Havell family

The Havell family of Reading, Berkshire, England included a number of notable engravers, etchers and painters, as well as writers, publishers, educators, and musicians. In particular, members of this family were among the foremost practitioners of aquatint; and had a long association with Indian art and culture. They are the English descendants of the aristocratic Hauteville family of Normandy. These early Havells are described in Philip Vickers' 1995 'The Moulsford Mystery',Part 1 being 'The First Evidence', by Vickers, and Part 2 being 'William Havell's Reminiscence' of 1847. Published by The In-Hand Press of Farnham, Surrey, this printing is the sole printing of his 'Reminiscence', on the kind authority of Eric Stanford, then Keeper of Art at Reading Museum. Reading Museum holds the original manuscript writing by Havell. Vickers also holds the most complete family tree of the Havells, the work of his cousin, Ron Havell. As a descendent of the Havells on his mother's side, Vickers is a member of the d'Hauteville Family Association, 'Omnia Virtute'.

The family first came to notice through the brothers Luke Havell (drawing master, 1752?–1810) and Robert Havell the Elder (engraver and publisher, 1769–1832); along with their nephew Daniel Havell (engraver, 1785?–1822).

Luke Havell

Luke Havell, born 1752,[1] was lifted from a future life as a farmhand when a local squire recognised his talents and apprenticed him to a signwriter named Ayliffe Cole, from 1762 to 1764.[2] He was appointed drawing-master at Reading Grammar School, where he served under the headmastership of Richard Valpy, and also had a small print shop in the town. He married Charlotte Phillips in 1778, and together they had fourteen children, including the painter William Havell (1782–1857), and Edmund Havell (1785–1864) who took on the print shop, and succeeded his father as drawing master at the school.

Robert Havell, Sr.

Robert Havell Jr.'s shop, The Zoological Gallery, at 77 Oxford Street, London (opened in 1831)

Robert Havell, Sr. (29 December 1769 – 21 November 1832) was the proprietor of a printing and engraving shop, with an ancillary business in natural history artefacts, in the Marylebone district of London, in the early decades of the nineteenth century. Robert was the brother of Luke Havell, and named as such in Luke's will;[1][3] another brother, William, a butcher, was buried in Reading in 1832.[4] In February 1793 Robert married Lydia Miller Phillips at St Sepulchre church in London;[5] their eldest son Robert was born in Reading in December the same year.

By 1801 Havell was established at 3 Chapel Street, off Tottenham Court Road, in London, giving his occupation as "artist".[1] The business, known from 1818 to 1825 as Havell and Son, became well known for its expertise in aquatint engraving and colouring.

In 1824, following the marriage of his son, Robert moved the business to 79 Newman Street,[1] where John James Audubon approached him in 1827 to engrave a portfolio of 240 drawings he had brought with him from America. Recognizing that without the help of another expert engraver he would not be able to take on a work of this magnitude Robert Havell, Sr., contacted his son, Robert Havell, Jr., who had quarrelled with his father and left London in an attempt to launch an independent artistic career. Robert Havell, Jr. consented to reestablish the partnership with his father and agreed to engrave the plates of Audubon's drawings, with Robert, Sr., supervising their printing and colouring. The collaboration between father and son continued in this way until Robert Havell, Sr.'s retirement in 1828.[6]

Robert died in 1832, and was buried at the Old St. Pancras Church graveyard in London.

Daniel Havell

In older texts (and in the current Oxford Dictionary of National Biography), Daniel Havell is often claimed as the father of Robert (and sometimes of Luke as well);[7] but more recent references generally place him as born in 1785, the son of Luke's brother Thomas, also a painter, who was born in 1762.[1] Daniel moved to London, and set up in partnership as an aquatint engraver with Robert Havell. Together they published aquatints of Twenty Four Views Taken in St. Helena (1809–10) after pictures by Henry Salt, and Twelve Picturesque Views of the River Thames (1812) from watercolours by William Havell. But the partnership did not last, and soon Daniel was working independently, including plates for Rudolph Ackermann's History of Cambridge (1815) and Ackermann's history of various Public Schools including Eton, Winchester and Rugby (1816), as well as a celebrated view of St Paul's Cathedral (1818) and various other London landmarks for Ackermann's Repository of Arts. Other subjects included topographical views of Devon, and of North Wales; and views of naval engagements. Havell's final work was for E.W. Brayley's Historical and descriptive accounts of the theatres of London (1826) "illustrated with a view of each theatre, elegantly coloured, drawn and engraved by the late Daniel Havell."

The Daniel Havell who was the son of Thomas Havell was baptised on 30 November 1786 at St Mary's, Reading; married Maria Wilmot on 5 June 1813 at St James's in Paddington; and was buried on 19 May 1822 at Kingston upon Thames, his occupation given as "artist".[8]

Robert Havell, Jr.

Robert Havell, Jr., 1845
The gravesite of Robert Havell, Jr.

Robert Havell, Jr. (25 November 1793 – 11 November 1878) was the principal engraver of Audubon's Birds of America, perhaps the most significant natural history publication of all time. His aquatint engraving of all but the first ten plates of John James Audubon's Birds of America is now recognised as a significant artistic achievement in its own right and an essential component of the success of Birds of America. He and Audubon became close friends and associates during their lengthy collaboration. In 1839 Havell went to America at the invitation of Audubon, first residing in Brooklyn. He settled in Ossining on the Hudson River and later moved to Tarrytown, New York, living there from 1857 through his remaining years. Although Havell continued to work in aquatint and engraving (primarily city panoramas), he devoted most of his attention to painting the countryside of the Hudson River valley. He travelled frequently in a homemade horse-drawn trailer, sketching and taking notes and translating his sketches into larger oils. Robert Havell, Jr., is considered a member of the Hudson River School of American painters.

He died in 1878 and is buried in Sleepy Hollow Cemetery in Tarrytown.

Luke Havell's descendants

The following list of Luke Havell's descendants is incomplete; covering only those referenced in published sources.

References

  1. 1 2 3 4 5 Charles Lane (1978), Sporting Aquatints and their Engravers: 1775–1820. Leigh-on-Sea: F. Lewis, ISBN 0-85317-058-4. pp.45 et seq.
  2. ↑ Lucy Peltz (2004), "Havell family", Oxford Dictionary of National Biography. doi:10.1093/ref:odnb/67016
  3. ↑ Will of Luke Havell, transcription on a website of John K. Schlosser.
  4. ↑ Leaves from Robert Havell Sr.'s family bible; published in George F. Tudor Sherwood (1907), The Pedigree Register, vol 1. London: Society of Genealogists, p. 354; William Havell, buried 21 December 1832, St Lawrence, Reading
  5. ↑ Parish record indexes, at familysearch.org
  6. ↑ Notice of dissolution of partnership, The London Gazette, No. 18482, p. 1253 (27 June 1828)
  7. ↑ e.g. Prideaux (1909), p. 265; Williams (1916); ODNB (2004). Benezit Dictionary of Artists (2006) has Daniel and Robert as brothers.
    The Grove Dictionary of Art (1999/2006) hedges, writing that "According to their descendants, Robert was undeniably Daniel's son, though there is evidence to suggest that he may have been his uncle."
  8. ↑ Parish record indexes at familysearch.org
  9. 1 2 3 4 5 Benezit Dictionary of Artists. Oxford University Press. 2010. ISBN 978-0199773787.
  10. ↑ Bryan, Michael (1926–34) [1903–04]. Bryan's Dictionary of Painters and Engravers. Bell.
  11. 1 2 Turner, Jane (editor) (1996). The Dictionary of Art. Grove. ISBN 1-884446-00-0.
  12. 1 2 3 4 Mallalieu, H. L. (1986). The Dictionary of British Watercolour Artists up to 1920. Antique Collectors' Club. ISBN 1-85149-036-1.
  13. 1 2 3 4 Wood, Christopher (1995). Victorian Painters. Antique Collectors' Club. ISBN 1-85149-171-6.
  14. ↑ Havell, Ernest Binfield, Oxford Dictionary of National Biography, doi:10.1093/ref:odnb/37520
  15. ↑ Hunnisett, Basil (1980). A Dictionary of British Steel Engravers. F. Lewis. ISBN 0-85317-067-3.
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