Samuel Minturn Peck

Samuel Minturn Peck, c. 1910

Samuel Minturn Peck (November 4, 1854 – May 3, 1938) was an American poet, named first poet laureate of the state of Alabama.

Biography

Samuel Minturn Peck was born in Tuscaloosa, Alabama on November 4, 1854, the youngest of nine children of Elisha Wolsey Peck and Lucy Lamb Randall. In 1865, the family moved to Illinois before returning to Tuscaloosa two years later, where his father became a justice for the state Supreme Court.[1] Peck earned a master's degree from the University of Alabama in 1871 and went on to get a medical degree in 1879 from Bellevue Hospital Medical College in order to please his parents, despite his literary ambitions.

It was while he was a medical student that, in 1878, he published his first poem, "The Orange Tree", in the New York Post.[1] His first book, Cap and Bells, was published in 1886. His father died two years later and, with his inheritance, he traveled to Europe. He published several more books of verse, earning him a reputation as an unpretentious author of vers de société. In 1930, he was given the honorary position of Poet Laureate of Alabama, the first to hold the title, which he held until his death in 1938. The title was made specifically in his honor and was not again filled until 1954.[2]

Peck died May 3, 1938.[3]

Poetic style and response

Peck was known as a simple, unchallenging writer with easy to understand poems that flowed easily. Between 1886 and 1925, he published seven volumes of poetry in addition to various poems published in newspapers like the Boston Transcript. Among his most famous poems is "The Grapevine Swing" (1892), which was frequently recited by schoolchildren.[4] Upon the publication of his second book, one critic praised his "light verse, admirably written" and his "simple melodies" that were "rhythmically smooth".[5] Many of his poems were set to music by a variety of composers including Thomas G. Shepard.[3]

As Peck himself noted, "In the making of my verses I have striven for simplicity, grace, and beauty. I have felt that sublimity was beyond my power to achieve."[6] Peck showed an obvious dislike of less traditional poetic forms and privately noted his dislike for more avant garde poets including Amy Lowell, Ezra Pound, Harriet Monroe, and fellow Alabama writer Clement Wood, whom he satirized in his poem "The Poet and the Pixie".[7] After the turn of the century, even Peck admitted he had become "somewhat passé".[8]

Less often, Peck experimented with writing prose. In the 1890s, he attempted to replicate the success of local color stories by writers like Mary Noailles Murfree, Thomas Nelson Page, and Joel Chandler Harris, and published 25 such works in Alabama Sketches (1902).[9] During interviews in his later years, he rarely referred to his attempts at prose and considered himself first and foremost a poet.[2] At his death, however, he left behind four unfinished novels.[9] A Birmingham, Alabama newspaper reported on his death by noting, "Peck was not a great poet. But he was a wholesome influence upon Alabama letters."[10]

Published works

References

  1. 1 2 Williams, p. 135
  2. 1 2 Going, p. 190
  3. 1 2 Cuff, Roger Penn. "An Appraisal of the American Poets Laureate" in Peabody Journal of Education. Vol. 25, No. 4 (January 1948): 157.
  4. ↑ Going, p. 191
  5. ↑ Anonymous review of Peck's Rings and Love-Knots from The Critic. November 26, 1892, p. 293.
  6. ↑ Hulme, William Henry. "Samuel Minturn Peck" in Southern Writers: Biographical and Critical Studies. Nashville, TN: Publishing House of M. E. Church, Vol. II: 309.
  7. ↑ Going, p. 193
  8. ↑ Going, p. 194
  9. 1 2 Williams, p. 137
  10. ↑ Williams, p. 138
  11. 1 2 3 4 5 Gardner, Martin (ed.) (1995) Famous Poems from Bygone Days. Courier Dover Publications, p. 116, ISBN 0486286231
  12. 1 2 Williams, p. 136

Bibliography

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