Slave to the Grind
Slave to the Grind | ||||
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Studio album by Skid Row | ||||
Released | June 11, 1991 | |||
Recorded | 1990–91 | |||
Studio | New River Studios in Fort Lauderdale, Florida; Scream Studios in Studio City, California | |||
Genre | Heavy metal | |||
Length | 48:41 | |||
Label | Atlantic | |||
Producer | Michael Wagener | |||
Skid Row chronology | ||||
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Singles from Slave to the Grind | ||||
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Slave to the Grind is the second studio album by American heavy metal band Skid Row, released on June 11, 1991 by Atlantic Records. The album displayed harsher sound than its predecessor and lyrics that avoided hard rock cliches. Slave to the Grind is the first heavy metal album to chart at number one on the Billboard 200 in the Nielsen SoundScan era, selling 134,000 copies in its opening week. The album was certified 2× platinum by the Recording Industry Association of America (RIAA) in 1998 for shipping two million copies in the United States. It produced five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus", all of which did not receive significant airplay as the singles from the previous record. Skid Row promoted the album opening for Guns N' Roses in 1991 and as a headliner the following year.
Background and recording
Skid Row wrote most of Slave to the Grind in a New Jersey studio and demoed the tracks with Michael Wagener, who produced its previous album. Recording took place at two studios: New River in Fort Lauderdale, Florida and Scream in Studio City, California. Slave to the Grind marked the band's move toward a heavier sound, with the title track verging on speed metal.[1] The lyrics were more complex, criticizing modern ways of life, authority, politics, drugs, and organized religion, among other topics. Wagener said the demoing and pre-production went well, and the title track was recorded and mixed in an hour, and was placed on the album without being remixed.[2] Sebastian Bach's father, David Bierk, painted the cover art, which is actually a long mural, continued inside the album's booklet.[3] Although it is set in the medieval era, it depicts people using modern technological gadgets. The cover was inspired by Caravaggio's Burial of St. Lucy from 1608 and shows John F. Kennedy in the crowd.
When recording finished, Skid Row opened for Guns N' Roses on its 1991 North American leg of the Use Your Illusion Tour.[3] In 1992, Skid Row took Pantera and Soundgarden as supporting bands on its Slave to the Grind Tour.[4] Two different versions of the album were released: the original and a "clean" version, in which "Get the Fuck Out" is replaced with the less-offensive "Beggar's Day".[5] Music videos were produced for all five singles: "Monkey Business", "Slave to the Grind", "Wasted Time", "In a Darkened Room" and "Quicksand Jesus", all of which feature on the video album No Frills Video. Skid Row's label Atlantic Records was not supportive of the group's transformation when filming the video for the title track. The label wanted a bikini model to star in the video, but the idea was turned down by the band because the song was not about female sexuality.[5] A music video was also made for "Psycho Love" in 3D which featured on the video album Road Kill.
Critical reception
Professional ratings | |
---|---|
Review scores | |
Source | Rating |
AllMusic | [6] |
Chicago Tribune | [7] |
Christgau's Consumer Guide | [8] |
Encyclopedia of Popular Music | [9] |
Entertainment Weekly | A−[10] |
Rolling Stone | [11] |
Slave to the Grind received favorable reviews by music critics. AllMusic's Steve Huey said Slave to the Grind was more aggressive than its predecessor and called it one of the best examples of mainstream heavy metal.[6] Brenda Herrmann of the Chicago Tribune observed that Bolan and Sabo improved their songwriting and wrote positively about the group's attitude and humor.[7] Conversely, Rolling Stone's David Fricke thought Skid Row had not matured lyrically at all, rehashing the glam metal cliches. However, he complimented Wagener's production and the band's interplay and sound.[11] Robert Christgau was less enthusiastic and graded the album a "dud", indicating "a bad record whose details rarely merit further thought".[8] Janiss Garza of the Entertainment Weekly praised the ballads' lyrical depth and the fury of "Riot Act" and the title track, but predicted the album would not age well.[10] Spin's Daina Darzin said the album had integrity and passion, and reminded her of early Mötley Crüe and Judas Priest.[12] Slave to the Grind debuted at number one on the Billboard 200, selling 134,000 copies in its first week.[13] The album was the first to debut atop the Billboard 200 in the Nielsen SoundScan era, since it was uncommon for albums to open at number one before SoundScan began tracking sales in 1991.[14]
Track listing
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Monkey Business" | Rachel Bolan, Dave Sabo | 4:20 |
2. | "Slave to the Grind" | Sebastian Bach, Bolan, Sabo | 3:31 |
3. | "The Threat" | Bolan, Sabo | 3:52 |
4. | "Quicksand Jesus" | Bolan, Sabo | 5:26 |
5. | "Psycho Love" | Bolan | 3:58 |
6. | "Get the Fuck Out" | Bolan, Sabo | 2:42 |
7. | "Livin' on a Chain Gang" | Bolan, Sabo | 4:00 |
8. | "Creepshow" | Bolan, Rob Affuso, Scotti Hill | 3:59 |
9. | "In a Darkened Room" | Sebastian Bach, Bolan, Sabo, | [†]3:57 |
10. | "Riot Act" | Bolan, Sabo | 2:42 |
11. | "Mudkicker" | Sebastian Bach, Bolan, Hill | 3:56 |
12. | "Wasted Time" | Sebastian Bach, Bolan, Sabo, | 5:50 |
Total length: | 48:41 |
Bonus tracks | |||
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No. | Title | Writer(s) | Length |
13. | "Beggar's Day" (Japanese bonus track, replaces "Get the Fuck Out" on the clean version) | Sebastian Bach, Bolan, Sabo, | 4:05 |
14. | "Holidays in the Sun" (Japanese bonus track) | Johnny Rotten, Steve Jones, Paul Cook, Sid Vicious | 3:38 |
15. | "Get the Fuck Out" (Japanese bonus track, recorded live at Wembley Stadium 1991) | Bolan, Sabo | 5:31 |
16. | "Delivering the Goods" (Japanese bonus track, recorded live in Arizona 1992) | Glenn Tipton, K.K. Downing, Rob Halford | 4:52 |
^ † Album liner notes incorrectly list the length as 4:57.
Personnel
Credits are adapted from the album's liner notes.[15]
Skid Row
- Sebastian Bach – lead vocals
- Rachel Bolan – bass guitar, backing vocals
- Scotti Hill – guitar, backing vocals
- Dave Sabo – guitar, backing vocals
- Rob Affuso – drums and percussion
Production
- Michael Wagener – producer, mixing
- Riley J. Connell – assistant engineer
- Craig Doubet – assistant engineer
- George Marino – mastering
- Bob Defrin – art direction
Charts
Preceded by Niggaz4Life by N.W.A |
Billboard 200 number-one album June 29 - July 5, 1991 |
Succeeded by For Unlawful Carnal Knowledge by Van Halen |
Certifications
Region | Certification | Certified units/Sales |
---|---|---|
Australia (ARIA)[21] | Gold | 35,000^ |
Canada (Music Canada)[22] | Platinum | 100,000^ |
United Kingdom (BPI)[23] | Silver | 60,000^ |
United States (RIAA)[24] | 2× Platinum | 2,000,000^ |
^shipments figures based on certification alone |
References
- ↑ Wiederhorn, Jon (June 11, 2015). "24 Years Ago: Skid Row Release 'Slave to the Grind'". Loudwire. Retrieved June 6, 2016.
- ↑ "Producer Michael Wagener Looks Back On M The Grind'". Blabbermouth.net. January 15, 2015. Retrieved June 6, 2016.
- 1 2 Wild, David (September 19, 1991). "Skid Row: Pretty Bad Boys". Rolling Stone. Retrieved June 5, 2016.
- ↑ "Sebastian Bach: Remembering Dimebag Darrell". Blabbermouth.net. December 30, 2004. Retrieved July 11, 2016.
- 1 2 Rivadavia, Eduardo (June 11, 2016). "25 Years Ago: Skid Row Come Back Heavier With 'Slave to the Grind'". Ultimate Classic Rock. Retrieved July 11, 2016.
- 1 2 Huey, Steve. "Skid Row – Slave to the Grind". AllMusic. Retrieved June 5, 2016.
- 1 2 Herrmann, Brenda (July 11, 1991). "Skid Row – Slave to the Grind (Atlantic)". Chicago Tribune. Retrieved February 21, 2013.
- 1 2 Christgau, Robert. "CG: Skid Row". Retrieved February 19, 2013.
- ↑ Larkin, Colin (2007). Encyclopedia of Popular Music (5th ed.). Omnibus Press. p. 2899. ISBN 978-0-85712-595-8.
- 1 2 Garza, Janiss (June 21, 1991). "Slave To the Grind". Entertainment Weekly. Retrieved February 19, 2013.
- 1 2 Fricke, David (August 22, 1991). "Skid Row: Slave To The Grind". Rolling Stone. Archived from the original on October 2, 2007. Retrieved February 19, 2013.
- ↑ Darzin, Daina (August 1991). "Skid Row – Slave to the Grind". Spin: 99. Retrieved June 6, 2016.
- ↑ Holden, Stephen (June 22, 1991). "Billboard's New Charts Roil the Record Industry". The New York Times. Retrieved June 8, 2016.
- ↑ Caulfield, Keith (March 24, 2016). "Billboard 200 Turns 60!". Billboard. Retrieved June 8, 2016.
- ↑ Slave to the Grind liner notes. Atlantic Records. 1991.
- 1 2 3 4 5 6 7 "Skid Row – Slave to the Grind" (in German). Hung Medien. Retrieved June 5, 2016.
- ↑ "Results - RPM - Library and Archives Canada: Top Albums/CDs". RPM (magazine). Retrieved June 3, 2010.
- ↑ "Skid Row Chart History". Oricon. Retrieved September 12, 2010.
- ↑ "Chart Stats – Skid Row". Official Charts Company. Retrieved June 5, 2016.
- ↑ "Skid Row – Chart History". Billboard. Retrieved June 5, 2016.
- ↑ "ARIA Charts – Accreditations – 1992 Albums". Australian Recording Industry Association.
- ↑ "Canadian album certifications – Skid Row – Slave to the Grind". Music Canada.
- ↑ "British album certifications – Skid Row – Slave to the Grind". British Phonographic Industry. Enter Slave to the Grind in the field Keywords. Select Title in the field Search by. Select album in the field By Format. Select Silver in the field By Award. Click Search
- ↑ "American album certifications – Skid Row – Slave to the Grind". Recording Industry Association of America. If necessary, click Advanced, then click Format, then select Album, then click SEARCH
External links
- Slave to the Grind at Discogs (list of releases)