Python Lee Jackson

Python Lee Jackson

Python Lee Jackson, early 1967
Background information
Origin Sydney, New South Wales, Australia
Genres
  • Soul
  • R&B
  • rock
  • hard rock
Years active
  • 1965 (1965)–1968 (1968)
  • 1968 (1968)–1969 (1969)
  • 1972 (1972)
Labels Young Blood International
Associated acts
Past members see Members list below

Python Lee Jackson were an Australian rock band active from 1965 to 1968, before a brief sojourn in the United Kingdom from late 1968 to mid-1969. The group had recorded a single, "In a Broken Dream" (October 1970), featuring Rod Stewart as guest vocalist in April 1969. The group reformed in 1972 and the single was re-released in August: it peaked at No. 3 on the UK Singles Chart and No. 56 on the United States Billboard Hot 100. The group disbanded again later that year. Their early vocalist, Mal McGee (1966–68) died on 17 May 2012.

Australian period

Python Lee Jackson were formed in December 1965 in Sydney by two men from the United Kingdom – Frank Kennington and Mick Liber (born 1 March 1944, Peebles, Scotland) – and David Montgomery (born September 1945, Melbourne) on drums (ex-Jeff St John & the Id). Both Liber, on guitar, and Kennington, on vocals, were former members of the Denvermen, a surf instrumental group in Sydney, from mid-1965 and contributed to that group's single, "I Can Tell" (November).[1]

Together with Roy James on bass guitar Python Lee Jackson played the underground circuit. In early 1966 Kennington was deported to the UK, and former the Missing Links singer, Bob Brady, filled in for several months before Liber and Montgomery put a new line-up together. In March 1966 keyboard player and singer, David Bentley (born 1943, Brisbane), left Jeff St John & the Id to join his old band mate, Montgomery, alongside Liber, together with former Unit 4 bass player, Lloyd Hardy (a.k.a. "Cadillac" Lloyd Hudson).[2][3]

In June the quartet added former Wild Cherries' Melbourne-born singer, Malcolm McGee (1 November 1945 – 17 May 2012), and opened Rhubarb's club in Sydney's Liverpool Street. McGee described how Python Lee Jackson is "the ultimate name. Group names are becoming more and more ridiculous – PLJ is the name to end all names."[3]

Jackie Lee Lewes of The Australian Women's Weekly opined in November 1966 that "Their music is loud and furious" and cited McGee, who felt their sound was in "the Chicago-style city blues idiom."[3] Lewes also reported that "The members of [the group] say they have created a modern image – not only with their music but also with their up-to-date clothes."[3] The magazine provided a double page spread of the band members modelling their clothing.[3]

In September 1966 Bentley left and was replaced by Bob Welsh on piano.[2] The band released their first single, "Emergency Ward" (November 1966), backed by a cover version of Bo Diddley's "Who Do You Love?" as its B-side.[2] Some sources cite "Emergency Ward" as a single by local DJ Ward Austin featuring Python Lee Jackson as his backing group.[4] Their second single was a cover of Major Lance's "Um, Um, Um, Um, Um, Um", backed by "Big City Lights", in December 1966.[2][5]

Late in 1966 Hardy was replaced by Duncan McGuire, from Doug Parkinson's group the Questions, for three weeks. McGuire appeared on the band's cover version of Sam and Dave’s "Hold On, I’m Coming", backed by "Your Mother Should Have Warned You", before Hardy (now using by the name, Virgil East) returned for the band's first trip to Melbourne in March 1967. Like its predecessor, the new single was a minor hit. While in Melbourne the group performed at the Catcher night club, from 17 to 19 March, with various local bands each night. The group returned for an extended stay from 30 March to 16 April.

In April 1967 Dave MacTaggart from Adelaide band, the Black Pearls, replaced Virgil East. On 11 June the group appeared on Opus TV with the Loved Ones and Ray Hoff and the Offbeats. The new line-up released the band's final Australian single, "It’s a Wonder", backed by "I Keep Forgetting", in August before Welsh left to be replaced by saxophone player. Bernie McGann.

A few months later Liber left and worked with Billy Thorpe and Gulliver Smith’s band, the Noyes. Former member East joined Jeff St John's next project, Yama. Liber's replacement was Laurie Arthur from the Strangers. Python Lee Jackson continued to play gigs, appearing at Melbourne clubs, Sebastians, and Berties until they broke up in January 1968.

McGee then joined vocal trio [the Virgil Brothers with Rob Lovett (formerly of the Loved Ones) and Mick Hadley (ex-Purple Hearts). McGee recorded two singles with the Virgil Brothers, including their Australian hit, "Temptation 'Bout to Get Me", but he left the group after they moved to the UK in late 1969 and was replaced by Danny Robinson (ex-the Wild Cherries). McGee later played with McGuire in Rush. MacTaggart reunited with Liber briefly in Billy Thorpe's band. Montgomery reunited with David Bentley in the David Bentley Trio.

British period

Python Lee Jackson reformed in the UK in October 1968 by Bentley, Liber and Montgomery;[2] they were joined by former Levi Smith Clefs' bass player, John Helman (also ex-Jeff St John and the Id).[6] They played at the Vesuvio club on Tottenham Court Road. In early 1969 they performed at the Arts Lab on Drury Lane for several months where they were spotted by DJ, John Peel. In April 1969 Bentley, Liber and Montgomery, were joined by Jamie Byrne from the Groove, and recorded three tracks in the studio with Rod Stewart as a guest vocalist. Stewart was paid a set of car seat covers for his recording session.

Stewart had been brought in to sing three tracks, after Bentley informed his band mates that he didn't think his own voice was right for them. They were recorded with Peel producing, "In a Broken Dream", and two other tracks, "Doin' Fine" (a version of "Cloud Nine") and "The Blues", remained unreleased until 1970 when Miki Dallon re-produced the track for his Youngblood label and released it, having bought the masters from Peel. The single was not a success on its initial release but Dallon re-released it in August 1972 to coincide with Stewart's release of "You Wear It Well", his second solo single. With Stewart more popular by then, "In a Broken Dream", rose to number three in the UK Singles Chart and No. 56 in the United States Billboard Hot 100.[7][8][9]

Following the recording of the songs with Stewart the group continued to make sporadic live appearances and Time Out magazine advertised one show at the Bottleneck Club in the Railway Tavern, Stratford in East London on 28 June 1969. The band went into hiatus in the years from 1969 to 1972, during which period the band members explored separate projects.

In 1972, David Bentley, Mick Liber, and David Montgomery made some recordings with new members Gary Boyle (guitar) and former The Easybeats' member Tony Cahill (bass). These tracks subsequently appeared on the band's only album (also titled In a Broken Dream) alongside the earlier Rod Stewart recordings from 1969 resulting in the release of the song and the subsequent charting. The song was popular in Europe and appeared on the soundtrack of films and documentaries (including the art house movie Breaking the Waves) and became the subject of many cover versions. Rod Stewart included the song on two anthologies of previously recorded work and, in 1996, an English band, Thunder, delivered a high-octane rendering that propelled it into the UK chart for the second time. In 2004 a cover of the song on Relations recorded by British singer Kathryn Williams. In 2009, Half A Cow released Sweet Consolation, a 24 track anthology of their work. Meant to be a definitive collection, it does not however, contain "In A Broken Dream" as the producers were unable to obtain the required licences needed to include their most famous song.[10] Cahill was replaced on bass by Chris Belshaw shortly before the band dissolved.

Following the dissolution of the band, Montgomery would go on to briefly play drums for the American band King Harvest. He had been due to meet with Brian Jones on the day of Jones's death to discuss a collaboration.

Members

References

  1. ↑ Kimball, Duncan (2002). "The Denvermen". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Archived from the original on 7 March 2008. Retrieved 23 May 2017.
  2. 1 2 3 4 5 McFarlane, Ian (1999). "Encyclopedia entry for 'Python Lee Jackson'". Encyclopedia of Australian Rock and Pop. St Leonards, NSW: Allen & Unwin. ISBN 1-86508-072-1. Archived from the original on 6 August 2004.
  3. 1 2 3 4 5 Lewes, Jackie Lee (16 November 1966). "Clothes Help on the (L)Adder to success". The Australian Women's Weekly. 34 (25). p. 61. Retrieved 22 May 2017 – via National Library of Australia.
  4. ↑ Kilby, David; Kilby, Jordie (5 May 2013). "Ward Austin". DJs on Disc. Radio National (Australian Broadcasting Commission (ABC)). Archived from the original on 3 July 2014. Retrieved 26 May 2017.
  5. ↑ Nuttall, Lyn. "'Um Um Um Um Um Um' – Python Lee Jackson (1966)". Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s. Archived from the original on 4 May 2017. Retrieved 22 May 2017.
  6. ↑ Kimball, Duncan (2002). "Jeff St John & The Id / Yama / Copperwine". Milesago: Australasian Music and Popular Culture 1964–1975. Ice Productions. Archived from the original on 7 March 2007. Retrieved 26 May 2017.
  7. ↑ "Official Charts Company". Retrieved 23 May 2017.
  8. ↑ Gillett, Charlie & Frith, Simon (1975). Rock File 3 Chartlog – Sources of British Hit Songs:Writers, American Hits and Original Versions. St. Albans, Herts.: Panther. p. 126. ISBN 0-586-04261-X.
  9. ↑ "Python Lee Jackson – Chart History". Billboard. Retrieved 23 May 2017.
  10. ↑ "Sweet Consolation". www.allmusic.com. Retrieved 1 December 2011.
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