Teo Spiller

Teo Spiller (born December 4, 1965 in Ljubljana) is one of four Slovenian net.artists, active on-line since 1995.

Teo Spiller: From Binary to Organic, (1997)
Teo Spiller, Cyber Graphic (2000). Collection of Municipal Museum of Gyor, Hungary
Teo Spiller: Tangible net.art - Capricces for Netscape (2003)
Tadej Komavec, Teo Spiller: X-lam (2004)
Teo Spiller: In/Form/Aation (2011) & President Obama following execution of Osama bin Laden (2013). 30th Ljubljana Biennial of Graphic Arts


About

Spiller [1][2] sold net.art work to a gallery. He sold his work Megatronix [3][4] to Mestna galerija Ljubljana in May 1999. He organised negotiations between artist and buyer as an online forum with participants.[5] His other world renown net.art projects were Hommage to Mondrian,[6][1] Nice Page,[7][1] Capricces for Netscape [8][1] and Esmeralda.[9][10][1]

In 2000 he organized an international art happening called INFOS 2000 (off-linne) net.art contest about how multimedia and browsing connections contextually and aesthetically obscured the borders between net.art and CD-ROM art.[11] He also produced many fine art works reflecting aesthetics of new media [12][13]

In 2004, together with Tadej Komavec, he launched X-lam [14][15][16][17][18][1] project, a different media for watching images. It works best in (semi) dark places. A 'stick' contains series of diodes blinking. But if you move your eyes quickly you can briefly see an image floating in the air. On 10th Cairo International Biennale he exhibited beside X-lam some other technologies for different ways of watching, like stereograms and streaming textuality,[19] which he later used also in installation Intruders (Kino Siska, 2012).

In 2007 he denied to participate on U3 triennial of contemporary arts due to different concepts of presenting net.art in a gallery.[20]

In 2008 launched Real3Dfriend [21] project as a critic of closed commercial oriented virtual reality systems (specially Second life), questioning ethics of virtual reality worlds, based on commercial instead on humanistic values.

In 2011 launched projects New media textuality [22][1] and New media Semiotics,[23][1] combining the artists book with net.art projects like SPAM sonnet[24] ♦, News sonnets,[25] etc.

Combining visual media and machines, he built a robot Laboro to investigate a concept of cyborg artist, combination of human and machine in art process, resulting in Wooden In/form/Ations [26] and robot generated graphics like President Obama following execution of Osama bin Laden [27][1]

Solo exhibitions

Group exhibitions

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Komavec, Tadej (2015). Net.art kot zgodovinska avantgarda, kratka zgodovina spletne umetnosti in z njo povezana produkcija Zavoda DOBER (PDF). Ljubljana: Dober, Contemporary arts institute. ISBN 978-961-93025-2-1.
  2. ↑ Spiller, Teo. "Rhizome Archive".
  3. ↑ Stefan Federspiel, ed. (2000). Net Art Guide. Fraunhofer IRB Verlag. pp. 36, 37. ISBN 3-8167-5590-9.
  4. ↑ Montaner, Joan Campas. "Historia net.art". Aura digital.
  5. ↑ Mirapaul, Matthew (1999-05-13). "There May Be Money in Internet Art After All". New York Times.
  6. ↑ Parent, Sylvie. "web projects no. 9". Hommage to Mondrian. CIAC electronic art magazine.
  7. ↑ Daskalova, Rossitza. "Nice Page". CIAC electronic art magazine.
  8. 1 2 Holger Tepe, ed. (1997). film+arc graz. Graz: artimage. p. 17. ISBN 3-9500284-2-0.
  9. 1 2 Ostranenie 97. Dessau, Germany: Stiftung Bauhaus Dessau. 5–8 November 1997. p. 546. ISBN 3-91002-222-7.
  10. ↑ "el net.art imita esteticamente los sitios de contenido sexual". El Pais: 17. 27 April 2000.
  11. 1 2 "INFOS 2000 (off-line) net.art contest". MARS. 1-2. Moderna Galerija Ljubljana. XIII. 2001. ISSN 0353-541X.
  12. 1 2 Digital Graphic Art on Paper. Ljubljana: Ljubljana Municipal Museum. October 1999. pp. 36, 37.
  13. 1 2 Julia N. Meszaros, ed. (September 2001). The Masters of Graphic Arts. Gyor, Hungary: Municipal Museum of Ars, Gyor. p. 90.
  14. ↑ Rhizome, Database. "X-lam". X-lam. Rhizome.
  15. 1 2 Device_art 2.006. Zagreb: Kontejner. 2006. pp. 106–109. ISBN 953-95360-1-4.
  16. 1 2 Polona Tratnik, ed. (2005). New Species. Ljubljana: Zavod K6/4. pp. 114, 115, 116, 117, 182, 183.
  17. 1 2 Territories, Identities, Nets. Museum of Modern Art Ljubljana. 2005. p. 183. ISBN 961-206-045-2.
  18. 1 2 Alenka Domjan, ed. (2010). Kiparstvo danes. Zavod Celeia Celje. pp. 68, 69. ISBN 978-961-92011-9-0.
  19. 1 2 10th Cairo Int. Biennale. Ministry of Culture of Arab Republic of Egypt. pp. 152, 153.
  20. ↑ Leban, Sebastjan. "Self/forced Exclusion: An Interview with Teo Spiller".
  21. ↑ "Real 3D Friend". Rhizome.
  22. ↑ Spiller, Teo (2011). Besedilnost novih medijev. Ljubljana: Dober, contemporary arts institute. ISBN 978-961-93025-0-7.
  23. ↑ Spiller, Teo (2011). Znakovnost novih medijev. Ljubljana: Dober, Contemporary arts institute. ISBN 978-961-93025-1-4.
  24. ↑ "SPAM sonnet" (PDF). Zavod Dober.
  25. ↑ "News sonnets" (PDF). Zavod dober.
  26. 1 2 "Wooden In/Form/Ations". Trubarjeva hiša čiterature.
  27. 1 2 Interruption 30th Ljubljana Bienial of Graphic Arts. London: Black dog. September 2013. p. 190. ISBN 978 1 908966 30 8.
  28. ↑ "Psstt!!". KUD France Preseren.
  29. ↑ "Between aesthetic Surgery and Genetic Ingeneering". Dnevnik. 7 June 2010.
  30. ↑ "LIFE". MNZ.
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