Raffaele Casnédi
| Rafaele Casnédi | |
|---|---|
| Born |
Filippo Tobia Raffaele Casnédi September 26, 1822 Runo, Dumenza |
| Died |
December 29, 1892 (aged 70) Milan |
| Nationality | Italian |
| Known for | Painting and Scenic Design |
Raffaele Casnédi (September 26, 1822 – December 29, 1892) was an Italian painter and scenic designer, active mainly in Milan.
He was born to Pietro Casnedi e Angela Spaini. He attended the Accademia di Brera from 1840 to 1850, to the disappointment of his parents. There he studied under Sogni and Luigi Sabatelli. In 1852, he won the Mylius prize for the fresco of The school of Leonardo painted in a lunette for the Accademia.[1] He interned in Rome, where he befriended the landscape artist Costa. He returned to Milan, and joined the Brera in 1856, and as professor of design in 1860.
He is best known for his frescoes and religious canvases conserved at the churches (in Valmadrera, Besana, Rho, San Pietro in Novara, and Palombara). For example, in the parochial church of Santi Pietro e Paolo in Luino, he painted, among other works, the four evangelists in the spandrels of the dome. In collaboration with Giuseppe Bertini, he painted the curtain or sipario (1861–1863) at the Teatro alla Scala with The Fables Atellanae.[2] Among the pupils at the Brera of Casnédi (as well as Bertini and Hayez) were the Scapigliatura artists: Pietro Bouvier and Francesco Didioni, and the Divisionists, Angelo Morbelli and Giovanni Sottocornola. Bartolomeo Giuliano was one of his assistants.