Wushu (sport)

Wushu

A typical wushu competition, here represented by the 10th All-China Games.

A typical wushu competition, here represented by the 10th All-China Games.
Also known as Kung fu, CMA, WS
Focus Striking, Grappling, Throwing, Performance Martial Art
Country of origin China China
Famous practitioners Jet Li, Wu Bin, Ray Park, Jon Foo, Wu Jing, Donnie Yen, Tony Jaa, Michael Jai White, Scott Adkins, Yuan Wen Qing, Cung Le, Dan Hardy, Pat Barry, Michelle Waterson, Andrei Stoica, Johnny Yong Bosch, Alfred Hsing, Vincent Zhao, Dennis To, Liu Hailong, Huang Zitao, Caity Lotz, Fang Bian
Olympic sport No - but recognized by the IOC
Wushu

"Wushu" in Traditional (top) and Simplified (bottom) Chinese characters
Traditional Chinese 武術
Simplified Chinese 武术
Literal meaning "Martial arts"

Wushu (simplified Chinese: 武术; traditional Chinese: 武術; pinyin: wǔshù) is a martial art and a full-contact sport derived from traditional Chinese martial arts.[1][2] It was developed in China after 1949, in an effort to standardize the practice of traditional Chinese martial arts,[3] although attempts to structure the various decentralized martial arts traditions date back earlier, when the Central Guoshu Institute was established at Nanking in 1928. The term wushu is Chinese for "martial arts" (武 "Wu" = military or martial, 术 "Shu" = art). In contemporary times, wushu has become an international sport through the International Wushu Federation (IWUF), which holds the World Wushu Championships every two years; the first World Championships were held in 1991 in Beijing and won by Yuan Wen Qing.[4]

Competitive wushu is composed of two disciplines: taolu (套路; forms) and sanda (散打; sparring).[5]

Taolu involves martial art patterns and maneuvers for which competitors are judged and given points according to specific rules. The forms comprise basic movements (stances, kicks, punches, balances, jumps, sweeps, and throws) based on aggregate categories of traditional Chinese martial art styles, and can be changed for competitions to highlight one's strengths. Competitive forms have time limits that can range from 1 minute, 20 seconds for some external styles, to over five minutes for internal styles. Modern wushu competitors are increasingly training in aerial techniques such as 540-, 720-, and even 900-degree jumps and kicks, to add more difficulty and style to their forms.[6]

Sanda (sometimes called sanshou) is a modern fighting method and sport influenced by traditional Chinese boxing, Chinese wrestling methods called Shuai jiao, and other Chinese grappling techniques such as Chin Na. It has all the combat aspects of wushu. Sanda appears much like Kickboxing or Muay Thai, but includes many more grappling techniques. Sanda fighting competitions are often held alongside taolu, or form competitions.

History

In 1958, the government established the All-China Wushu Association as an umbrella organization to regulate martial arts training. The Chinese State Commission for Physical Culture and Sports took the lead in creating standardized forms for most of the major arts. During this period, a national Wushu system that included standard forms, teaching curriculum, and instructor grading was established. Wushu was introduced at both the high school and university level. This new system seeks to incorporate common elements from all styles and forms as well as the general ideas associated with Chinese martial arts. Stylistic concepts such as hard, soft, internal, external, as well as classifications based on schools such as Shaolin, Taiji, Wudang and others were all integrated into one system. Wushu became the government sponsored standard for the training in martial arts in China.[7] The push for standardization continued leading to widespread adaptation. In 1979, the State Commission for Physical Culture and Sports created a special task force to teaching and practice of Wushu. In 1986, the Chinese National Research Institute of Wushu was established as the central authority for the research and administration of Wushu activities in China.[8]

Changing government policies and attitudes towards sports in general lead to the closing of the State Sports Commission (the central sports authority) in 1998. This closure is viewed as an attempt to partially de-politicize organized sports and move Chinese sport policies towards a more market-driven approach.[9] As a result of these changing sociological factors within China, both traditional styles and modern Wushu approaches are being promoted by the International Wushu Federation.[10]

Contemporary taolu events

A Jian dual event (choreographed)

Wushu events are performed using compulsory or individual routines in competition. Compulsory routines are those routines that have been already created for the athlete, resulting in each athlete performing basically the same set. Individual routines are routines that an athlete creates with the aid of his/her coach, while following certain rules for difficulty.

In addition to events for individual routines, some wushu competitions also feature dual and group events. The dual event, also called duilian (对练), is an event in which there is some form of sparring with weapons, or without weapons or even using bare hands against weapons. The dual event is usually spectacular and actions are choreographed beforehand. The group event, also known as jiti (集体), requires a group of people to perform together and smooth synchronization of actions are crucial. Usually, the group event also allows instrumental music to accompany the choreography during the performance. The carpet used for the group event is also larger than the one used for individual routines.

Previously, international wushu competitions most often used compulsory routines, while high-level competitions in China most often used individual routines. However, after the 2003 Wushu World Games in Macau it was decided to opt for individual routines in international competition with nandu (难度; difficulty movements) integrating a maximum 2 point nandu score into the overall maximum score of 10.

There is some controversy concerning the inclusion of nandu in wushu because many of the movements created for the specific events are not originally movements used in those styles. In addition the number of injuries which have resulted from the inclusion of these nandu have caused many people to question their inclusion.

Those who support the new difficulty requirements follow the assertion that they help to progress the sport and improve the overall physical quality of the athletes.

Barehanded

Chángquán (長拳/长拳 or Long Fist) refers to long-range extended wushu styles like Chāquán (查拳), Huaquan (華拳/华拳), Hongquan (洪拳; "flood fist"), and Shaolinquan (少林拳), but this wushu form is a modernized style derived from movements of these and other traditional styles. Changquan is the most widely seen of the wushu forms, and includes speed, power, accuracy, and flexibility. Changquan is difficult to perform, requiring great flexibility and athleticism, and is often practiced from a young age. All nandu movements must be made within 4 steps or it will not count for nandu points.

Nanquan (南拳 or Southern Fist) refers to wushu styles originating in south China (i.e., south of the Yangtze River, including Hongjiaquan (Hung Gar) (洪家拳), Cailifoquan (Choy Li Fut) (蔡李佛拳), and Yongchunquan (Wing Chun) (詠春拳/咏春拳). Many are known for vigorous, athletic movements with very stable, low stances and intricate hand movements. This wushu form is a modern style derived from movements of these and other traditional southern styles. Nanquan typically requires less flexibility and has fewer acrobatics than Changquan, but it also requires greater leg stability and power generation through leg and hip coordination. This event was created in 1960. All nandu movements must be made within 4 steps or it will not count for nandu points.

Taijiquan (太極拳/太极拳, T'ai Chi Ch'uan) is a wushu style mistakenly famous for slow, relaxed movements, often seen as an exercise method for the elderly, and sometimes known as "T'ai chi" in Western countries to those otherwise unfamiliar with wushu. This wushu form( 42 form) is a modern recompilation based on the Yang (楊/杨) style of Taijiquan, but also including movements of the Chen (陳/陈), Wu (吳/吴), Wu (武), and Sun (孫/孙) styles. Competitive contemporary taiji is distinct from the traditional first form for styles it draws from, in that it typically involves difficult holds, balances, jumps and jump kicks. Modern competitive taiji requires good balance, flexibility and strength. The traditional second forms however like cannon fist, are more difficult than the modern forms, But less known and usually taught to advanced students.

Short weapons

A dao

Dao (刀 or knife) refers to any curved, one-sided sword/blade, but this wushu form is a Changquan method of using a medium-sized willow-leaf-shaped dao (柳葉刀/柳叶刀).

Nandao (南刀 or Southern Style knife) refers to a form performed with a curved, one sided sword/blade based on the techniques of Nanquan. The weapon and techniques appears to be based on the butterfly swords of Yongchunquan, a well known Southern style. In the Wushu form, the blade has been lengthened and changed so that only one is used (as opposed to a pair). This event was created in 1992.

Jian (劍/剑 or double-edged sword) refers to any double-edged straight sword/blade, but this wushu form is a Changquan method of using the jian.

Taijijian (太極劍/太极剑 or Taiji double-edged sword) is an event using the jian based on traditional Taijiquan jian methods.

Long weapons

Gun (棍 or staff) refers to a long staff (shaped from white wax wood) as tall as the wrist of a person standing with his/her arms stretched upwards, but this wushu form is a Changquan method of using the white wax wood staff.

Nangun (南棍 or Southern cudgel) is a Nanquan method of using the staff. This event was created in 1992.

Qiang (槍/枪 or spear) refers to a flexible spear with red horse hair attached to the spearhead, but this wushu form is a Changquan method of using the qiang.

Other taolu routines

The majority of routines used in the sport are new, modernized recompilations of traditional routines. However, routines taken directly from traditional styles, including the styles that are not part of standard events, may be performed in competition, especially in China. These routines generally do not garner as many points as their modern counterparts, and are performed in events separate from the compulsory routine events. Among these, the more commonly seen routines include:

Traditional weapons routines

There is also a traditional weapons category, which often includes the following:

Sanda (sparring)

The other major discipline of contemporary Chinese Wushu is 散打 Sǎndǎ, or 运动散打 (Yùndòng Sǎndǎ, Sport Free-Fighting), or 竞争散打 (Jìngzhēng Sàndǎ, Competitive Free-Fighting): A modern fighting method, sport, and applicable component of Wushu / Kung Fu influenced by traditional Chinese Boxing, of which takedowns & throws are legal in competition, as well as all other sorts of striking (use of arms & legs). Chinese wrestling methods called Shuai Jiao and other Chinese grappling techniques such as Chin Na. It has all the combat aspects of wushu.

Sanda appears much like Kickboxing or Muay Thai, but includes many more grappling techniques. Sanda fighting competitions are often held alongside taolu or form competitions. Sanda represents the modern development of Lei Tai contests, but with rules in place to reduce the chance of serious injury. Many Chinese martial art schools teach or work within the rule sets of Sanda, working to incorporate the movements, characteristics, and theory of their style.

Chinese martial artists also compete in non-Chinese or mixed combat sports, including Boxing, Kickboxing and Mixed Martial Arts.[6] Sanda is practiced in tournaments and is normally held alongside taolu events in wushu competition. For safety reasons, some techniques from the self-defense form such as elbow strikes, chokes, and joint locks, are not allowed during tournaments. Competitors can win by knockout or points which are earned by landing strikes to the body or head, throwing an opponent, or when competition is held on a raised lei tai platform, pushing them off the platform. Fighters are only allowed to clinch for a few seconds. If the clinch is not broken by the fighters, and if neither succeeds in throwing his opponent within the time limit, the referee will break the clinch. In the U.S., competitions are held either in boxing rings or on the raised lei tai platform. Amateur fighters wear protective gear.

"Amateur Sanda" allows kicks, punches, knees (not to the head), and throws. A competition held in China, called the "King of Sanda", is held in a ring similar to a boxing ring in design but larger in dimension. As professionals, they wear no protective gear except for gloves, cup, and mouthpiece, and "Professional Sanda" allows knee strikes (including to the head) as well as kicking, punching and throwing.

Some Sanda fighters have participated in fighting tournaments such as K-1 and Shoot Boxing. They have had some degree of success, especially in Shoot boxing competitions, which is more similar to Sanda. Due to the rules of Kickboxing competition, Sanda fighters are subjected to more limitations than usual. Also notable competitors in China's mainstream Mixed Martial Arts competitions, Art of War Fighting Championship and Ranik Ultimate Fighting Federation are dominantly of wushu background. Sanda has been featured in many style-versus-style competitions. Muay Thai is frequently pitted against Sanda as is Karate, Kickboxing, & Tae Kwon Do. Although it is less common, some Sanda practitioners have also fought in the publicly viewed American Mixed Martial Arts competitions.

Competitions

List of major international and regional competitions featuring wushu include:

Wushu is not a Summer Olympic sport; the IWUF has repeatedly backed proposals for Wushu to be added to the Olympic programme, most recently as one of eight sports proposed for the 2020 Summer Olympics in Tokyo, Japan. However, it failed to reach the final shortlist, and the International Olympic Committee (IOC) ultimately voted for the re-inclusion of wrestling instead. In March 2015, IWUF executive vice president Anthony Goh stated that the Federation was planning to propose Wushu again for the 2024 Summer Olympics.[11][12][13] As part of new IOC rules allowing host committees to accept proposals for new sports to be added to the programme (allowing the addition of sports of local interest to the Olympic programme under an "event-based" model), in June 2015, Wushu was shortlisted again as part of eight sports proposed for inclusion in the 2020 Games in this manner.[14] However, it did not make the final shortlist of five.[15]

Owing to its cultural significance in China, the IOC allowed the organizers of the 2008 Summer Olympics in Beijing to hold a Wushu tournament in parallel with the Games as a separate event—the first time that the IOC has allowed such an event.[16][17][18]

Notable practitioners

Criticism

Wushu has faced criticism as a competitive sport. It has been criticized by some traditional martial artists for being too commercialized, losing many of its original values, and potentially threatening old styles of teaching. Such critics argue that contemporary wushu helped to create a dichotomy between form work and combat application.[32][33][34][35][36][37]

Footnotes

  1. ↑ "Kung Fu Fighting for Fans". Newsweek. 2010-02-18.
  2. ↑ Wren, Christopher (1983-09-11). "Of monks and martial arts". New York Times. Retrieved 2010-08-11.
  3. ↑ Fu, Zhongwen (2006) [1996]. Mastering Yang Style Taijiquan. Louis Swaine. Berkeley, California: Blue Snake Books. ISBN 1-58394-152-5.
  4. ↑ Lee, Sb; Hong, Jh; Lee, Ts (2007). "Wu Shu". Conference proceedings : ... Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE Engineering in Medicine and Biology Society. Conference. British Kung Fu Association. 2007: 632–5. PMID 18002035. doi:10.1109/IEMBS.2007.4352369. Retrieved 2008-08-27.
  5. ↑ International Wushu Federation. Wushu Sport.
  6. ↑ Wu, Raymond (2007). Fundamentals of High Performance Wushu: Taolu Jumps and Spins. Lulu. ISBN 978-1-4303-1820-0.
  7. ↑ Lorge, Peter (2012). Chinese Martial Arts From Antiquity to the Twenty-First Century. Cambridge: Cambridge University Press. ISBN 978-0-521-87881-4.
  8. ↑ Wu Bin, Li xingdong and Yu Gongbao(1992), "Essentials of Chinese Wushu", Foreign Language Press, Beijing, ISBN 7-119-01477-3
  9. ↑ Riordan, Jim (1999). Sport and Physical Education in China. Spon Press (UK). ISBN 0-419-24750-5. p.15
  10. ↑ "Minutes of the 8th IWUF Congress, International Wushu Federation". International Wushu Federation. 9 December 2005. Archived from the original on 2007-06-14. Retrieved 2008-08-26., archived from the original on 2007-06-14.
  11. ↑ "The Summer Olympic Sports of the Future". The Atlantic. Retrieved 19 May 2015.
  12. ↑ "Wushu eyes slot for 2024". The Jakarta Post. Retrieved 19 May 2015.
  13. ↑ Staff (14 February 2013). "IOC drops wrestling from 2020 Olympics". ESPN. Retrieved 7 March 2013.
  14. ↑ "Olympic Games: Snooker misses out on 2020 Tokyo place". BBC Sport. Retrieved 23 June 2015.
  15. ↑ "Olympics: Skateboarding & surfing among possible Tokyo 2020 sports". BBC Sport. Retrieved 29 March 2016.
  16. ↑ "Kung-fu makes Olympic showcase debut". USA Today. Retrieved 19 May 2015.
  17. ↑ "Rogge says wushu no "Olympic sport" in 2008". Xinhua. Retrieved 19 May 2015.
  18. ↑ "Slower, lower, weaker: Wushu contest cuts a dash at the same time as Beijing Olympics". The Telegraph. Retrieved 19 May 2015.
  19. ↑ "Wu Bin". US Wushu Academy. Retrieved 2011-09-06.
  20. ↑ "Donnie Yen Biography". Biography. Starpulse. Retrieved 2009-04-02.
  21. ↑ "Donnie Yen: The Evolution of an American Martial Artist". Kung Fu Magazine. 23 December 2000. Retrieved 11 May 2015.
  22. ↑ "Donnie Yen: The Next Martial Arts Icon". Goldsea Asian American. 21 September 2012. Retrieved 11 May 2015.
  23. ↑ Jacky Wu's Bio Jacky WU Jing
  24. ↑ "Ray Park and Martial Arts: Part 1". Kung Fu Magazine. Retrieved 2010-02-24.
  25. ↑ "Ray Park and Martial Arts: Part 2". Kung Fu Magazine. Retrieved 2010-02-24.
  26. ↑ "GI JOE – YO JOE, The Snake Has Returned". Kung Fu Magazine. Retrieved 2010-02-22.
  27. ↑ "Zhao Changjun Kung Fu Institute - Zhao Changjun". zhaochangjun.net.
  28. ↑ "Welcome to KungFuMagazine". kungfumagazine.com.
  29. ↑ Liu, Yu; Cerf, Dawn (2010). Awakening the Sleeping Tiger: The True Story of a Professional Chinese Athlete. CA: The CLiu Yu. p. 398. ISBN 978-0-9828262-0-1.
  30. ↑ Burr, Martha. "China's Brightest Star". Kung Fu Magazine. Retrieved 2012-03-01.
  31. ↑ Gene Ching. "The Wushu Champion from Shaolin". Kung fu Tai Chi Magazine. Retrieved 2012-03-01.
  32. ↑ "China Gets the Gold!". Kung Fu Magazine. Retrieved 2010-02-22.
  33. ↑ "Salute to Wushu". Kung Fu Magazine. Retrieved 2010-02-22.
  34. ↑ "The Tradition of Modern Wushu". Kung Fu Magazine. Retrieved 2010-02-22.
  35. ↑ "Where Wushu Went Wrong". Kung Fu Magazine. Retrieved 2010-02-22.
  36. ↑ "Wushu Needs Name Rectification". Kung Fu Magazine. Retrieved 2010-02-22.
  37. ↑ Kuhn, Anthony (1998-10-16). "Chinese Martial-Art Form Sports Less Threatening Moves". The Los Angeles Times. Retrieved 2010-11-25.

Further reading

See also

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