The Butler

The Butler

Theatrical release poster
Directed by Lee Daniels
Produced by Pamela Oas Williams
Laura Ziskin
Lee Daniels
Buddy Patrick
Cassian Elwes
Written by Danny Strong
Based on A Butler Well Served by This Election
by Wil Haygood
Starring Forest Whitaker
Oprah Winfrey
John Cusack
Jane Fonda
Alex Pettyfer
Cuba Gooding Jr.
Terrence Howard
Lenny Kravitz
James Marsden
David Oyelowo
Vanessa Redgrave
Alan Rickman
Liev Schreiber
Robin Williams
Mariah Carey
Clarence Williams III
Music by Rodrigo Leão
Cinematography Andrew Dunn
Edited by Joe Klotz
Production
company
Laura Ziskin Productions
Windy Hill Pictures
Follow Through Productions
Salamander Pictures
Pam Williams Productions
Distributed by The Weinstein Company
Release date
  • August 16, 2013 (2013-08-16)
Running time
132 minutes[1][2]
Country United States
Language English
Budget $30 million[2][3]
Box office $176.6 million[2]

The Butler (full title Lee Daniels' The Butler)[4][5] is a 2013 American historical drama film directed and produced by Lee Daniels and written by Danny Strong.[6] Loosely based on the real life of Eugene Allen, the film stars Forest Whitaker as Cecil Gaines, an African-American who is a witness of notable political and social events of the 20th century during his 34-year tenure serving as a White House butler.[7][8] In addition to Whitaker, the film's all-star cast also features Oprah Winfrey, John Cusack, Jane Fonda, Alex Pettyfer, Cuba Gooding Jr., Terrence Howard, Lenny Kravitz, James Marsden, David Oyelowo, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Robin Williams, Mariah Carey and Clarence Williams III. It was the last film produced by Laura Ziskin,[9][10] who died in 2011.

The film was theatrically released by The Weinstein Company on August 16, 2013, to mostly positive reviews from critics,[11][12] grossing over $176 million worldwide against a budget of $30 million.[13]

Plot

In 2009, an elderly Cecil Gaines recounts his life story while waiting at the White House to meet the newly inaugurated president.

In 1926, at the age of seven, Gaines is raised on a cotton plantation in Macon, Georgia. When the farm's owner rapes Cecil's mother, Cecil's father confronts him and is killed. Cecil is taken in by the estate's caretaker, who trains Cecil as a house servant.

In 1937, at age eighteen, Cecil leaves the plantation. Desperately hungry, he breaks into a hotel pastry shop. The elderly master servant, Maynard, takes pity on Cecil and gives him a job. Cecil learns advanced serving and interpersonal skills from Maynard, who later recommends Cecil for a position in a Washington, D.C. hotel. While working there, Cecil meets and marries Gloria, and the couple has two sons: Louis and Charlie. In 1957, Cecil is hired by the White House during Dwight D. Eisenhower's administration. White House maître d'hôtel Freddie Fallows introduces Cecil to head butler Carter Wilson and co-worker James Holloway. Cecil witnesses Eisenhower's reluctance to use troops to enforce school desegregation, then his resolve to uphold the law by racially integrating Little Rock Central High School in Arkansas.

Louis, the elder son, becomes a university student at Fisk University in Tennessee, although Cecil feels that the South is too volatile. Louis joins a student program led by Southern Christian Leadership Conference (SCLC) activist James Lawson, which leads to a nonviolent sit-in at a segregated diner, where he is arrested. Gloria, who feels that Cecil puts his job ahead of her, descends into alcoholism.

In 1961, after John F. Kennedy's inauguration, Louis and others are attacked by members of the Ku Klux Klan while on a freedom ride to Birmingham, Alabama. Louis participates in the 1963 Birmingham Children's Crusade, where dogs and water cannons are used to stop the marchers, one of the movement's actions which inspires Kennedy to deliver a national address proposing the Civil Rights Act of 1964. Kennedy is later assassinated. His successor, Lyndon B. Johnson, enacts the legislation. As a goodwill gesture, Jackie Kennedy gives Cecil one of the former president's neckties.

Louis participates in the 1965 Selma Voting Rights Movement, which inspires Johnson to demand that Congress enact the landmark Voting Rights Act of 1965. Johnson also gives Cecil a tie bar.

In the late 1960s, after civil rights activist Martin Luther King, Jr.'s assassination, Louis tells his family that he has joined the Black Panthers. Cecil orders Louis and his girlfriend to leave his house. Louis is arrested again. Cecil becomes aware of President Richard Nixon's plans to suppress the Black Panthers.

Charlie confides to Louis that he plans to join the war in Vietnam. After enlisting, Charlie is killed and buried at Arlington National Cemetery. When the Black Panthers resort to violence, Louis leaves the organization and returns to college, earning his master's degree in political science and eventually running for a seat in Congress, although Cecil continues to hold resentment against him.

Cecil repeatedly confronts his supervisor at the White House over the unequal pay and career advancement provided to the black White House staff. With President Ronald Reagan's support, Cecil prevails, his reputation growing to the point that he and his wife are invited by the Reagans to be guests at a state dinner. Cecil becomes uncomfortable with the class divisions in the White House. After witnessing Reagan's refusal to support economic sanctions against Apartheid South Africa, Cecil resigns.

Gloria agitates for Cecil to mend his relationship with Louis. Realizing his son's actions are heroic, Cecil joins Louis at a protest against South African apartheid; they are arrested and jailed together.

In 2008, Gloria dies shortly before Barack Obama is elected as the nation's first African-American president. Two months, two weeks and one day later, Cecil prepares to meet the newly inaugurated President, wearing the articles he received from Kennedy and Johnson. Stephen W. Rochon approaches Cecil and tells him the president is ready, preparing to show him the way to the Oval Office. Cecil tells him that he knows the way.

Cast

Gaines' private life
White House co-workers
White House historical figures
Civil rights historical figures

Presidents Gerald Ford, Jimmy Carter, Barack Obama and civil rights leader Jesse Jackson are depicted in archival footage.[21][22]

Melissa Leo and Orlando Eric Street were cast as First Lady Mamie Eisenhower and Barack Obama, respectively, but did not appear in the finished film.[6][23][24][25]

Production

Development

Danny Strong's screenplay is inspired by Wil Haygood's Washington Post article "A Butler Well Served by This Election".[26][27] The project received initial backing in early 2011, when producers Laura Ziskin and Pam Williams approached Sheila Johnson for help in financing the film. After reading Danny Strong's screenplay, Johnson pitched in her own $2.7 million before getting in several African-American investors. However, Ziskin died from cancer in June 2011. This left director Daniels and producing partner Hilary Shor to look for further producers on their own. They started with Cassian Elwes, with whom they were working on The Paperboy. Elwes joined the list of producers, and started raising funding for the film. In spring 2012, Icon U.K., a British financing and production company, added a $6 million guarantee against foreign pre-sales. Finally the film raised its needed $30 million budget through 41 producers and executive producers, including Earl W. Stafford, Harry I. Martin Jr., Brett Johnson, Michael Finley, and Buddy Patrick. Thereafter, as film production started Weinstein Co. picked up U.S. distribution rights for the film. David Glasser, Weinstein Co. COO, called fund raising as an independent film, "a story that's a movie within itself."[3][28]

The Weinstein Company acquired the distribution rights for the film after Columbia Pictures put the film in turnaround.[29][30]

The film's title was up for a possible rename due to a Motion Picture Association of America claim from Warner Bros., which had inherited from the defunct Lubin Company a now-lost 1916 silent short film with the same name.[9][31] The case was subsequently resolved with the MPAA granting The Weinstein Company permission to add Daniels' name in front of the title, under the condition that his name was "75% the size of The Butler".[32] On July 23, 2013, the distributor unveiled a revised poster, displaying the title as Lee Daniels' The Butler.[33]

Filming

Principal photography started in June 2012 in New Orleans. Production was originally scheduled to wrap in early August 2012 but was delayed by the impact of Hurricane Isaac.[34]

Reception

Box office performance

In its opening weekend, the film debuted in first place with $24.6 million.[35][36] The film topped the North American box office in its first three consecutive weeks.[37][38] The film has grossed $116.6 million in Canada and the United States, it earned $51.1 million elsewhere, for a total of $167.7 million.[2]

Critical response

The Butler received mostly positive reviews from critics, with a 71% rating on the film critic aggregate site Rotten Tomatoes, based on 175 reviews. The site's consensus says, "Gut-wrenching and emotionally affecting, Lee Daniels' The Butler overcomes an uneven narrative thanks to strong performances from an all-star cast."[39] Another review aggregator, Metacritic, which assigns a normalized rating out of 100 top reviews from mainstream critics, calculated a score of 66 based on 47 reviews, indicating "generally positive reviews".[40]

Todd McCarthy praised the film saying, "Even with all contrivances and obvious point-making and familiar historical signposting, Daniels' The Butler is always engaging, often entertaining and certainly never dull."[41] Richard Roeper lauded the film's casting in particular, remarking that "Forest Whitaker gives the performance of his career".[42] Rolling Stone also spoke highly of Whitaker writing that his "reflective, powerfully understated performance...fills this flawed film with potency and purpose."[21] Variety wrote that "Daniels develops a strong sense of the inner complexities and contradictions of the civil-rights landscape."[43] USA Today gave the film three out of four stars and noted that "It's inspiring and filled with fine performances, but the insistently swelling musical score and melodramatic moments seem calculated and undercut a powerful story."[44] Miles Davis of the New York Tribune gave the film a negative review, claiming the film to be "Oscar bait", a cliche film designed to attract Oscar nominations.[45]

Kenneth Turan of the Los Angeles Times was more negative; "An ambitious and overdue attempt to create a Hollywood-style epic around the experience of black Americans in general and the civil rights movement in particular, it undercuts itself by hitting its points squarely on the nose with a 9-pound hammer."[46] Several critics compared the film's historical anecdotes and sentimentality to Forrest Gump.[47][48][49][50]

President Barack Obama said, "I teared up thinking about not just the butlers who worked here in the White House, but an entire generation of people who were talented and skilled. But because of Jim Crow and because of discrimination, there was only so far they could go."[51]

Accolades

Awards
Award Category Recipients and nominees Result
AARP Annual Movies for Grownups Awards[52] Best Supporting Actress Oprah Winfrey Won
BAFTA Awards Best Actress in a Supporting Role Oprah Winfrey Nominated
BAFTA Award for Best Makeup and Hair Debra Denson, Beverly Jo Pryor, Candace Neal Nominated
Hollywood Film Awards Best Director Lee Daniels Won
Spotlight David Oyelowo Won
Critics Choice Awards Best Supporting Actress Oprah Winfrey Nominated
Best Cast Mariah Carey, John Cusack, Jane Fonda, Cuba Gooding Jr., Terrence Howard, Lenny Kravitz, James Marsden, David Oyelowo, Alex Pettyfer, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Forest Whitaker, Robin Williams, and Oprah Winfrey Nominated
Best Makeup Nominated
NAACP Image Award[53] Outstanding Motion Picture Nominated
Outstanding Actor in a Motion Picture Forest Whitaker Won
Outstanding Supporting Actor in a Motion Picture David Oyelowo Won
Outstanding Supporting Actor in a Motion Picture Cuba Gooding Jr. Nominated
Outstanding Supporting Actor in a Motion Picture Terrence Howard Nominated
Outstanding Supporting Actress in a Motion Picture Oprah Winfrey Nominated
Outstanding Writing in a Motion Picture Danny Strong Nominated
Outstanding Directing in a Motion Picture Lee Daniels Nominated
People's Choice Awards Favorite Dramatic Movie Nominated
Favorite Dramatic Movie Actress Oprah Winfrey Nominated
Phoenix Film Critics Society Best Actress in a Supporting Role Oprah Winfrey Nominated
Screen Actors Guild Award Outstanding Performance by a Cast in a Motion Picture Mariah Carey, John Cusack, Jane Fonda, Cuba Gooding Jr., Terrence Howard, Lenny Kravitz, James Marsden, David Oyelowo, Alex Pettyfer, Vanessa Redgrave, Alan Rickman, Liev Schreiber, Forest Whitaker, Robin Williams, and Oprah Winfrey Nominated
Outstanding Performance by a Male Actor in a Leading Role Forest Whitaker Nominated
Outstanding Performance by a Female Actor in a Supporting Role Oprah Winfrey Nominated
Satellite Awards Best Actor in a Motion Picture Forest Whitaker Nominated
Best Actress in Supporting Role Oprah Winfrey Nominated
Best Art Direction & Production Design Diane Lederman, Tim Galvin Nominated

Historical accuracy

Regarding historical accuracy, Eliana Dockterman wrote in Time: "Allen was born on a Virginia plantation in 1919, not in Georgia.... In the movie, Cecil Gaines grows up on a cotton field in Macon, where his family comes into conflict with the white farmers for whom they work. What befalls his parents on the cotton field was added for dramatic effect.... Though tension between father and son over civil rights issues fuels most of the drama in the film, [Eugene Allen's son] Charles Allen was not the radical political activist that Gaines's son is in the movie."[54]

Particular criticism has been directed at the film's accuracy in portraying President Ronald Reagan. While Alan Rickman's performance generated positive reviews, the director and screenwriters of the film have been criticized for depicting Reagan as indifferent to civil rights and his reluctance to associate with the White House's black employees during his presidency. According to Michael Reagan, the former president's son, "The real story of the White House butler doesn't imply racism at all. It's simply Hollywood liberals wanting to believe something about my father that was never there."[55][56][57] Paul Kengor, one of President Reagan's biographers, also attacked the film, saying, "I've talked to many White House staff, cooks, housekeepers, doctors, and Secret Service over the years. They are universal in their love of Ronald Reagan." In regard to the president's initial opposition to sanctions against apartheid in South Africa, Kengor said, “Ronald Reagan was appalled by apartheid, but also wanted to ensure that if the apartheid regime collapsed in South Africa that it wasn't replaced by a Marxist-totalitarian regime allied with Moscow and Cuba that would take the South African people down the same road as Ethiopia, Mozambique, and, yes, Cuba. In the immediate years before Reagan became president, 11 countries from the Third World, from Asia to Africa to Latin America, went Communist. It was devastating. If the film refuses to deal with this issue with the necessary balance, it shouldn't deal with it at all."[58]

Political commentator Ben Shapiro wrote: "There is no question that the film itself is full of historical inaccuracies. The Butler has virtually nothing in common with its source material, the life of White House butler Gene Allen, except for the fact that the main character of the film and Allen were both black butlers in the White House. The film's title character, Cecil Gaines, sees his father murdered and his mother raped by a white landowner; that never happened to Allen. The movie's title character has two children, one who goes to the Vietnam War, the other who becomes a Civil Rights pioneer; Allen actually had only one son."[59]

See also

References

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