Optical toys

Optical toys form a group of scientific optical devices with some entertainment value. Many of these were also known as "philosophical toys" when they were developed in the 19th century.

The phenakistiscope, zoetrope, praxinoscope and flip book a.o. are often seen as precursors of film, leading to the invention of cinema at the end of the 19th century. In the 21st century this narrow teleological vision was questioned and the individual qualities of these media gained renewed attention of researchers in the fields of the history of film, science, technology and art. The new digital media raised questions about our knowledge of media history. The tactile qualities of optical toys that allow the viewer to study and play with the moving image in his own hands, seem more attractive in a time when digitalisation makes the moving image less tangible.[1]

Several philosophical toys were developed through scientific experimentation, then turned into scientific amusements that demonstrated new ideas and theories in the fields of optics, physics, electricity, mechanics, etc. and ended up as toys for children.[2]

Some camera obscura demonstrations were part of the cabinets of curiosities that emerged at royal courts in the 16th century. Optical tabletop instruments such as the compound microscope and telescope were used for parlour entertainment in richer households since the 17th century.

Other, larger devices, such as peep shows were usually exhibited by travelling showmen at fairs.

List of optical toys

date name inventor(s) type note
n/a Camera obscura n/a projection a natural phenomenon, applied with lens since around 1550, portable box since early 17th century
150 (circa) Newton disc / color-top (chameleon top) Ptolemy additive optical color mixing first known description by Ptolemy, best known in Isaac Newton's variation
1400s? Peep box / raree show Leon Battista Alberti?
1485 (circa)? Perspective anamorphosis Leonardo da Vinci? anamorphosis
1500s? Ripple pictures n/a possibly mentioned in late 16th century literature, extant copies from late 17th century
1600s Mirror anamorphosis n/a anamorphosis
1608 Telescope Hans Lippershey? Zacharias Janssen? Jacob Metius?
1620s? Compound microscope Cornelis Drebbel?
1659 Magic lantern Christiaan Huygens projection
1745? Zograscope perspective views n/a 3D
1817 Kaleidoscope David Brewster
1822 Polyorama Panoptique Pierre Seguin?
1825 Thaumatrope William Henry Fitton? introduced by John Ayrton Paris
1829 Anorthoscope Joseph Plateau anamorphosis marketed shortly since 1836
1833-01 Phénakisticope Joseph Plateau, Simon Stampfer animation
1838 Stereoscope Sir Charles Wheatstone 3D
1852 Anaglyph 3D Wilhelm Rollmann 3D
1858-04 Kaleidoscopic colour-top John Gorham
1860 Alethoscope Carlo Ponti 3D further developed into the Megalethoscope
1864 Spectropia J. H. Brown afterimage
1866-12 Zoetrope William Ensign Lincoln animation similar devices suggested and exhibited since 1833, now with exchangeable strips
1868 Flip book John Barnes Linnett animation
1877 Praxinoscope Charles-Émile Reynaud animation
1894 Mutoscope William Kennedy Dickson, Herman Casler moving pictures
1906 Scanimation Alexander S. Spiegel animation originally marketed as magical moving pictures, adapted as scanimation since 2006
1921 Ombro-Cinéma Saussine animation
1939 View-Master William Gruber 3D
1952 Lenticular pictures Victor Anderson animation originally invented in 1898 as autostereogram, now popularized as changing/moving pictures
1991 Magic Eye Tom Baccei, Cheri Smith 3D Christopher Tyler developed a black and white version in 1979

References

  1. Mary Ann Diane Scale and movement in Apparaturen bewegter Bilder (2006 LIT Verlag)
  2. http://users.telenet.be/thomasweynants/opticaltoys.html
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