Édouard-Henri Avril

Édouard-Henri Avril

Cover of L'Ombrelle - Le Gant - Le Manchon illustrated by Avril (1883)
Born 21 May 1849 (1849-05-21)
Algiers, French Algeria
Died 28 July 1928 (1928-07-29) (aged 79)
Le Raincy, Paris, France
Nationality French
Education École des Beaux-Arts
Known for Illustrator of erotic literature
Notable work De figuris Veneris, Fortunio
Awards Legion of Honour

Édouard-Henri Avril (21 May 1849 – 28 July 1928) was a French painter and commercial artist. Under the pseudonym Paul Avril, he was an illustrator of erotic literature.[1] His career saw collaboration with influential people like Octave Uzanne, Henry Spencer Ashbee and Friedrich Karl Forberg.

Avril was a soldier before starting his career in art. He was awarded with the Legion of Honour for his actions in the Franco-Prussian War.

Life

Les charmes de Fanny exposés (plate VIII) from Fanny Hill is one of the most famous works of Avril

Avril was born in Algiers. His father was a colonel of the gendarmerie. Avril himself fought and was wounded in Franco-Prussian War before starting his studies in art. He was awarded with the Legion of Honour on 31 May 1871 for injuries sustained during the war. The injuries resulted in retirement from his military career on 23 January 1872.[2]

Biographical material of his life is scarce due to obscene nature of his work, and because he worked under a pseudonym of "Paul Avril".[3] His pseudonym can lead to a confusion with his brother,[1][4] who was named Paul-Victor Avril, and was also an artist and worked as an engraver.[4] Avril studied art in various Paris salons. From 1874 to 1878 he was at the École des Beaux-Arts in Paris.[3][2] He worked for the illustrated newsmagazine Le Monde illustré in 1882.[4][5]

Having been commissioned to illustrate Théophile Gautier's novel Fortunio, he adopted the pseudonym "Paul Avril".[6] His reputation was soon established and he received many commissions to illustrate both major authors and the so-called "galante literature" of the day, a form of erotica. However, his reputation as a commercial illustrator of novels was established before he began illustrating the more underground erotic literature. These books were typically sold in small editions on a subscription basis, organised by collectors. Erotica of that time received very limited prints and sometimes were limited to only 100 or so copies, or were sold only within exclusive circles of collectors. Because of the obscurity of Avril and his works, it is difficult to assess the real impact that his art might have had on culture.[3]

Avril died at Le Raincy in Metropolitan France in 1928.[7]

Works

Bookplate designed by Avril for erotica collector Henry Spencer Ashbee

Avril's major work was designs for De Figuris Veneris: A Manual of Classical Erotica by the German scholar Friedrich Karl Forberg. Another important work illustrated by Avril was John Cleland's Fanny Hill (also known as Memoirs of a Woman of Pleasure), which was a significant and controversial publication of its time as it was the first novel to bring erotica to English literature. The book's edition illustrated by Avril includes Les charmes de Fanny exposés that is one of his better known pictures. He illustrated such works as Gustave Flaubert's Salammbô, Gautier's Le Roi Caundale,[1][3][8] Jean Baptiste Louvet de Couvray's Adventures of the Chevalier de Faublas, Mario Uchard's Mon Oncle Barbassou (scenes in a harem), Jules Michelet's The Madam, Hector France's Musk, Hashish and Blood, the writings of Pietro Aretino, and the anonymous lesbian novel Gamiani.[2][6]

Classicizing works illustrated by Avril include Oeuvres d’Horace (1887), Une nuit de Cléopâtre (1894), Daphnis et Chloé (1898), and Les sonnets luxurieux de l’Aretin (1904).[9] Avril might be best known for his sapphic, or lesbian, illustrations.[10]

Prolific erotica collector Henry Spencer Ashbee commissioned Avril to design a bookplate for him.[9] Avril worked with Octave Uzanne,[10][11] who after leaving the Société des Amis des Livres, which he found too conservative and too concerned with the reissue of old works, started two new bibliographic societies. The Société des Bibliophiles Contemporaines (1889–1894)[12] consisted of 160 people from literary circles, including Avril.[11]

List of works and editions illustrated

Plate XVII from Friedrich Karl Forberg's De Figuris Veneris portrays a more extreme form of Avril's work.

See also

References

  1. 1 2 3 "Paul Eduard Henry Avril – Biography and Offers – Buy and Sell Retrieved 01 August 2012". Kettererkunst.com. Retrieved 6 September 2012.
  2. 1 2 3 http://www.stilearte.it/paul-avril-i-piaceri-sfrenati-dellartista-soldato-dellottocento-il-video/
  3. 1 2 3 4 Armitage, Helen. "Édouard-Henri Avril: The Master of 19th Century Pornography". Retrieved 3 October 2016.
  4. 1 2 3 https://www.researchgate.net/profile/William_Tobin/publication/260967095_Transits_of_Venus_and_Mercury_as_muses/links/54097c6b0cf2718acd3d1e5e.pdf
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 http://www.dictionnaire-des-illustrateurs.com/Avril%20Paul.html
  6. 1 2 Tom Cutler (18 October 2012). Slap and Tickle: The Unusual History of Sex and the People Who Have it. Little, Brown Book Group. p. 31. ISBN 978-1-78033-836-1.
  7. ↑ "Paul Avril". Dictionary of Art & Artist. Retrieved 13 April 2015.
  8. ↑ Joseph A. Boone (18 March 2014). The Homoerotics of Orientalism. Columbia University Press. pp. 401–402. ISBN 978-0-231-15110-8.
  9. 1 2 "Sex: Vice and Love from Antiquity to Modernity". doi:10.1002/9781444323566. Retrieved 3 October 2016 – via onlinelibrary.wiley.com.
  10. 1 2 3 Susan Hiner (6 June 2011). Accessories to Modernity: Fashion and the Feminine in Nineteenth-Century France. University of Pennsylvania Press. pp. 112–113, 242. ISBN 0-8122-0533-2.
  11. 1 2 Willa Z. Silverman (2008). The New Bibliopolis: French Book Collectors and the Culture of Print, 1880–1914. University of Toronto Press. pp. 83–84. ISBN 978-0-8020-9211-3.
  12. ↑ Curinier, CE (1914). "Uzanne (Louis Octave)". Dictionnaire national des contemporains (in French). IV. Paris: Office Général d'Edition. pp. 66–67. OCLC 697614752.
  13. ↑ Michael Reynolds (17 June 2016). Creating Der Rosenkavalier: From Chevalier to Cavalier. Boydell & Brewer. p. 9. ISBN 978-1-78327-049-1.
  14. ↑ H.P. Bois (1892). Four private libraries of New York. Рипол Классик. p. 96. ISBN 978-5-87738-216-9.
  15. ↑ Mary E. Davis (15 October 2010). Ballets Russes Style: Diaghilev's Dancers and Paris Fashion. Reaktion Books. p. 109. ISBN 978-1-86189-885-2.
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