Nicolas-Edme Rétif

Nicolas-Edme Rétif

Nicolas-Edme Rétif or Nicolas-Edme Restif (French: [ʁetif]; 23 October 1734 – 3 February 1806), also known as Rétif de la Bretonne, was a French novelist. The term retifism for shoe fetishism was named after him.

Biography

Born at Sacy, he was educated by the Jansenists at Bicêtre, and on the expulsion of the Jansenists was received by one of his brothers, who was a curé. Owing to a scandal in which he was involved, he was apprenticed to a printer at Auxerre, and, having served his time, went to Paris. Here he worked as a journeyman printer, and in 1760 he married Anne or Agnès Lebègue, a relation of his former master at Auxerre.

It was not until five or six years after his marriage that Rétif appeared as an author, and from that time to his death he produced a bewildering multitude of books, amounting to something like two hundred volumes, many of them printed with his own hand, on almost every conceivable subject. Rétif suffered at one time or another the extremes of poverty. He drew on the episodes of his own life for his books, which, "in spite of their faded sentiment, contain truthful pictures of French society on the eve of the Revolution".[1] He has been described as both a social realist and a sexual fantasist in his writings.

The original editions of these, and indeed of all his books, have long been bibliographical curiosities owing to their rarity, the beautiful and curious illustrations which many of them contain, and the quaint typographic system in which most are composed.

The fall of the assignats during the Revolution forced him to make his living by writing, profiting on the new freedom of the press. In 1795 he received a gratuity of 2000 francs from the Thermidor Convention. In spite of his declarations for the new power, his aristocratic acquaintances and his reputation made him fall in disgrace. Just before his death Napoleon gave him a place in the ministry of police; he died at Paris before taking up the position.

Assessment

According to 1911 Britannica,

Rétif de la Bretonne undoubtedly holds a remarkable place in French literature. He was inordinately vain, and of extremely relaxed morals. His books were written with haste, and their licence of subject and language renders them quite unfit for general perusal.

He and the Marquis de Sade maintained a mutual hate, while he was appreciated by Benjamin Constant and Friedrich von Schiller and appeared at the table of Alexandre Balthazar Laurent Grimod de La Reynière, whom he met in 1782. Jean François de La Harpe nicknamed him "the Voltaire of the chambermaids". He was rediscovered by the Surrealists in the early 20th century.

He is also noted for his advocacy of communism, indeed the term first made its modern appearance (1785) in his book review of Joseph-Alexandre-Victor Hupay de Fuveau who described himself as "communist" with his Project for a Philosophical Community.

The author Mario Vargas Llosa has a chapter on Rétif in his novel The Notebooks of Don Rigoberto.

The French novelist Catherine Rihoit made Restif de la Bretonne a major character in her 1982 novel _La Nuit de Varenne_. It was made into a film in the same year, a French-Italian production called either _La Nuit de Varenne_ or _Il Mondo Nuovo_ (in English, _That Night in Varenne_). Jean-Louis Barrault played Restif. The film also had Marcello Mastroianni as Casanova and Harvey Keitel as Thomas Paine.

Rétif was a "pornographer" in the modern sense of the word, being a writer of graphic depictions of sex. However, he was also a "pornographer" in the Ancient Greek sense of the word, as he wrote about the day-to-day life of prostitutes, and concerned himself with their well-being. It was the latter definition which he accepted as the rightful use of the word.[2]

Works

Frontispiece from La Découverte Australe par un Homme Volant, 1781

The most noteworthy of his works are:

See also

Notes

  1. ↑ 1911 Encyclopædia Britannica
  2. ↑ Kendrick, Walter (1987). The Secret Museum: Pornography in Modern Culture (First ed.). Berkeley and Los Angeles: University of California Press. pp. 19–20. ISBN 0-520-20729-7.
  3. ↑ galica.bnf.fr
  4. ↑ gallica.bnf.fr
  5. ↑ Rob Latham, Science Fiction Criticism: An Anthology of Essential Writings, p. 133

References

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