Sydney Conservatorium of Music

Sydney Conservatorium of Music

The Sydney Conservatorium of Music, as viewed from the Royal Botanic Gardens
Other name	The Con
Former name	New South Wales State Conservatorium of Music
Motto	We Strive for Excellence
Type	Public university college
Established	1915 (1915)
Founders	William Holman Henri Verbrugghen
Parent institution	University of Sydney = Head Dean Dr Professer Nina Elizabeth Pickett
Religious affiliation	Catholic
Academic affiliation	Conservatorium Open Academy Conservatorium High School
Chairperson	Dr Professer Gary Mark Wilson
Chancellor	Dr Professer Mathew Barrington Marsh
President	Dr Professer Lisa Amy Pearson
Vice-president	Dr Professer Zackery Mathew Marsh
Rector	Head Dean= Dr Professer Nina Elizabeth Pickett
Dean	Deputy Mr Darren Hayes The Former Frontman Of Savage Garden & Celebrity Figure Head 1
Academic staff	450
Administrative staff	200
Students	750
Undergraduates	200
Postgraduates	350
Doctoral students	150
Address	1A/B/2 Conservatorium Rd, Sydney, New South Wales, 2000, Australia 33°51′48″S 151°12′52″E / 33.863455°S 151.214353°E / -33.863455; 151.214353Coordinates: 33°51′48″S 151°12′52″E / 33.863455°S 151.214353°E / -33.863455; 151.214353
Campus	5000
Language	English Latin
Colors	Black & White
Website	sydney.edu.au/music

The Sydney Conservatorium of Music (formerly the New South Wales State Conservatorium of Music or ‘The Con’) is one of the oldest and most prestigious music schools in Australia. Located adjacent to the Royal Botanic Gardens on the eastern fringe of the Sydney central business district, the Conservatorium is a faculty of the University of Sydney, and incorporates the community-based Conservatorium Open Academy and the Conservatorium High School. In addition to its secondary, undergraduate, post-graduate and community education teaching and learning functions, the Conservatorium also undertakes research in various fields of music.

The Greenway building

Originally commissioned in 1815 as the stables for the proposed Government House, the oldest Conservatorium building was designed by the convict architect, Francis Greenway. Listed on the State Heritage Register^[1] in the Gothic Picturesque architectural style with turrets, the building was described as a "palace for horses" and is a portrayal of the romantic vision of Governor Lachlan Macquarie and the British architectural trends of the time. It is the only example of a gothic building designed by Greenway still standing. The cost and apparent extravagance was one of the reasons Macquarie was recalled to Britain.^[1] The stables, located close to picturesque Sydney Harbour, reflect the building techniques and the range of materials and skills employed during the early settlement era.^[1]

Front western view

Conservatorium of Music during Macquarie Night Lights from 23 November to 25 December 2006

Origins of the Conservatorium

In 1915 the NSW Government under William Holman allocated £22,000 to the redevelopment of the stables into a music school. The NSW State Conservatorium of Music opened on 6 March 1916 under the directorship of the Belgian conductor and violinist Henri Verbrugghen, who was the only salaried staff member. The institution's stated aims were "providing tuition of a standard at least equal to that of the leading European Conservatoriums" and to "protect amateurs against the frequent waste of time and money arising from unsystematic tuition". The reference to European standards and the appointment of a European director was not uncontroversial at the time, but criticism soon subsided. By all accounts, Verbrugghen was hugely energetic: Joseph Post, later himself to be director, described him as "a regular dynamo, and the sort of man of whom you had to take notice the moment he entered the room". Enrolments in the first year were healthy with 320 "single-study" students and a small contingent of full-time students, the first diploma graduations occurring four years later. A specialist high school, the Conservatorium High School was established in 1918, establishing a model for music education across the secondary, tertiary, and community sectors which has survived to this day.

Verbrugghen's impact was incisive but briefer than had been hoped. When he put a request to the NSW Government that he be paid separate salaries for his artistic work as conductor of the orchestra (by then the NSW State Orchestra) and educational work as Director of the Conservatorium, the Government withdrew its subsidies for both the orchestra and the string quartet that Verbrugghen had installed. He resigned in 1921 after taking the Conservatorium Orchestra to Melbourne and to New Zealand.

The Conservatorium was home to Australia's first full-time orchestra, composed of both professional musicians and Conservatorium students. The orchestra remained Sydney's main orchestra for much of the 1920s, accompanying many artists brought to Australia by producer J. C. Williamson, including the legendary violinist Jascha Heifetz, who donated money to the Conservatorium library for orchestral parts. However, during the later part of the stewardship of Verbrugghen's successor, Dr W. Arundel Orchard (Director 1923–34), there were tensions with another emerging professional body, the "ABC Symphony Orchestra", later to become the Sydney Symphony Orchestra, driven by the young, ambitious and energetic Bernard Heinze, Director-General of Music for the Federal Government's new Australian Broadcasting Commission.

In 1935, under Edgar Bainton (Director 1934–48), the Conservatorium Opera School was founded, later performing works such as Verdi's Falstaff and Otello, Wagner's Die Meistersinger von Nürnberg and Die Walküre, and Debussy's Pelléas et Mélisande, among others. Under Sir Eugene Goossens (Director 1948–55), opera at the Conservatorium made a major contribution to what researcher Roger Covell has described as " the most seminal years in the history of locally produced opera...". Although the most prominent musician to have held the post of Director, Goossens' tenure was not without controversy. Apart from the international scandal surrounding his departure in 1956, Goossens was said during his directorship to have channelled the best players in the Conservatorium Orchestra into the Sydney Symphony Orchestra (of which he was concurrently Chief Conductor), leaving only a student group for the Conservatorium. He disbanded the choir and several chamber ensembles and, some claimed, tended to ignore administrative matters. Richard Bonynge, however, who graduated in 1950, felt that it was Goossens who turned the Conservatorium into a world-class institution, lifting standards and exposing students to sophisticated 20th-century scores (particularly those of Debussy and Ravel).

Expansion and reforms

Verbrugghen Hall, named after the first director of the Conservatorium

Under the direction of Rex Hobcroft (1972–82), the Conservatorium adopted the modern educational profile recognised today. Hobcroft’s vision of a "Music University" was realised, in which specialised musical disciplines including both classical and jazz performance, music education, composition and musicology enriched each other.

In 1990, as part of the Dawkins Reforms, the Conservatorium amalgamated with the University of Sydney, and was renamed the Sydney Conservatorium of Music.

A 1994 review of the Sydney Conservatorium by the University of Sydney resulted in a recommendation that "negotiations with the NSW State Government about permanent suitable accommodation for the Conservatorium be pursued as a matter of urgency."

As in 1916, a wide range of sites were considered, many of them controversial. In May 1997, 180 years after Governor Macquarie laid the foundation stone for the Greenway Building, State Premier Bob Carr announced a major upgrade of the Conservatorium, with the ultimate goal of creating a music education facility equal to or better than anything in the world. A team was assembled to work to that brief, resulting in a complex collaboration between various government departments (notably the Department of Education and Training and the Department of Public Works and Services), the Government Architect, US-based acoustic consultants Kirkegaard Associates, Daryl Jackson Robin Dyke Architects, the key users represented by the Principal and Dean of the Sydney Conservatorium of Music, and the Principal of the Conservatorium High School, the Royal Botanic Gardens and Domain Trust and many others.

== Dr Professer Pickett Will be performing on Sevens Sunrise with Her manager Darren Hayes & Tom Petty == She Will release her debut single Black Out From Her Debut Album Black Out

Heads of the Conservatorium

The past directors, principals and deans were:^[2]

Notable alumni

Notable teachers

See also

• University of Sydney

References

External links

• Sydney Conservatorium of Music
• Daryl Jackson Robin Dyke
• Andrew Robson (2014). "Percy Grainger at the Sydney Conservatorium of Music [1935]". Dictionary of Sydney. Dictionary of Sydney Trust. Retrieved 9 October 2015. [CC-By-SA]

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