Tempest (Bob Dylan album)

Tempest
A red-tinted picture featuring a statue of a woman looking up. Red font in the center reads "Tempest" and yellow font at the bottom left reads "Bob Dylan."
Studio album by Bob Dylan
Released September 10, 2012 (2012-09-10)
Recorded January–March 2012 at Groove Masters Studios in Santa Monica, California
Genre Folk, folk rock
Length 68:31
Label Columbia
Producer Bob Dylan
Bob Dylan chronology
In Concert – Brandeis University 1963
(2011)In Concert – Brandeis University 19632011		 Tempest
(2012)		 The 50th Anniversary Collection
(2012)The 50th Anniversary Collection2012
Singles from Tempest
  1. "Duquesne Whistle"
    Released: August 28, 2012

Tempest is the thirty-fifth studio album by American singer-songwriter Bob Dylan, released on September 10, 2012 by Columbia Records.[1][2] The album was recorded at Jackson Browne's Groove Masters Studios in Santa Monica, California. Dylan wrote all of the songs himself with the exception of the track "Duquesne Whistle", which he co-wrote with Robert Hunter.[3]

Tempest received universal acclaim from music critics, who praised its traditional music influences and Dylan's dark lyrics.[4] The album peaked at number three on the Billboard 200.

Composition

Rolling Stone reported that the fourteen-minute long title track "Tempest" is about the RMS Titanic and includes references to the James Cameron film Titanic (1997). The song "Roll on John" is a tribute to John Lennon. It includes references to some of his songs, including The Beatles' "Come Together" and "A Day in the Life."[5]

The album's title initially spurred rumors that it would be Dylan's final album, based on its similarity to the title of Shakespeare's final play. Dylan later responded: "Shakespeare's last play was called The Tempest. It wasn't called just plain "Tempest". The name of my record is just plain Tempest. It's two different titles."[6]

Artwork

The cover art for Tempest incorporates a dark red duotone photograph[7] of a statue located at the base of the Pallas-Athene Fountain in front of the Austrian Parliament Building in Vienna.[8][9] The statue is one of four figures on the intermediate platform of the fountain bowl personifying the main rivers of Austria-Hungary: the Danube, the Inn, the Elbe, and the Moldau.[10] The figure shown on the album cover represents the Moldau.[9] The sculpture was created by Carl Kundmann between 1893 and 1902 based on architect Theophil Hansen's original plans.[10] The photograph was taken by Alexander Längauer from his Shutterstock portfolio, and the package was designed by Coco Shinomiya. As with all Dylan albums of the past 15 years, the packaging features minimal credits and no printed lyrics. The deluxe limited edition CD includes a 60-page notebook of rare vintage magazines with Bob Dylan on frontcover. The covers are from the collections of Magne Karlstad and Oddbjørn Saltnes.

Release

Tempest was released on September 10, 2012, in the United Kingdom and September 11 in the United States. It was announced for release on July 17, 2012 through a press release on Dylan's official web site.[1] The release was issued as a CD and an LP, and as a digital download through online retailers. Various pre-order packages were available from Dylan's official online store including a combined CD/MP3 download of the album, an LP-only version, and two CD/LP bundles including a signature Bob Dylan Hohner harmonica in the different keys and an exclusive 11"x17" poster.[11] A segment of "Early Roman Kings" was featured in a Cinemax commercial for the TV series Strike Back: Vengeance[12] and "Scarlet Town" was featured during the end credits of the first two episodes, both of which aired on August 17, 2012.[13] "Duquesne Whistle", written by Dylan and Robert Hunter, was released as the album's single, along with an accompanying music video; the video was directed by Nash Edgerton, who had directed videos for previous Dylan songs. Rolling Stone wrote that the video "initially seems like a Charlie Chaplin-inspired bit of light comedy", but that it takes a "shockingly dark turn".[14]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic83/100[4]
Review scores
SourceRating
AllMusic[15]
American Songwriter[16]
Chicago Tribune[17]
Drowned in Sound9/10[18]
Entertainment WeeklyA[19]
Magnet[20]
Mojo[21]
Paste9/10[22]
Pitchfork Media6.8/10[23]
Rolling Stone[24]
Tiny Mix Tapes[25]
Uncut10/10[26]

Tempest was widely acclaimed by contemporary music critics.[4][27] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 83, which indicates "universal acclaim", based on 31 reviews.[4] The album is often considered, along with 1997's "comeback album", Time Out of Mind, 2001's "Love and Theft" and 2006's Modern Times, as part of a string of critically acclaimed albums in late-Dylan's catalogue. Some even found it surpassing those other albums, such as Mojo Magazine, who in their review of Tempest opined, "Tempest is Dylan's best musical album of this century, a vibrant maximising of strict rules and the savaged-leather state of that voice."[21] Likewise, Ribofalvin of Tiny Mix Tapes felt that "Tempest's epic scale and grandeur makes his few previous albums look like short stories leading up to a great novel."[25] Rob Brunner, reviewing the album for Entertainment Weekly, felt that "thirty-five albums in, Dylan remains as magical and mysterious as ever."[19]

In his review in Rolling Stone magazine, Will Hermes gave the album five out of five stars, calling it "musically varied and full of curveballs" and "the single darkest record in Dylan's catalog."[24] According to Hermes, the album draws upon elements common throughout Dylan's career—especially the last three albums—with music that is "built from traditional forms and drawing on eternal themes: love, struggle, death."[24] Hermes continues:

Lyrically, Dylan is at the top of his game, joking around, dropping wordplay and allegories that evade pat readings and quoting other folks' words like a freestyle rapper on fire. "Narrow Way" is one of Dylan's most potent rockers in years, and it borrows a chorus from the Mississippi Sheiks' 1934 blues "You'll Work Down to Me Someday". "Scarlet Town" draws on verses by 19th-century Quaker poet and abolitionist John Greenleaf Whittier; and allusions to Louis Armstrong and the Isley Brothers pop up elsewhere.[24]

A lot of critics praised the album for its dark lyrical nature and roots in "Old Weird America". David Edward expressed this in his review for Drowned in Sound stating, "The coherence of Tempest is the hypnotic key to its charm. Compressed together, the collection exudes a dark flow and a hidden, perilous depth."[18] Likewise, in Magnet Magazine's review of Tempest, they felt that "Dylan has never been more deliberate or so overtly savage."[20] Dougles Helesgrave likewise praised the album for its music sources and dark lyrics, stating:

Tempest is an album that works on many levels. Taken as sound or aural sculpture, the songs take the listener through a dark ramble through the back roads of American popular music. Every musical phrase, note, carries something that suggests more than itself. Each melody is weighed down with memory, reminding the listener of real and imagined pasts, old struggles, hinting that there’s a world rapidly slipping through our fingers, if it’s not already long gone.[22]
Breathtaking, mythmaking, heartbreaking, the songs and ballads of Bob Dylan's Tempest are composed of intricately patterned rhyme and sound. No other songwriter can marry words and music as richly as Dylan can, and the perfect ten tracks of this record come straight to us from a bard's ear and a poet's pen.
Anne Margaret Daniel of Hot Press in her review of Tempest[28]

In his review for American Songwriter, Jim Beviglia gave the album four and a half out of five stars, calling it "the kind of meaty offering that his most ardent fans desire most."[29] Beviglia notes that the ambitious three-song run concluding the album "should silence any doubts, if they exist, that Dylan is still at the top of his game."[29] "Tin Angel" tells a story of a lovers' triangle that turns into a "Shakespearean body pile, providing plenty of fodder for Dylanologists looking for symbols and hidden meanings." The title track, according to Breviglia, may be a metaphor for how mankind is "headed unknowingly toward an unfortunate fate" with Dylan examining how people react—"some nobly, some horribly, when put to the ultimate test." The closing track, "Roll On John", veers between biographical elements and Lennon song lyrics, presenting what Beviglia calls the "oft-overlooked soft side of Dylan" that is truly touching.[29] Beviglia concludes:

Unlike the Titanic watchman fast asleep at his post, Bob Dylan's eyes are as wide open as ever, even when he's looking back. On this album, he depicts all he sees with his typical insight, dexterity, and honesty, yet he still has ways of doing so that upend all expectations. Tempest is fantastic, but being impressed by Dylan is old hat. That he still finds ways to surprise us is an achievement beyond all comprehension.[29]
Few American writers, save Mark Twain, have spoken so eloquently and consistently at such a steady, honest clip, and the evidence continues on Tempest... At their best, new songs such as "Scarlet Town," "Tin Angel" and "Roll On, John" show an artist swirling in musical repetition and the joy of longevity. Each is longer than seven minutes and each deserves to be heard again the moment it ends. He mixes these longer narratives with a few four-minute, expertly crafted gems that float like whittled wooden birds come to life.
Randall Roberts in his review of Tempest for the Los Angeles Times[30]

In his review in The Daily Telegraph, Neil McCormick called the album "among his best ever".[31] According to McCormick, the songs on Tempest reveal a Dylan "genuinely fired up by the possibilities of language" and that the entire album "resounds with snappy jokes and dark ruminations, vivid sketches and philosophical asides."[31] McCormick continued:

Tempest is certainly his strongest and most distinctive album in a decade. The sound is a distillation of the jump blues, railroad boogie, archaic country and lush folk that Dylan has been honing since 2001's Love and Theft, played with swagger and character by his live ensemble and snappily produced by the man himself. A notoriously impatient recording artist, Dylan seems to have found a style that suits his working methods. Drawing on the early 20th-century Americana that first grabbed his attention as a young man (and that he celebrated in his Theme Time Radio Hour shows) and surrounding himself with slick, intuitive musicians capable of charging these nostalgic grooves with contemporary energy, his late-period albums seem a continuation of his tours, as if he rolls right off the stage and into the studio and just keeps rocking.[31]

In his review for the Chicago Tribune, Greg Kot gave the album three and a half out of four stars, calling it "an inspired mix of blood and bawdiness."[32] Kot called Dylan a "masterful storyteller, by turns murderous, mischievous and tender, sometimes all at once."[32] In his review on Uncut, Allan Jones gave the album ten out of ten stars, calling it "the most far-reaching, provocative and transfixing album of Dylan’s later career. Nothing about it suggests a swansong, adios or fond adieu."[33] In his review in The Gazette, Bernard Perusse gave the album five out of five stars, noting that it "ranks among Dylan's darker works, largely because it has the highest death toll."[34] In his review in the Tampa Bay Times, Sean Daly gave the album an "A" rating, calling it "breathtaking but bleak" and a "mesmerizing record".[35]

In her review for USA Today, Edna Gundersen gave the album four out of four stars, calling it "brilliant".[36] According to Gundersen, Dylan's "peerless powers as a wordplay wizard and consummate storyteller" have not diminished with age, and that Tempest continues in the vein of his recent albums, "steeped in tradition and bent toward blues."[36] Dylan's voice is ideal for these songs, Gundersen noted, whether he's describing a triple murder-suicide in "Tin Angel" or vilifying modern robber barons in "Early Roman Kings".[36] Beneath the humor and mayhem Dylan layers "sexual and political metaphors and bigger truths about human nature, twisted morals, fate and mortality."[36]

Others found the album over-hyped. In his review in The Guardian, Alexis Petridis gave the album four out of five stars, but downplayed some of the superlatives offered by other reviewers who have compared Tempest to some of Dylan's finest work.[37] In his consumer guide for MSN Music, Robert Christgau gave the album a "B+", offering a similar complaint about the "autohype machine" and how some of the reviews were overly positive.[38] Christgau was also unimpressed with the title track and the closing number, which "aim higher with dubious-to-disgraceful results."[38]

Rolling Stone named it the number 4 album of 2012.[39] The magazine also named the song Pay in Blood the 9th best song of 2012.[40]

Track listing

All tracks written by Bob Dylan except where noted.

No.TitleLength
1."Duquesne Whistle" (Dylan, Robert Hunter)5:43
2."Soon After Midnight"3:27
3."Narrow Way"7:28
4."Long and Wasted Years"3:46
5."Pay in Blood"5:09
6."Scarlet Town"7:17
7."Early Roman Kings"5:16
8."Tin Angel"9:05
9."Tempest"13:54
10."Roll on John"7:25
Total length:68:31

Personnel

Additional musicians
Technical personnel

Release history

Region Date Format(s) Label Catalog
United Kingdom[2] September 10, 2012 CD, LP, digital download Columbia Records 88725157602
United States[2] September 11, 2012 N/A

Charts

Albums

Chart (2012) Peak
Australia Albums Chart[41] 8
Austria Albums Chart[41] 1
Belgium Albums Chart (Flanders)[41] 2
Croatian Albums Chart[42] 1
Dutch Albums Chart[41] 1
Finland Albums Chart[41] 3
Ireland Albums Chart[41][43] 2
Italy Albums Chart[41] 2
New Zealand Albums Chart[41] 2
Norway Albums Chart[41] 1
Poland Albums Chart[44] 9
Spain Albums Chart[45] 2
Sweden Albums Chart[41] 1
Switzerland Albums Chart[41] 2
UK Albums Chart[41] 3
US Billboard 200[46] 3

Year-end charts

Chart (2012) Position
Belgian Albums Chart (Flanders)[47] 51
Dutch Albums Chart[48] 32
Swedish Albums Chart 31

References

  1. 1 2 "Tempest Press Release | The Official Bob Dylan Site". bobdylan.com. July 17, 2012. Retrieved July 17, 2012.
  2. 1 2 3 "Bob Dylan announces new studio album 'Tempest' | News". NME. July 17, 2012. Retrieved July 17, 2012.
  3. ↑ http://www.allmusic.com/album/tempest-mw0002405466
  4. 1 2 3 4 "Tempest Reviews, Ratings, Credits, and More". Metacritic. CBS Interactive. Retrieved September 12, 2012.
  5. ↑ Greene, Andy (July 17, 2012). "First Details of Bob Dylan's Upcoming Album 'Tempest' | Music News". Rolling Stone. Retrieved July 18, 2012.
  6. ↑ Gilmore, Mikal (August 1, 2012). "Bob Dylan on His Dark New Album, 'Tempest'". Rolling Stone. Retrieved August 1, 2012.
  7. ↑ Great Album, Feeble Cover - Print Magazine
  8. ↑ Bob Egan (March 7, 2013). "Tempest by Bob Dylan-Album Cover Location-Vienna, Austria". PopSpotsNYC. Retrieved April 20, 2015.
  9. 1 2 "Wiener Parlamentsstatue auf neuem Dylan-Album". Der Standard. July 18, 2012. Retrieved August 27, 2012.
  10. 1 2 "The Parliament Building". Parliament of the Republic of Austria. Retrieved August 27, 2012.
  11. ↑ "Bob Dylan "Pre-Order" @ Bob Dylan Global Store". myplaydirect.com. Retrieved July 24, 2012.
  12. ↑ "Check Out New Bob Dylan Song in Trailer for Cinemax's "Strike Back" Series – Music News". ABC NewsRadio. August 1, 2012. Retrieved August 1, 2012.
  13. ↑ Day, Patrick Kevin (August 2, 2012). "Bob Dylan's new songs will debut with Cinemax's Strike Back". Los Angeles Times. Retrieved August 2, 2012.
  14. ↑ "Bob Dylan Debuts Shockingly Violent New Video". Rolling Stone. August 29, 2012. Retrieved September 12, 2012.
  15. ↑ Jurek, Thom. "Tempest – Bob Dylan". AllMusic. Retrieved April 3, 2017.
  16. ↑ http://americansongwriter.com/2012/09/bob-dylan-tempest/
  17. ↑ http://www.chicagotribune.com/chi-bob-dylan-album-review-tempest-reviewed-20120907-column.html
  18. 1 2 "Bob Dylan - Tempest". Drowned in Sound. Retrieved May 23, 2016.8
  19. 1 2 Brunner, Ron (September 5, 2012). "Tempest (2012)". Entertainment Weekly. Retrieved September 7, 2012.
  20. 1 2 Magnet magazine [No. 93, p.54]
  21. 1 2 Mojo Magazine, [Oct 2012, p.84]
  22. 1 2 https://www.pastemagazine.com/articles/2012/09/bob-dylan-tempest.html
  23. ↑ Petrusich, Amanda (September 13, 2012). "Bob Dylan: Tempest". Pitchfork Media. Retrieved April 2, 2017.
  24. 1 2 3 4 Hermes, Will (August 30, 2012). "Tempest". Rolling Stone (1165): 77–78. Retrieved September 3, 2012.
  25. 1 2 "Bob Dylan - Tempest". Tiny Mix Tapes. Retrieved May 23, 2016.
  26. ↑ http://www.uncut.co.uk/reviews/album/bob-dylan-tempest
  27. ↑ "Tempest by Bob Dylan reviews". AnyDecentMusic?. Retrieved September 12, 2012.
  28. ↑ Daniel, Anne Margaret (August 17, 2012). "BOB DYLAN'S NEAR PERFECT STORM". Hot Press.
  29. 1 2 3 4 Beviglia, Jim (September 4, 2012). "Bob Dylan: Tempest". American Songwriter. Retrieved September 5, 2012.
  30. ↑ Roberts, Randall (September 5, 2012). "Bob Dylan rides this 'Tempest'". Los Angeles Times. Retrieved September 6, 2012.
  31. 1 2 3 McCormick, Neil (September 7, 2012). "Bob Dylan's Tempest: Rock’s king lyricist keeps his crown". The Telegraph. Retrieved September 7, 2012.
  32. 1 2 Kot, Greg (September 7, 2012). "Bob Dylan, 'Tempest'". Chicago Tribune. Retrieved September 7, 2012.
  33. ↑ Jones, Allan (September 7, 2012). "Bob Dylan – Tempest". Uncut. Retrieved September 7, 2012.
  34. ↑ Perusse, Bernard (September 7, 2012). "New music review: Tempest, Bob Dylan". Retrieved September 7, 2012.
  35. ↑ Daly, Sean (September 11, 2012). "Bob Dylan's new album 'Tempest' is breathtaking but bleak". Tampa Bay Times. Retrieved September 10, 2012.
  36. 1 2 3 4 Gundersen, Edna (September 10, 2012). "Bob Dylan's answer to aging is blowin' up a 'Tempest'". USA Today. Retrieved September 11, 2012.
  37. ↑ Petridis, Alexis (September 6, 2012). "Bob Dylan: Tempest – review". The Guardian. Retrieved September 7, 2012.
  38. 1 2 Christgau, Robert (September 11, 2012). "Pet Shop Boys/Bob Dylan". MSN Music. Retrieved September 11, 2012.
  39. ↑ 50 Best Albums of 2012: Bob Dylan, 'Tempest' | Rolling Stone
  40. ↑ 50 Best Songs of 2012: Bob Dylan, 'Pay in Blood' | Rolling Stone
  41. 1 2 3 4 5 6 7 8 9 10 11 12 "Bob Dylan: Tempest". aCharts. Retrieved September 19, 2012.
  42. ↑ "Top stranih – tjedan 40. 2012." (in Croatian). Hrvatska Diskografska Udruga. Retrieved 3 February 2014.
  43. ↑ "Irish Albums Chart > Archive > Week Ending: 13 September 2012". GFK. 2012-09-13. Retrieved September 13, 2012.
  44. ↑ "Oficjalna lista sprzedaży". OLiS. 2012-09-24. Retrieved 2012-09-21.
  45. ↑ "Top 100 Albumes" (PDF). Media Control International. Retrieved September 20, 2012.
  46. ↑ "Billboard 200". Billboard. September 29, 2012. Retrieved September 20, 2012.
  47. ↑ "Annual Report 2012". Ultratop. Retrieved January 7, 2013.
  48. ↑ "Jaaroverzichten: Album 2012". Dutch Charts. Retrieved January 7, 2013.
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