St. Nicholas Historic District

St. Nicholas Historic District
("Striver's Row")

Row houses by Stanford White on West 139th Street (2014)
Location W. 138th and W. 139th Sts. (both sides)
btwn. Adam Clayton Powell Jr. & Frederick Douglass Blvds.
Manhattan, New York City
Coordinates 40°49′5″N 73°56′37″W / 40.81806°N 73.94361°W / 40.81806; -73.94361Coordinates: 40°49′5″N 73°56′37″W / 40.81806°N 73.94361°W / 40.81806; -73.94361
Area 9.9 acres (4.0 ha)
Built 1891-93[1]
Architect James Brown Lord (W.138/south)
Bruce Price and Clarence S. Luce (W.138/north & W.139/south)
Stanford White of McKim, Mead & White (W.139/north)[1]
Architectural style Georgian Revival
Colonial Revival
Italian Renaissance Revival[2]
NRHP Reference # 75001209[3]
Significant dates
Added to NRHP October 29, 1975
Designated NYCL March 16, 1967
Row houses on West 138th Street designed by Bruce Price and Clarence S. Luce (2014)
"Walk your horses"

The St. Nicholas Historic District, known colloquially as "Striver's Row",[2] is a historic district located on both sides of West 138th and West 139th Streets between Adam Clayton Powell Jr. Boulevard (Seventh Avenue) and Frederick Douglass Boulevard (Eighth Avenue) in the Harlem neighborhood of Manhattan, New York City. It is both a national and a New York City district, and consists of row houses and associated buildings designed by noted architects and built in 1891-93 by developer David H. King, Jr. These are collectively recognized as gems of New York City architecture,[4] and "an outstanding example of late 19th-century urban design":[2]

There are three sets of buildings:

The district was designated by the New York City Landmarks Preservation Commission in 1967,[2] and was listed on the National Register of Historic Places in 1975.[3]

History

David H. King, Jr., the developer of what came to be called "Striver's Row", had previously been responsible for building the 1870 Equitable Building,[6] the 1889 New York Times Building, the version of Madison Square Garden designed by Stanford White, and the Statue of Liberty's base.[1] The townhouses in his new project, which were originally called the "King Model Houses", were intended for upper-middle-class whites,[7] and featured modern amenities, dark woodwork,[2] and views of City College.[6] King's idea was that the project would be "on such a large scale and with such ample resources as to 'Create a Neighborhood' independent of surrounding influences."[2]

The houses sit back-to-back, which allowed King to specify that they would share rear courtyards. The alleyways between them – a rarity in Manhattan[2] – are gated off; some entrance gates still have signs that read "Walk Your Horses". At one time, these alleys allowed discreet stabling of horses and delivery of supplies without disrupting activities in the main houses. Today, the back areas are used almost exclusively for parking.

King sold very few houses and the development failed, with Equitable Life Assurance Society, which had financed the project, foreclosing on almost all the units in 1895, during an economic depression.[2] By this time, Harlem was being abandoned by white New Yorkers, yet the company would not sell the King houses to blacks, and so they sat empty until 1919-20, when they were finally made available to African Americans[2] for $8,000 each. Some of the units were turned into rooming houses, but generally they attracted both leaders of the black community and upwardly-mobile professionals, or "strivers", who gave the district its colloquial name.[2]

Between Seventh and Eighth Avenues, is 139th Street, known among Harlemites as 'strivers' row.' It is the most aristocratic street in Harlem. Stanford White designed the houses for a wealthy white clientele. Moneyed African-Americans now own and inhabit them. When one lives on 'strivers' row' one has supposedly arrived. Harry Rills resides there, as do a number of the leading Babbitts and professional folk of Harlem.[8]

By the 1940s, many of the houses had decayed and were converted to single room occupancies (SROs). Much of the original decorative detail inside the houses was lost at this time, though the exteriors generally remained unaltered. With the post-1995 real estate boom in Harlem, many of these buildings are being restored to something resembling their original condition.

Notable residents

Among those who lived in Striver's Row were:

See also

References

Notes

  1. 1 2 3 4 5 6 7 8 9 White, Norval; Willensky, Elliot & Leadon, Fran (2010), AIA Guide to New York City (5th ed.), New York: Oxford University Press, ISBN 9780195383867, pp.543-545
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 New York City Landmarks Preservation Commission; Dolkart, Andrew S. (text); Postal, Matthew A. (text) (2009), Postal, Matthew A., ed., Guide to New York City Landmarks (4th ed.), New York: John Wiley & Sons, ISBN 978-0-470-28963-1 pp.199-200
  3. 1 2 National Park Service (2009-03-13). "National Register Information System". National Register of Historic Places. National Park Service.
  4. ↑ Baker, Kevin. "Our Malcolm" American Heritage (February/March 2006)
  5. ↑ Lash, Stephen & Rosebrock, Ellen (March 1967). "National Register of Historic Places Registration: St. Nicholas Historic District". New York State Office of Parks, Recreation and Historic Preservation. Retrieved 2011-03-26. See also: "Accompanying three photos".
  6. 1 2 3 4 "St. Nicholas Historic District Designation Report" New York City Landmarks Preservation Commission (March 16, 1967)
  7. ↑ Dolkart, Andrew S. and Sorin, Gretchen S. "Touring Historic Harlem" New York Landmarks Conservancy (1997)
  8. ↑ Thurman, Wallace. Negro Life in New York’s Harlem, Girard, KS: Haldeman-Julius Publications, 1928
  9. 1 2 3 4 5 Benson, Kathy, Jones, Celedonia, The Manhattan African-American History & Culture Guide, Museum of the City of New York, brochure, 22pp., 2005, presented by The Manhattan Borough President
  10. ↑ Baker, Kevin (January 22, 2006). "Jitterbug Days". The New York Times. Retrieved 2009-08-22.
  11. ↑ Abram Hill's "On Strivers Row" at Black Theatre Troupe-10/17 to 11/2/03

Bibliography


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