Michael Oliva

Michael Oliva

Michael Oliva in 2009
Born (1966-04-18) April 18, 1966
Edmonton, England
Occupation composer
Subject electroacoustics, opera
Website
www.michaeloliva.net

Michael Oliva (born 1966) is a British composer of contemporary classical music, working mainly in electroacoustics and opera.

Early life

Oliva was born in Edmonton, north London to a German mother and an Italian father. From early childhood, his mother regularly took him to the English National Opera. He attended The Latymer School, a local mixed grammar school known for musical excellence. Although Oliva had already begun composing at the age of 15, he studied biochemistry (specialising in neurochemistry[1]) at Lady Margaret Hall, Oxford. After obtaining his degree in 1988, he decided to concentrate on music.

Musical career

After university, in addition to concert works, Oliva began composing music for theatre. During the 1990s, he worked closely with Erica Whyman at Southwark Playhouse, the Gate Theatre and English Touring Theatre. In 1995, he co-founded the Mother Digital Studio in Shoreditch, east London. He began working at the Royal College of Music in 1998, where he is now Area Leader for Electroacoustic Music[2] teaching composition with electronics. Each term, Oliva curates and directs 'From the Soundhouse', public concerts of electroacoustic music (the title is taken from Francis Bacon's New Atlantis[3]). These concerts present new works and rarely heard classics from the electroacoustic repertoire. In 2003, Oliva was a founding member of the contemporary music ensemble rarescale.[4] He continues to work as electronics performer and composer in residence with the group. Between 2004 and 2011, Oliva was lecturer in Music Technology at Imperial College London. He is published by Tetractys.[5]

Musical style

Oliva’s music draws on a wide range of inspirations, from Scriabin, Stockhausen, Takemitsu, Brian Eno, Miles Davis to spectralism. He has particular interests in working with microtonal harmony and creating new repertoire for low woodwind, especially the alto flute and bass flute. Since 2003, he has worked closely with the low flute specialist Carla Rees.[6] In opera, his work is notable for its lyrical vocal style. Oliva makes extensive use of video and electronic sound as an integral part of the storytelling, expanding the form though the use of film and television techniques.[7]

Major works

Discography

References

  1. ↑ Mellanby, J; Oliva, M; Peniket, A; Nicholls, B (April 1999). "The effect of experimental epilepsy induced by injection of tetanus toxin". Behav. Brain Res. 100 (1-2): 113–122. PMID 10212058. doi:10.1016/s0166-4328(98)00118-1.
  2. ↑ "Profile | Royal College of Music". Rcm.ac.uk. Retrieved 2016-04-03.
  3. ↑ by thomas (2012-04-26). "Sound-Houses :: Museum of Imaginary Musical Instruments". Imaginaryinstruments.org. Retrieved 2016-04-03.
  4. ↑ "Archived copy". Archived from the original on June 4, 2014. Retrieved December 5, 2014.
  5. ↑ "Welcome to Tetractys: Tetractys Publishing". Tetractys.co.uk. Retrieved 2016-04-03.
  6. ↑ "Alto and Bass Flute : Welcome". Carla Rees. Retrieved 2016-04-03.
  7. ↑ Chapter 8, Interactive Multimedia Technologies eds. K. Ng and P Nesi, Information Science Reference, IGI Global Books, ISBN 978-1-59904-150-6
  8. ↑ "Eva Kingma Flutes". Kingmaflutes.com. Retrieved 2016-04-03.
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