Phyllis Gardner

A 1931 woodcut by Phyllis Gardner of Irish Wolfhound "Hy Niall"

Phyllis Gardner (6 October 1890 – 16 February 1939) was a writer, artist, and noted breeder of Irish Wolfhounds. Her and Rupert Brooke had, on her side at least, a passionate relationship.^[1] She attended the Slade School of Fine Art and was a suffragette when they met. Their conflicting politics, and his conflicted feelings, led the relationship to end.^[2]

Biography

Gardner spent some of her early childhood in Athens, where her father, Professor Ernest Arthur Gardner, was Director of the British School of Archaeology.^[3] The Gardner family, which consisted of Mary, Phyllis's mother, Delphis her sister and Christopher her brother, moved according to Professor Gardner's career. They settled in Tadworth, Surrey in a large house called Farm Corner which was situated close to the Surrey Hills.

Gardner attended the progressive Saint Felix School in Southwold, Suffolk between 1907-1908. In 1908, Gardner enrolled at the Slade School of Fine Art and specialised in the craft of wood carving, but also had a fondness for drawing and painting animals. She exhibited a screen and wood carvings at the Arts and Crafts Society Eleventh Exhibition in 1916.^[4][5] In later years Phyllis and Delphis carved intricate chess sets, one of which forms part of the Metropolitan Museum collection.^[6]

Gardner spotted the figure of Rupert Brooke in a tea-room in King's Cross station in 1911 and Phyllis, her mother and Brooke shared a train compartment on their journey to Cambridge. During the journey, Gardner felt compelled to sketch a likeness of Brooke and upon arrival in Cambridge, Gardner was determined to discover who this young blonde haired man was, and how she could meet him.^[7] Gardner's memoir about her relationship with Brooke along with their letters to one another were deposited by Delphis in the British Library in 1948 and closed to access for 50 years.^[8] Due to the subjected closure period of the collection, and the secretive way Brooke referred to Gardner in his own letters the importance of their relationship was not acknowledged in preceding biographies of Brooke, in which Gardner hardly gets a mention at all. Brookes letters to Gardner depict a cruel side which his literary executor Edward Marsh tried to hide.^[9] Indeed, Brooke's circle felt that Marsh's depiction of a exemplary young man cut down in his prime was a misleading portrayal of a more complex figure.^[10]

After Brooke's death in 1915, Gardner devoted her time to a local hospital which treated soldiers from the front.^[11] Gardner found it difficult to cope with the loss of Brooke and found the hospital a welcome distraction.^[12]

In later life her family successfully bred Irish Wolfhounds and opened a kennel called Coolafin in Maidenhead.^[13] Gardner wrote a well regarded history of the breed and also produced illustrations for the volume herself.

References