Ray Alexander (musician)

Ray Alexander

Alexander in 1982
Background information
Born (1925-02-07)February 7, 1925
Died June 8, 2002(2002-06-08) (aged 77)
Genres Jazz
Instruments Vibraphone, Drums

Ray Alexander (1925 - 2002) was a jazz drummer and vibraphonist. He is best known for his work with George Shearing and Peggy Lee on "Beauty And The Beat[1]" (1959), "Quiet Village[2]" (1959), "Cloud Patterns" (1988), "Rain In June" (1993), and "Vigorous Vibes" (1998).

Ray started his musical career as a drummer, playing with Claude Thornhill, Bobby Byrne, the Dorsey Brothers, Stan Getz, Joe Venuti, Mel Torme, Johnny Smith, Chubby Jackson and many others. He later switched to vibes (the vibraphone) and worked with George Shearing, Charlie Barnet, Bill Evans, Anita O'Day, Mel Lewis; and many other of jazz notables, as noted in "The Rough Guide To Jazz".[3] Ray also worked with his own quartet in renowned jazz clubs such as Birdland, the Embers, Basin Street East, etc. In the early '70's he joined with Mousey Alexander to form "Alexanders the Great", a quartet which was booked frequently at the new Half Note uptown, as well as many other clubs and concerts. He was favorably reviewed in the New York Times,[4] the Virgin Encyclopedia Of Jazz,[5] and Newsday.[6][7]

In 1983 Ray put out an album called "Cloud Patterns", recorded live at Eddie Condon's. It featured Albert Dailey on piano, Harvie Swartz on bass, Ray Mosca on drums, and Pepper Adams on baritone sax. Before it was released, Albert Dailey and Pepper Adams died, so the album was dedicated to their memory.

In 1993 he released "Rain In June" featuring Ray on vibraphone, Kenny Barron on piano, Warren Vaché, Jr. on cornet, Bob Kindred on tenor sax, the late Oliver Jackson on drums and Harvie Swartz on bass.

In 1998 Ray also released a CD for Cat's Paw Records, called "Vigorous Vibes", It features Ray on vibraphone, Mac Chrupcala on piano, John Anter on drums, and Marshall Wood on bass.

Until his death, he played in various jazz clubs in New York[8] and the East coast, as well as college concerts and jazz festivals. In the summer he toured England and nearby European countries playing vibraphone in jazz venues and festivals, including the Guinness Festival, Birmingham Jazz Festival, Buxton Jazz Festival, and many others.

Ray Alexander died in June, 2002 as a result of complications from elective surgery.

References

  1. http://www.allmusic.com/album/beauty-and-the-beat!-mw0000611837/credits
  2. http://www.discogs.com/Martin-Denny-Quiet-Village-The-Exotic-Sounds-Of-Martin-Denny/release/399425
  3. https://books.google.com/books?id=I5wrGL-a-Q8C&pg=PP18&lpg=PP18&dq=ray+alexander+the+rough+guide+to+jazz&source=bl&ots=qypnHCLvgO&sig=_CVfOWjqHxoWngf9ifq3WKuphZw&hl=en&sa=X&ei=p-G1VMqWFIq-ggTX44OABg&ved=0CC4Q6AEwAg#v=onepage&q=ray%20alexander%20the%20rough%20guide%20to%20jazz&f=false
  4. Lippincott, Proctor (December 30, 1979). "When He Plays The Vibes Are Good". New York Times (Sunday Edition). section XXI, page 7, column 1. p. L7. Retrieved 14 January 2015.
  5. The Virgin Encyclopedia Of Jazz. Virgin Books. pp. 17–18. ISBN 1852271833.
  6. Troup, Stuart (January 21, 1983). "Newsday". Newsday (Nassau edition). Newsday Inc. p. B7. Retrieved 18 January 2015.
  7. Kaufman, Bill (April 13, 1979). "Flying Mallets In Seaford". Newsday (Nassau edition). Newday Inc. p. B35. Retrieved 18 January 2015.
  8. "condon's ref". New York Times (The Guide). 20 May 1984. p. G20. Retrieved 18 January 2015.
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