Ngaben

Left: A wadah cremation tower for Ngaben; Right: A lembu cremation bull.[1][2]

Ngaben, also known as Pitra Yadyna, Pelebon or cremation ceremony, is the Hindu funeral ritual of Bali, Indonesia.[3][4][5] A Ngaben is performed, states Victoria Williams, to release the soul of a dead person so that it can enter the upper realm where it can wait for it to be reborn or become liberated from the cycles of rebirths.[1][6] The Balinese Hindu theology holds that there is a competition between evil residents of the lower realm to capture this soul, and a proper cremation enhances the chance that it may reach the upper realm.[1]

Ngaben cremation

A quick Ngaben is preferred, but usually too expensive.[1][7] In Balinese culture, people go through an interim state where they bury the dead for a while usually near Pura Prajapati, pool funds and cremate many recently dead on the same day in an elaborate community-based Ngaben ceremony.[1][8][9] Once the families are financially ready, they select an auspicious day, make bade (coffins) to carry the deads, and announce the event in the village. The families also make a patulangan to cremate the body in,[7] which is either a lembu (bull or mythical animal-shaped bamboo-wood-paper coffin) to burn with the dead, or a wooden wadah (temple-like structure).[3][1] Once the corpse is ready for the cremation ground, it is washed, dressed in Balinese attire, family and friends pay their last goodbye with prayers and the mourners take it for cremation. They carry the corpses with rites, dressed in traditional attire, accompanied with gamelan music and singing, to the kuburan (cremation grounds).[1] If the path passes through major road crossings, the coffin is rotated three times to confuse the evil residents of the lower realm.[1][3]

Funeral music during Ngaben, Bali

At the cremation ground, the corpse is placed into the bull-shaped lembu or temple-shaped wadah, final hymns are recited and the cremation pyre lit.[2] While the corpse burns, the Balinese music team plays the beleganjur music, a battle song symbolizing the soul's fight with evil underworld to reach the worry-free upper realm.[1][10] Twelve days after the cremation, the families collect the ashes, fill it inside coconut shell, carry it to nearby river or sea to return the remains back to the elements.[1]

See also

References

  1. 1 2 3 4 5 6 7 8 9 10 Victoria Williams (2016). Celebrating Life Customs around the World: From Baby Showers to Funerals. ABC-CLIO. pp. 193–194. ISBN 978-1-4408-3659-6.
  2. 1 2 William A. Haviland; Harald E. L. Prins; Bunny McBride; et al. (2010). Cultural Anthropology: The Human Challenge. Cengage. p. 310. ISBN 0-495-81082-7.
  3. 1 2 3 Javier A. Galván (2014). A Cultural Encyclopedia of Extraordinary and Exotic Customs from around the World; They Do What?. ABC-CLIO. pp. 217–219. ISBN 978-1-61069-342-4.
  4. ↑ Djoko Moeljo (1993). Bali, the World's Belonging. Dahara. pp. 89–90.
  5. ↑ Saputra, I. Putu Adi, and I. Ketut Laba Sumarjiana (2016) "TARI BARIS KATEKOK JAGO DI SESA DARMASABA, KECAMATAN ABIANSEMAL, KABUPATEN BADUNG." Jurnal Santiaji Pendidikan (JSP) 6, no. 1, Quote: "Pitra yadnya (Ngaben/Pelebon) ceremony";
    Nyoman Budiartha Raka Mandi (2017), Study of Sanur Port Development Strategy To A Marina Oriented, IRJES, Volume 6, Issue 3 (March 2017), page 5, Quote: "Balinese's Hindu funerals that focused on cremation known as Ngaben or Pelebon"
  6. ↑ Bakan, Michael B. (2011). "Preventive Care for the Dead: Music, Community, and the Protection of Souls in Balinese Cremation Ceremonies". Oxford Handbooks Online. Oxford University Press. doi:10.1093/oxfordhb/9780199756261.013.0011.
  7. 1 2 Lewis H. Mates (2016). Encyclopedia of Cremation. Routledge. pp. 82–83. ISBN 978-1-317-14383-3.
  8. ↑ Thomas Stodulka; Birgitt Röttger-Rössler (2014). Feelings at the Margins: Dealing with Violence, Stigma and Isolation in Indonesia. Campus Verlag. pp. 67–68. ISBN 978-3-593-50005-8.
  9. ↑ David J. Stuart-Fox (2002). Pura Besakih: Temple, Religion and Society in Bali. KITLV. pp. 92–94, 207–209. ISBN 978-90-6718-146-4.
  10. ↑ Russell Hartenberger (2016). The Cambridge Companion to Percussion. Cambridge University Press. pp. 462–464. ISBN 978-1-316-54621-5.
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