The Beaver (film)

The Beaver

Theatrical release poster
Directed by Jodie Foster
Produced by
Written by Kyle Killen
Starring
Music by Marcelo Zarvos
Cinematography Hagen Bogdanski
Edited by Lynzee Klingman
Production
company
Distributed by Summit Entertainment
Release date
  • March 16, 2011 (2011-03-16) (SXSW)
  • May 6, 2011 (2011-05-06) (United States)
  • May 19, 2011 (2011-05-19) (United Arab Emirates)
Running time
91 minutes
Country
Language English
Budget $21 million[2]
Box office $6.4 million[2]

The Beaver is a 2011 comedy-drama film directed by Jodie Foster and written by Kyle Killen. This film stars Mel Gibson, Foster, Anton Yelchin, and Jennifer Lawrence. This is Gibson and Foster's first film together since 1994's Maverick and Summit Entertainment's only film to have Entertainment One not distribute it within the UK.

Plot

Walter Black (Mel Gibson) is a depressed CEO of Jerry Co., a toy company nearing bankruptcy. He is kicked out by his wife (Jodie Foster), to the relief of their elder son Porter (Anton Yelchin). Walter moves into a hotel. After unsuccessful suicide attempts, he develops an alternate personality represented by a beaver hand puppet found in the trash. He wears the puppet constantly, communicating solely by speaking as the beaver, helping him to recover. He reestablishes a bond with his younger son Henry and then with his wife, although not with Porter. He also becomes successful again at work by creating a line of Mr. Beaver Building Kits for kids.

Porter, who gets paid to write papers for schoolmates, is asked by Norah (Jennifer Lawrence) to write her graduation speech. He gets emotionally attached to Norah but his father's actions with the beaver puppet embarrass him.

Walter's wife moves out of the house with the children, because he lied to her about the puppet being part of a treatment plan monitored by his psychiatrist. She feels she can no longer communicate with her husband and that he is suffering from a dissociative identity disorder, with the beaver taking him over.

Part of Walter's personality realizes what he has put his family through and wants to get rid of the beaver to get back together with his family, but the beaver resists. Walter finally takes the puppet out of his life by cutting off his arm at the elbow. He gets a prosthetic hand and is placed in a psychiatric hospital.

Norah reconnects with Porter. She starts the speech he wrote, but stops and admits publicly that she did not write it herself. She switches to explain the value of truth and her trauma caused by her brother's death some years ago. Porter realizes the value of his father and reunites with him.

Walter Black becomes himself again and returns to a normal life.

Cast

Production

On a budget of $21 million,[5] The Beaver was filmed in Westchester County, New York and New York City. A portion of the movie was filmed at White Plains Senior High School in White Plains, New York. Filming was completed in November 2009. Before Gibson was hired, Steve Carell and Jim Carrey were both signed on to star at different stages of production.[6] The film marked a return to New York state for Mel Gibson since he and his family left for Australia in the 1960s.

Theatrical release

The Beaver had its world premiere at the South by Southwest film festival on March 16, 2011, where the Los Angeles Times reported that it was given "a relatively warm embrace".[7]

The film had a limited release in 22 theaters on May 9, 2011.

Box office

Mel Gibson and Jodie Foster promoting the film at the 2011 Cannes Film Festival.

Over its opening weekend, the film grossed $107,577.[8] Entertainment Weekly and several media outlets[9][10] reported that the film's box office performance was a "flop" with a haul of only $4,890 per theater against its production budget of $21 million (not including marketing costs).[11] Entertainment Weekly compared the box office gross of The Beaver against Mel Gibson's other most recent "box office failure", 2010's Edge of Darkness—which debuted to a per-theater average of $5,615 at more than 3,000 locations—and the box office success of 2010's Black Swan which grossed a per-theater average of $88,863 in limited release at only 16 theaters.[12] The Beaver was the worst debut for a Foster-directed film.[13] The distributor Summit Entertainment had originally planned for a wide release of The Beaver for the weekend of May 20; but, after the initial box-office returns came in, the company changed course and decided to give the film a "limited art-house run".[5] Michael Cieply of The New York Times observed on June 5, 2011, that the film had cleared just about $1 million, making it a certified "flop".[14] The film's director Foster opined that the film did not do well with American audiences because it was a dramedy and "very often Americans are not comfortable with [that]".[15]

Before its release, much of the coverage focussed on the unavoidable association between the protagonist's issues and Mel Gibson's own well-publicized personal and legal problems, including a conviction of battery of his ex-girlfriend in March.[16] Wrote Time Magazine: "The Beaver is a somber, sad domestic drama featuring an alcoholic in acute crisis. Sound familiar, almost like a documentary? It’s hard to separate Gibson’s true-life story from what’s happening onscreen."[17] While critics were impressed by the actor's performance, audiences seemed to stay away due to the "ick factor" of seeing Gibson on screen.[18]

Critical reception

The Beaver received mixed to positive reviews from critics. Review aggregator Rotten Tomatoes gives the film a score of 61% based on reviews from 171 critics and reports a rating average of 6.1 out of 10. It reported the consensus, "Jodie Foster's visual instincts and Mel Gibson's all-in performance sell this earnest, straightforward movie."[19] At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 59 based on 32 reviews.[20]

Roger Ebert gave the film 2 1/2 (out of a possible 4) star rating, saying, "The Beaver is almost successful, despite the premise of its screenplay, which I was simply unable to accept."[21]

References

  1. "The Beaver". British Film Institute. Retrieved April 20, 2014.
  2. 1 2 "The Beaver". Box Office Mojo. Internet Movie Database. Retrieved 2011-06-27.
  3. Dave McNary (2009-09-09). "Anton Yelchin swims with 'Beaver'". Variety. Retrieved 2009-12-29.
  4. "Jodie lifts spirits". New York Post. 2009-10-15. Retrieved 2009-12-29.
  5. 1 2 Kaufman, Amy (May 8, 2011). "Audiences reject Mel Gibson as 'The Beaver' flops". Los Angeles Times.
  6. "Jim Carrey Likes 'The Beaver'?". 2009-05-02. Retrieved 2009-12-30.
  7. Keegan, Rebecca (April 25, 2011). "Jodie Foster is bullish on 'The Beaver'". Los Angeles Times.
  8. Gray, Brandon (May 9, 2011). "Weekend Report: 'Thor' Thwacks It Within the Park". Box Office Mojo.
  9. "Weekend Report: 'Thor' Thwacks It Within the Park".
  10. Keegan, Rebecca (April 25, 2011). "Jodie Foster is bullish on 'The Beaver'". Los Angeles Times.
  11. "Mel Gibson's flop 'The Beaver': What went wrong?". Entertainment Weekly's EW.com.
  12. Young, John (May 10, 2011). "Mel Gibson's flop 'The Beaver': What went wrong?". Entertainment Weekly.
  13. Knegt, Peter (May 8, 2011). "Box Office: Jodie Foster and Mel Gibson Fail To Find Audiences With "The Beaver"". indieWire. Retrieved May 8, 2011.
  14. Cieply, Michael. "Uneven Growth for Film Studio With a Message." New York Times. June 5, 2011. Accessed 2011-06-06.
  15. Director says movie struck out in the U.S. because it’s a dramedy, Steven Zeitchik, NewsOK (The Oklahoman), May 20, 2011 (registration required)
  16. "When Art Imitates an Actor’s Troubled Life". The New York Times. 18 March 2011.
  17. "The Beaver Review: Are We Ready to Forgive Mel Gibson? - TIME.com". TIME.com.
  18. "Mel Gibson's flop 'The Beaver': What went wrong?". Entertainment Weekly's EW.com.
  19. "The Beaver Movie Reviews". Rotten Tomatoes. Retrieved May 17, 2011.
  20. "The Beaver Reviews". Metacritic. Retrieved May 17, 2011.
  21. Ebert, Roger (May 4, 2011). "The Beaver". Chicago Sun-Times.
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