Old American Songs

Old American Songs are two sets of songs arranged by Aaron Copland in 1950 and 1952 respectively. Originally scored for voice and piano, they were reworked for baritone (or mezzo-soprano) and orchestra.

Set 1 was first performed by Peter Pears (tenor) and Benjamin Britten (piano)[1] on June 17, 1950 at Aldeburgh.[2] The version of Set 1 for baritone and orchestra was premiered on January 7, 1955, by William Warfield and the Los Angeles Philharmonic, conducted by Alfred Wallenstein.

Set 2 was first performed by William Warfield and Aaron Copland (piano) on 25 May 1958 in Ipswich, Massachusetts, and later, in its orchestral form, by Grace Bumbry (mezzo-soprano) and the Ojai Festival Orchestra, conducted by the composer, in Ojai, California. Set 2 was recorded by Warfield and Copland on August 18, 1953, for Columbia Records but apparently not publicly performed until the above-mentioned date in Ipswich.[3]

Set 1
The Boatman's Dance (minstrel song from 1843)
The Dodger (campaign song)
Long Time Ago (ballad)
Simple Gifts (Shaker song)
I Bought Me a Cat (children's song, Roud Folk Song Index No. 544)
Set 2
The Little Horses (lullaby)
Zion’s Walls (revivalist song)
The Golden Willow Tree (Anglo-American ballad)
At the River (hymn tune)
Ching-A-Ring Chaw (minstrel song)

Both sets are published by Boosey & Hawkes. The voice and piano versions are easily transposed to any register; the orchestral sets can also be transposed but are usually sung in their original keys by either a baritone or a mezzo-soprano. Old American Songs have been recorded by many singers, notably mezzo-soprano Marilyn Horne and the baritones Sherill Milnes, Thomas Hampson, Bryn Terfel, and Thomas Quasthoff. William Warfield's recording is with the composer himself at the piano.

References

  1. ↑ p. 179 n. 7, Hubbs (2004) Nadine. Berkeley and Los Angeles, California The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity University of California Press
  2. ↑ "Letters from a Life: Selected Letters of Benjamin Britten, Volume 3, 1946-1951", edited by Donald Mitchell, Philip Reed & Mervyn Cooke, (University of California Press, 2004, ISBN 0-520-24259-9) p.88.
  3. ↑ Modern American Vocal Works, Sony MHK 60899, 1999, liner notes, pp. 2-3.
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