drama The Crown Won [61]
Best Actress – Television Series Drama Claire Foy Won
Best Supporting Actor – Series, Miniseries or Television Film John Lithgow Nominated
Screen Actors Guild Awards Outstanding Performance by a Male Actor in a Drama Series Won [62]
Outstanding Performance by a Female Actor in a Drama Series Claire Foy Won
Outstanding Performance by an Ensemble in a Drama Series Cast of The Crown Nominated
Art Directors Guild Awards One-Hour Period or Fantasy Single-Camera Television Series Martin Childs Nominated [63]
American Cinema Editors Awards Best Edited One Hour Series for Non-Commercial Television Yan Miles (for "Assassins") Nominated [64]
Satellite Awards Best Television Series – Drama The Crown Won [65]
Best Supporting Actor – Series, Miniseries or Television Film Jared Harris Nominated
Costume Designers Guild Awards Outstanding Period Television Series Michele Clapton Won [66]
Dorian Awards TV Drama of the Year The Crown Nominated
TV Performance of the Year - Actress Claire Foy Nominated
Broadcasting Press Guild Awards Best Online First/Streaming The Crown Won [67][68]
Best Actor Matt Smith Nominated
Best Actress Claire Foy Nominated
Best Writer Peter Morgan Nominated
Irish Film and Television Awards Best Editing Úna Ní Dhonghaíle Nominated [69]
Location Managers Guild Awards Outstanding Locations in Period Television Pat Karam, Robert Bentley Won [70]
BAFTA Television Craft Awards Best Costume Design Michele Clapton Won [71][72]
Best Director: Fiction Stephen Daldry Nominated
Best Photography and Lightning: Fiction Adriano Goldman Nominated
Best Production Design Martin Childs Nominated
Best Special, Visual and Graphic Effects Úna Ní Dhonghaíle, Molinare Won
Best Title and Graphic Identity Patrick Clair, Raoul Marks Nominated
Best Writer: Drama Peter Morgan Nominated
BAFTA Television Awards Best Drama Series The Crown Nominated [73]
Best Actress Claire Foy Nominated
Best Supporting Actor John Lithgow Nominated
Jared Harris Nominated
Best Supporting Actress Vanessa Kirby Nominated
Glamour Awards Best UK TV Actress Won [74]
TCA Awards Outstanding Achievement in Drama The Crown Nominated [75]
Outstanding New Program Nominated
Individual Achievement in Drama Claire Foy Nominated
Primetime Emmy Awards Outstanding Drama Series The Crown Pending [76]
Outstanding Directing for a Drama Series Stephen Daldry Pending
Outstanding Writing for a Drama Series Peter Morgan Pending
Outstanding Lead Actress in a Drama Series Claire Foy Pending
Outstanding Supporting Actor in a Drama Series John Lithgow Pending
Primetime Creative Arts Emmy Awards Outstanding Casting for a Drama Series Nina Gold, Robert Sterne Pending
Outstanding Cinematography for a Single-Camera Series (One Hour) Adriano Goldman Pending
Outstanding Costumes for a Period/Fantasy Series, Limited Series, or Movie Pending
Outstanding Hairstyling for a Single-Camera Series Ivana Primorac, Amy Riley Pending
Outstanding Main Title Design Pending
Outstanding Music Composition for a Series Rupert Gregson-Williams Pending
Outstanding Production Design for a Narrative Period Program (One Hour or More) Pending
Outstanding Special Visual Effects in a Supporting Role Pending

See also

References

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