Morris Bishop

Morris Gilbert Bishop (April 15, 1893 – November 20, 1973) was an American scholar, historian, biographer, essayist, translator, anthologist and versifier.

Early life and career

Bishop was born while his father, Edwin R. Bishop, a Canadian physician, was working at Willard Asylum for the Chronic Insane in the state of New York; Morris was actually born in the hospital.[n 1] His mother died two years later and Morris and his elder brother Edwin were sent to live with their Canadian grandparents in Brantford, Ontario. Bishop père remarried; and while he was working in Geneva, New York, the boys were sent to live with father and stepmother. Morris was then aged eight. However, both father and stepmother died (from tuberculosis) by the time he was 11; and the brothers were sent to live with relatives in Yonkers, New York.[1]

Bishop attended Cornell from 1910 to 1913, earning a Bachelor's and a Morrison Poetry Prize in 1913 and then a Master of Arts degree in 1914. He then sold textbooks for Ginn & Co, joined the U.S. Cavalry (during which time he unhappily served under Pershing in the "punitive expedition" in Mexico), served as a first lieutenant in the U.S. Infantry in World War I, worked in a New York advertising agency, and returned to Cornell afterward to begin teaching in 1921 and to earn a Ph.D. in 1926.[2] He was associated for the whole of his adult life with Cornell University, as alumnus, Kappa Alpha Professor of Romance Literature and University Historian. Bishop wrote the preeminent history of the university, A History of Cornell.

In 1962, Bishop was presented with a festschrift, Studies in Seventeenth-Century French Literature.[n 2]

Bishop was Cornell's marshal, regularly officiating at graduations. During the 1970 ceremony (when Bishop was 77), he used the university mace to fend off a graduate student who was trying to seize the microphone.[3][4][5] "The jab was given in typical Bishop style: with spontaneity, grace and effectiveness," commented the president, Dale R. Corson.[4]

During World War II Bishop "worked with the psychological warfare division in France".[4]

Bishop was a visiting professor at the University of Athens in 1951 and at Wells College in 1962–63. In 1964, he was named president of the Modern Language Association.[4]

Writing

Bishop wrote biographies of Pascal, Champlain, La Rochefoucauld, Petrarch, and St. Francis, as well as his 1928 book, A Gallery of Eccentrics, which profiled 12 unusual individuals. His 1955 Survey of French Literature was for many years a standard textbook (revised editions were published in 1965 and, posthumously, in 2005). During the late 1950s and early 1960s his reviews of books on historical topics often appeared in The New York Times. His 1968 history of the Middle Ages is still (2017) in print under the title The Middle Ages. He was a Chevalier de la Légion d'Honneur (in France), taught as a visiting professor at the University of Athens and Rice University and served as president of the Modern Language Association.[6] He was the author of many books including the pseudonymous comic mystery The Widening Stain. An expository look into Bishop's perspectives on American history can be found in his frequent contribution of articles to American Heritage Magazine. While he possessed extensive knowledge on the subject, his writings, particularly those concerning the Iroquois,[n 3] are not without considerable ethnocentric bias.

Bishop's papers are held at Cornell University Library's Special Collections.[7]

Comic poetry

Bishop had a high regard for light verse:

The aim of poetry, or Heavy Verse, is to seek understanding in forms of beauty. The aim of light verse is to promote misunderstanding in beauty's cast-off clothes. But even misunderstanding is a kind of understanding; it is an analysis, an observation of truth, which sneaks around truth from the rear, which uncovers the lath and plaster of beauty's hinder parts.[8]

Bishop's obituary in The New York Times describes him as "an extraordinarily gifted writer" of light verse, publishing "about fifteen poems and casuals a year in the New Yorker over a period of over thirty years.[2] Bishop also published verse in Poetry, The Measure, The Smart Set, Judge, Life, Saturday Evening Post and Saturday Review of Literature.[9]

The New York Times obituary goes on to mention that Bishop was an "authority" on limericks, and a very facile composer of them.

Bishop was a regular contributor to The Saturday Evening Post.[4] His comic poems appeared there, and in The New Yorker, and Life. They were collected in three volumes during his lifetime: Paramount Poems (whose title page reads "'If it isn't a PARAMOUNT, it isn't a poem.' Morris Bishop"), Spilt Milk and A Bowl of Bishop.

"How to Treat Elves",[n 4] probably his best-known poem, describes a conversation with "The wee-est little elf." When asked what he does, the elf tells the narrator "'I dance 'n fwolic about . . . 'n scuttle about and play.'" A few stanzas describe his activities surprising butterflies, "fwigtening" Mr. Mole by jumping out and saying "Boo," and swinging on cobwebs. He asks the narrator "what do you think of that?" The narrator replies:

   "It gives me sharp and shooting pains
      To listen to such drool."
   I lifted up my foot and squashed
      The God damn little fool.

Taking up R. C. Trevelyan's challenge (in Thamyris, or Is There a Future for Poetry?) to write on a modern subject "and dispute Virgil's supremacy in this field", Bishop produced "Gas and Hot Air".[n 5] It describes the operation of a car engine; "Vacuum pulls me; and I come! I come!" cries the gasoline, which reaches

   [T]he secret bridal chamber where
      The earth-born gas first comes to kiss its bride,
   The heaven-born and yet inviolate air
      Which is, on this year's models, purified.

"Ozymandias Revisited"[n 6] reproduces the first two stanzas of Shelley's poem verbatim, then closes:

And on the pedestal these words appear:
"My name is Ozymandias, king of kings
Look on my works, ye Mighty, and despair!"
Also the names of Emory P. Gray,
Mr. and Mrs. Dukes, and Oscar Baer
Of 17 West 4th St., Oyster Bay.

Bennett Cerf's Houseful of Laughter (1963) included Bishop's 1950 poem "Song of the Pop-Bottlers",[n 7] which starts:

Pop bottles pop-bottles
In pop shops;
The pop-bottles Pop bottles
Poor Pop drops.

Bishop also wrote a poem about special relativity, "E = mc2",[n 8] which ends:

Come little lad; come little lass;
Your docile creed recite:
"We know that Energy equals Mass
by the Square of the Speed of Light!"

A History of Cornell

Cornell's President, Deane Malott, named Bishop the university's historian and relieved him of teaching duties for a year in order that he could produce a history in time for the university's hundredth anniversary. Bishop completed the research and writing of the highly regarded two-volume work within three or four months.[3]

Personal life

Bishop was married to the artist Alison Mason Kingsbury,[10] who illustrated a number of his books. Their daughter, Alison Jolly, was a notable primatologist.[11][12]

Bishop "[spoke] fluent German, French, Spanish, Swedish and Greek (he could also sight-read Latin)."[2]

During the 1940s, Vladimir Nabokov's minor renown in the US was largely based on his short stories in Atlantic Monthly. Bishop was a great admirer of these, and on learning in 1947 that Nabokov was teaching at Wellesley College, invited him to apply for the recently vacated Cornell professorship of Russian literature, for which post Bishop chaired the personnel committee. Nabokov, who knew and enjoyed Bishop's verse, charmed the committee, and the Bishops and the Nabokovs "took an immediate instinctive liking to each other".[13] While Nabokov and his wife Véra were at Cornell, "their only close companions" were the Bishops, at whose house in Cayuga Heights they frequently dined.[14] Bishop and Nabokov would exchange limericks by mail.[15]

Books by Bishop

Adaptations

In 1928, John Barnes Wells published "The silly little fool", a composition for voice and piano accompaniment, using Bishop's "How to Treat Elves".[17]

Emanuel Rosenberg adapted Bishop's "I love to think of things I hate".[18]

Warren Benson adapted Bishop's "Song of the Pop-Bottlers" for three-part chorus,[19] "I lately lost a preposition" for mixed chorus,[20] and "An Englishman with an atlas; or, America the unpronounceable" for mixed chorus.[21]

L. F. Audrieth and G. L. Coleman adapted Bishop's "Tales of Old Cornell" for the unaccompanied choral work Lingering.[22]

Edgar Newton Kierulff wrote a play, Moving day in Shakspere's England, "[a]dapted from an original piece by Morris Bishop", and published in 1964 in a small edition for friends.[23]

Notes

  1. Charlotte Putnam Reppert writes: "Morris Gilbert Bishop always took wry amusement in the fact that he was born in an institution for the insane." "Introduction"; in Morris Bishop, The Best of Bishop: Light Verse from "The New Yorker" and Elsewhere (Ithaca, NY: Cornell University Press, 1980), p. 21.
  2. Jean-Jacques Demorest, ed, Studies in Seventeenth-Century French Literature, Presented to Morris Bishop (Ithaca, NY: Cornell University Press, 1962). OCLC 558222378.
  3. Morris Bishop, "The End of the Iroquois", American Heritage Magazine, October 1969.
  4. Paramount Poems, pp. 3–4. The Best of Bishop, pp. 43–44.
  5. Paramount Poems, pp. 38–39. The Best of Bishop, pp. 149–150.
  6. Paramount Poems, p. 85. The Best of Bishop, p. 49.
  7. New Yorker, 15 April 1950. A Bowl of Bishop, p. 100. The Best of Bishop, p. 141.
  8. The New Yorker, October 26, 1946, p. 34. A Bowl of Bishop, p. 35. The Best of Bishop, p. 136.

References

  1. Charlotte Putnam Reppert, "Introduction"; in Morris Bishop, The Best of Bishop: Light Verse from "The New Yorker" and Elsewhere (Ithaca, NY: Cornell University Press, 1980), p. 21.
  2. 1 2 3 Alden Whitman, "Morris Bishop, Scholar and Poet, Dies," The New York Times, November 22, 1973, p. 40. Reproduced on pp. 8–9 of "A Spirit on This Hill", Cornell Alumni News 76, no. 6 (January 1974), available here within eCommons: Cornell's digital repository.
  3. 1 2 [John Marcham], untitled essay/obituary, pp. 3, 4, 6, 8 of "A Spirit on This Hill", Cornell Alumni News 76, no. 6 (January 1974), available here within eCommons: Cornell's digital repository. (In the original publication, the author is identified only as "JM"; Charlotte Putnam Reppert names him on p. 22 of her introduction to The Best of Bishop.)
  4. 1 2 3 4 5 Joel Rudin, "Morris Bishop Dead at 80", The Cornell Daily Sun, 26 November 1973.
  5. Glenn C. Altschuler and Isaac Kramnick, Cornell: A History, 1940–2015 (Ithaca, NY: Cornell University Press, 2014; ISBN 978-0-8014-4425-8), p. 110. Viewable here at Google Books.
  6. "About the editor," A Classical Storybook, Cornell University Press, 1970.
  7. "Morris Bishop papers, 1901–1974", library catalog, Cornell University Library.
  8. Morris Bishop, "On Light Verse", A Bowl of Bishop (1954), p. 3.
  9. Marcia Jebb, "Morris Bishop: Contributions to Periodicals"; pp. 1745 within Marcia Jebb and Donald D. Eddy, Morris Bishop and Alison Mason Kingsbury: A Bibliography of Their Works (The Cornell Library Journal, no. 12, April 1971).
  10. Gwen Glazer, "You've seen her murals around campus – now she's rediscovered in new book", Cornell Chronicle, May 5, 2011. Accessed July 11, 2017.
  11. Josia Razafindramanana, "In memory of Dr Alison Jolly", Duke Lemur Center, February 12, 2014. Accessed July 11, 2017.
  12. Alison Richard, "Alison Jolly obituary", The Guardian, February 19, 2014. Accessed July 11, 2017.
  13. Brian Boyd, Vladimir Nabokov: The American Years (Princeton, NJ: Princeton University Press, 1991; ISBN 0-691-06797-X), p. 123.
  14. Brian Boyd, Vladimir Nabokov: The American Years (Princeton, NJ: Princeton University Press, 1991), p. 135.
  15. John M. Kopper, "Correspondence", pp. 54–66 within Vladimir E. Alexandrov, ed., The Garland Companion to Vladimir Nabokov (New York: Garland, 1995; ISBN 0-8153-0354-8), p. 63.
  16. 1 2 Charlotte Putnam Reppert, "Introduction"; Morris Bishop, The Best of Bishop: Light Verse from "The New Yorker" and Elsewhere (Ithaca, NY: Cornell University Press, 1980), p. 23, unnumbered footnote.
  17. OCLC 179295472.
  18. OCLC 802137532.
  19. OCLC 1803168.
  20. OCLC 35738826.
  21. OCLC 271807711.
  22. OCLC 63876206.
  23. OCLC 38618761.
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