Optical toys
Optical toys form a group of scientific optical devices with some entertainment value. Many of these were also known as "philosophical toys" when they were developed in the 19th century.
The phenakistiscope, zoetrope, praxinoscope and flip book a.o. are often seen as precursors of film, leading to the invention of cinema at the end of the 19th century. In the 21st century this narrow teleological vision was questioned and the individual qualities of these media gained renewed attention of researchers in the fields of the history of film, science, technology and art. The new digital media raised questions about our knowledge of media history. The tactile qualities of optical toys that allow the viewer to study and play with the moving image in his own hands, seem more attractive in a time when digitalisation makes the moving image less tangible.[1]
Several philosophical toys were developed through scientific experimentation, then turned into scientific amusements that demonstrated new ideas and theories in the fields of optics, physics, electricity, mechanics, etc. and ended up as toys for children.[2]
Some camera obscura demonstrations were part of the cabinets of curiosities that emerged at royal courts in the 16th century. Optical tabletop instruments such as the compound microscope and telescope were used for parlour entertainment in richer households since the 17th century.
Other, larger devices, such as peep shows were usually exhibited by travelling showmen at fairs.
List of optical toys
date | name | inventor(s) | type | note |
---|---|---|---|---|
n/a | Camera obscura | n/a | projection | a natural phenomenon, applied with lens since around 1550, portable box since early 17th century |
150 (circa) | Newton disc / color-top (chameleon top) | Ptolemy | additive optical color mixing | first known description by Ptolemy, best known in Isaac Newton's variation |
1400s? | Peep box / raree show | Leon Battista Alberti? | ||
1485 (circa)? | Perspective anamorphosis | Leonardo da Vinci? | anamorphosis | |
1500s? | Ripple pictures | n/a | possibly mentioned in late 16th century literature, extant copies from late 17th century | |
1600s | Mirror anamorphosis | n/a | anamorphosis | |
1608 | Telescope | Hans Lippershey? Zacharias Janssen? Jacob Metius? | ||
1620s? | Compound microscope | Cornelis Drebbel? | ||
1659 | Magic lantern | Christiaan Huygens | projection | |
1745? | Zograscope perspective views | n/a | 3D | |
1817 | Kaleidoscope | David Brewster | ||
1822 | Polyorama Panoptique | Pierre Seguin? | ||
1825 | Thaumatrope | William Henry Fitton? | introduced by John Ayrton Paris | |
1829 | Anorthoscope | Joseph Plateau | anamorphosis | marketed shortly since 1836 |
1833-01 | Phénakisticope | Joseph Plateau, Simon Stampfer | animation | |
1838 | Stereoscope | Sir Charles Wheatstone | 3D | |
1852 | Anaglyph 3D | Wilhelm Rollmann | 3D | |
1858-04 | Kaleidoscopic colour-top | John Gorham | ||
1860 | Alethoscope | Carlo Ponti | 3D | further developed into the Megalethoscope |
1864 | Spectropia | J. H. Brown | afterimage | |
1866-12 | Zoetrope | William Ensign Lincoln | animation | similar devices suggested and exhibited since 1833, now with exchangeable strips |
1868 | Flip book | John Barnes Linnett | animation | |
1877 | Praxinoscope | Charles-Émile Reynaud | animation | |
1894 | Mutoscope | William Kennedy Dickson, Herman Casler | moving pictures | |
1906 | Scanimation | Alexander S. Spiegel | animation | originally marketed as magical moving pictures, adapted as scanimation since 2006 |
1921 | Ombro-Cinéma | Saussine | animation | |
1939 | View-Master | William Gruber | 3D | |
1952 | Lenticular pictures | Victor Anderson | animation | originally invented in 1898 as autostereogram, now popularized as changing/moving pictures |
1991 | Magic Eye | Tom Baccei, Cheri Smith | 3D | Christopher Tyler developed a black and white version in 1979 |
References
- ↑ Mary Ann Diane Scale and movement in Apparaturen bewegter Bilder (2006 LIT Verlag)
- ↑ http://users.telenet.be/thomasweynants/opticaltoys.html