Mumyōzōshi
| Part of a series on the |
| Culture of Japan |
|---|
 |
| History |
| People |
| Languages |
| Cuisine |
| Festivals |
|
Music and performing arts |
|
Organisations |
|
Mumyōzōshi (無名草子, literally "nameless book") is an early 13th-century Japanese text. One volume in length, it is the oldest existing Japanese text on prose literary criticism.[1] The author is unknown, but the leading candidate proposed is Shunzei's Daughter.[2] Other candidates who have been proposed include her maternal grandfather Shunzei himself and the monk Jōgaku (上覚).[3]
Composition
One manuscript gives the title as Kenkyū Monogatari (建久物語),[1] a reference to the name of the era in which it was written. Composition occurred between 1200 and 1202.[4]
The author is unknown. Hypotheses include Fujiwara no Shunzei (c. 1114 -1204); his granddaughter, often called "Shunzei's Daughter" (c. 1171 - 1252); Jōkaku (1147-1226); and Shikishi Naishinnō (1149-1201); but strongest support is for Shunzei's daughter.[1][4]
Contents
The volume is composed of four distinct sections: a preface, literary criticism, poetic criticism, and a discussion on prominent literary women.
The preface introduces an 83-year-old woman on a trip. She stops to rest at a house, where she writes down the conversation of a group of women talking about literature, creating a frame tale excuse to write the volume. The frame tale itself has many elements from monogatari of the time.[5]
The literary criticism covers 28 stories, including Genji Monogatari, Sagoromo Monogatari (ja), Yoru no Nezame, Hamamatsu Chūnagon Monogatari, and Torikaebaya Monogatari. The others mostly do not exist anymore.[1][4][6]
For poetic criticism, it covers Ise Monogatari, Yamato Monogatari, Man'yōshū, and private and imperial collections. The editor laments the lack of women compilers in the collections.[1][4][6]
It then goes on to discuss the ability and upbringing of a number of prominent women: Ono no Komachi, Sei Shōnagon, Izumi Shikibu, Akazome Emon, Murasaki Shikibu and others.[1][4][6]
The text is particularly valuable as a resource, since it includes descriptions of a number of either completely or partially lost texts.[1]
References
- 1 2 3 4 5 6 7 Nihon Koten Bungaku Daijiten (1986:1798-1799)
- ↑ Marra 1984 : 116.
- ↑ Marra 1984 : 115.
- 1 2 3 4 5 Kubota (2007:341-342)
- ↑ Rohlich, Thomas H. (1997). "In search of critical space: The path to monogatari criticism in the Mumyōzōshi". Harvard Journal of Asiatic Studies. 57 (1): 179–204. JSTOR 2719364. doi:10.2307/2719364.
- 1 2 3 Hayashiya (1973)
Bibliography
- Hayashiya, Tatsusaburō (1973). Nihon Shisō Taikei 23: Kodai Chūsei Geijutsuron (in Japanese). Iwanami Shoten. ISBN 4-00-070023-5.
- Marra, Michele (1984). "Mumyōzōshi: Introduction and Translation". Monumenta Nipponica. 39 (2). JSTOR 2385013.
- Kubota, Jun (2007). Iwanami Nihon Koten Bungaku Jiten (in Japanese). Iwanami Shoten. ISBN 978-4-00-080310-6.
- Nihon Koten Bungaku Daijiten: Kan'yakuban. Tokyo: Iwanami Shoten. 1986. ISBN 4-00-080067-1.
See also
- Fūyō Wakashū, a collection of poetry from various literary sources, many of which are no longer extant
Further reading
- Marra, Michele (translator) (Summer 1984). "Mumyozoshi. Introduction and Translation". Monumenta Nipponica. Sophia University. 39 (2): 115–145. JSTOR 2385013. doi:10.2307/2385013.
- Marra, Michele (translator) (Autumn 1984). "Mumyozoshi, Part 2". Monumenta Nipponica. Sophia University. 39 (3): 281–305. JSTOR 2384595. doi:10.2307/2384595.
- Marra, Michele (translator) (Winter 1984). "Mumyozoshi, Part 3". Monumenta Nipponica. Sophia University. 39 (4): 409–434. JSTOR 2384574. doi:10.2307/2384574.