Master Musicians of Joujouka

The Master Musicians of Joujouka are Jbala Sufi trance musicians^[1] most famous for their connections with the Beat Generation and the Rolling Stones founder Brian Jones^[2] These musicians hail from the village of Jajouka^[3] or Zahjouka near Ksar-el-Kebir in the Ahl Srif mountain range of the southern Rif Mountains in northern Morocco.

Background

The Master Musicians of Joujouka have a long history being recorded by Western artists.^[4] Arnold Stahl produced an LP record, Tribe Ahl Serif: Master Musicians Of Jajouka, recorded on location as part of a documentary film written and produced by Stahl. This double album was released in the early 1970s by the Musical Heritage Society.^[5] During the 1970s, the French label Disque Arion released a single album of the same music, produced by Stahl and titled Le Rif: La tribu Ahl Serif.^[6][7] Both albums are credited to Master Musicians of Jajouka (or Maîtres musiciens de Jajouka).^[5][6][7] The name Master Musicians of Joujouka was first used by Brion Gysin and William S. Burroughs in the 1950s, Timothy Leary and Rosemary Woodruff Leary in the 1960s and 1970s, and on the Brian Jones L.P. released in 1971.^[8] In the 1980s the musicians were sometimes called by the names Master Musicians of Jahjouka, Master Musicians of Jajouka and Master Musicians of Joujouka in both articles and on official documents.

Schism

A schism exists between two similarly-named ensembles from the same village.^[9][10] Lee Ranaldo, following a 1995 visit to Morocco, wrote

[T]here are currently two groups of musicians claiming to be the 'real' Master Musicians OF Jajouka/Joujouka (they're even arguing over the spelling). One group, the 'Jajouka' faction, is led by Bachir Attar, whose father was the leader of the group in the 60s when Brian Jones and Ornette Coleman made their visits.... The 'Joujouka' faction is in the care of Mohammed Hamri, who has been involved with the village since the 50s and 60s, and who had a hand in bringing Brion Gysin and Paul Bowles there.^[10]

Inconsistent English rendering of the village's name compounds the issue. For example, RE/Search uses both spellings in an interview with Brion Gysin: "Jajouka" for the village name, and "Joujouka" for the album Brian Jones Presents the Pipes of Pan at Joujouka.^[11]

In the UK the Independent newspaper first noted the schism in 1995.^[12] The same year Neil Strauss in his Pop Life column for the New York Times also referred to the fact that there were two groups from the village, noting that protests had been held in the UK outside concerts by Bachir Attar.^[13]

In 2005 the German magazine Quantra published an article referencing the continued schism entitled "the Faded Myth of the Goat God" noting that the schism was not good for the village or the musicians.^[14]

Whle in 2009, Jace Clayton in the Dubai based The National wrote of the two groups and the village stating it was : ""Master Musicians of Joujouka" versus the "Master Musicians of Jajouka (featuring Bachir Attar)"".^[15]

In 2012 The Quietus published an article about the schism "Jajouka Or Joujouka? The Conflicted Legacy Of The Master Musicians " urging fans to support both groups and noting that both groups had differing musical styles with The Master Musicians of Joujouka having "a desire to conserve the purity of the ancient music in its traditional form." ^[16] Original sleeve design by Dave Field

Sufism and Pan

The Master Musicians of Joujouka adhere to the traditional Sufi trance music of their patron saint passed down for 1200 years. Timothy Leary having visited the village in September 1969 wrote an essay on his time with Mohamed Hamri and the master musicians in his 1971 book Jail Notes called "The four thousand year old rock'n'roll band".^[17] Leary based his dating on Burroughs's belief that the ritual Boujeloud, performed in Joujouka, owes its origin to the Ancient Greek deity Pan.

Before the Alaouite dynasty, the masters used to play in medieval times for sultans in their courts, travelling with them and announcing their arrival to villages and cities.

Music and instruments

The Joujouka brotherhood play a form of reed, pipe, and percussion music that relies on drones, improvisation, and complex rhythms, much of which is unique to Joujouka.

Their flute is called the lira and is considered the oldest instrument in Joujouka. The double-reed instrument is called the rhaita; it is similar to an oboe, but possessing a louder sound and more penetrating tone. The drum is called the tebel and is made of goat skin and played with two wooden sticks. There is also another goat-skin drum called the tarija which allows for more fast-paced virtuosity.

The music itself is considered to be part of the Sufi tradition of the Rif Mountains. Prior to the colonization of Morocco by France and Spain, master musicians of the village were said to be the royal musicians of the sultans. In past centuries master musicians of the Joujouka village traditionally were excused by the country's rulers from manual labor, goat-herding, and farming to concentrate on their music because the music's powerful trance rhythms and droning woodwinds were traditionally considered to have the power to heal the sick.

The music of the region has a strong connection to Pan. According to the tale, thousands of years ago a goat-man called "Bou Jeloud" appeared to an Attar ancestor in a cave, and danced to his music. The musicians of the village re-enact this event annually.

Beat Generation

Their first exposure to Western audiences came through their introduction to the Beats. Painter/folklorist Mohamed Hamri, whose mother was an Attar from the village, led artist Brion Gysin to Joujouka to meet the group. Gysin became fascinated with the group's music and led William S. Burroughs to the village. Burroughs described it as the world's oldest music and was the first person to call the musicians a "4000-year-old rock and roll band". In Tangier, Gysin and Hamri founded the 1001 Nights restaurant, in which the musicians played throughout the 1950s to a largely Western audience in what was then an international zone, the "Interzone"^[18] of Burroughs' fiction.

Brian Jones and Ornette Coleman

When Rolling Stones Brian Jones visited Morocco in 1968, Gysin and Hamri took him to the village to record the Master Musicians of Joujouka for the release Brian Jones Presents the Pipes of Pan at Joujouka, whose original release featured cover artwork by Hamri before a controversial 1990s redesign. Ornette Coleman recorded with the musicians in January 1973, some results of which featured on his LP Dancing in Your Head.

1990s to present LP, CD and DVD releases and concerts

The Master Musicians of Joujouka, now led by Ahmed Attar, released their third album Joujouka Black Eyes, on Sub Rosa in 1995. In 1996 Sufi: Moroccan Trance II was released, an album featuring the Sufi music of Joujouka's saint Sidi Ahmed Scheech and also Gnawa music from Marrakesh. The same year 10%: file under Burroughs featured the Master Musicians in collaboration with Marianne Faithfull on "My Only Friend," an homage to Brion Gysin, as well as a prayer giving blessings and a vocal track by the musicians. The same CD features artists such as Scanner sampling the musicians to create homages to Gysin and Burroughs. Other artists on album include Bill Laswell, Herbert Huncke, Burroughs, Bomb the Bass, Gysin, Chuck Prophet, and Stanley Booth.

Hamri continued to promote Joujouka music as President of their collectives organisation Association Srifiya Folkloric until his death in Joujouka in August 2000. Despite Hamri's death, the musicians continue to work in Joujouka and abroad. Those living in the village include Ahmed El Attar, Abdeslam Boukhzar, Mohamed El Attar, Abdeslam Errtoubi, Ahmed Bousini, Mustapha El Attar, Radi El Khalil, Abdullah Ziyat, and Mohamed Mokhchan, as well as other members of their Sufi community and their children.

The musicians travelled to perform at Casa Da Musica, Porto, Portugal in spring 2006. Their most recent CD Boujeloud recorded over a four-year period, documents the music of the Boujeloud or Pan ritual, was released in September 2006.

A DVD, Destroy all Rational Thought, featuring their 1992 performances at the Here To Go Show in Dublin, Ireland was released in 2007. The documentary also feature the music of Laswell, Material, and Shabba Ranks. It also features Gysin and Burroughs, whose works were the focus of the show.

In 2011 The Master Musicians of Joujouka headlined Glastonbury Festival playing the Pyramid Stage on 24 June along with Metronomy, Wu Tang Clan, B.B. King, and U2.^[19]

Collaboration with Jane's Addiction

The same year they appeared on the track End to the Lies by Jane's Addiction on the album The Great Escape Artist.^[20] According to Perry Farrell the collabortaion came about because Jane's Addiction wanted to add " a sense of ancient ritual and some depth beyond normal instrumentation, getting off the typical path that rock bands use" and they "wanted the music to cast a spell on the 'lies.'"^[21].^[22] The LP reached No. 12 on the Billboard Top 200 Album Charts on 5 November 2011.^[23]

In 2013 the Master Musicians of Joujouka headlined the annual Villa Aparta Festival at Villa Medici in Rome as guests of the French Academy in Rome.^[24].

In January 2015 the Irish language TV channel RTE TG4 broadcast an episode of Ceolchuairt Musical Pilgrimages featuring Fiachna Ó Braonáin of Hot House Flowers visiting and collaborating with Master Musicians of Joujouka.^[25] Hot Press stated that Ó Braonáin explored "the ancient links with traditional Irish music culminating in a magical moonlit encounter with the famous Master Musicians of Joujouka".^[26]

On Record Store Day 2015 the L.P., Into the Ahl Srif, was released in a limited edition of 1000. The vinyl only release was recorded at the Master Musicians of Joujouka's annual festival by Adrian Rew and was released by Ergot Records. It was the group's first vinyl release since 1978.^[27][28]

In 2016 The Master Musicians of Joujouka played the Grand Salle at Centre Georges Pompidou Paris, participating in the museum's Beat Generation: New York, San Francisco, Paris, exhibition.^[29]

Jarvis Cocker, Joujouka, "Wireless Nights" BBC Radio 4

Jarvis Cocker from Pulp recorded a show in the village with Master Musicians of Joujouka for the fifth season of his Wireless Nights series for BBC Radio 4. It was first broadcast on 13th March 2017 and is available on podcast. It was recorded binaurally and was championed by The Guardian as "the best radio of the week".^[30][31]

Brian Jones Anniversary Festival

The Master Musicians of Joujouka hosted a festival, in 2008, to celebrate the 40th anniversary of the Brian Jones recording on 29 July 1968. The festival was attended by Anita Pallenberg^[32]. The festival has continued each year and was described by Rolling Stone as "the Oldest and Most Exclusive Dance Party in the World".^[33]. Attendance is limited to 50 people annually.^[34]. In 2017 Richard Hamilton reported on the 9th edition for BBC Radio 4 From our own Correspondent noting that some guests came for healing and described being lost in trance dancing to the massed sound of the musicians.^[35]

Discography

Albums

• Brian Jones Presents the Pipes of Pan at Joujouka (1971)
• Tribe Ahl Serif: Master Musicians Of Jajouka (1974), Musical Heritage Society MHS 3292/93
• Le Rif: La tribu Ahl Serif (credited to Maîtres musiciens de Jajouka; 1978), Arion ARN 33431
• Joujouka Black Eyes (1995)
• Moroccan Trance Music: Vol. 2: Sufi (featuring Gnoua Brotherhood of Marrakesh and The Master Musicians of Joujouka, 1996)
• 1O%: file under Burroughs own track plus separate collaborations with Marianne Faithfull, William Burroughs and Scanner.
• Boujeloud (2006)

Contributing artist

• The Rough Guide to the Music of Morocco (2012, World Music Network)

Books

• Tales of Joujouka by Mohamed Hamri

Personnel

The following musicians performed on Boujeloud, Joujouka Black Eyes, and Sufi as well as other recordings.

• Ahmed El Attar – drum and vocal; appears on Brian Jones Presents The Pipes of Pan at Joujouka (1971), Master Musicians of Jajouka (1974), and Boujeloud
• Mohamed El Attar – lira, rhaita and vocals
• Mustapha El Attar – drum
• Ahmed Bouhsini – rhaita, lira; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Master Musicians of Jajouka
• Abdelslam Boukhzar – drum, vocal; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Master Musicians of Jajouka, Steel Wheels by The Rolling Stones, and Apocalypse across the Sky
• Abdelslam Errtoubi – rhaita, lira; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Master Musicians of Jajouka
• Mujehid Mujdoubi – lira; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Master Musicians of Jajouka
• Muinier Mujdoubi – drum
• Muckthar Jagdhal – drum, vocal; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Apocalypse across the Sky
• Mohamed Mokhchan – rhaita, lira; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Master Musicians of Jajouka
• Abdelslam Dahnoun – drum, rhaita, lira; appears on Brian Jones Presents The Pipes of Pan at Joujouka
• Abdellah Ziyat – rhaita, lira, vocal
• El Hadj – clapping, vocal; appears on Brian Jones Presents The Pipes of Pan at Joujouka, Master Musicians of Jajouka
• Si Ahmed – violin

See also

• Beat Generation
• Jebala Ethnic group

Original sleeve design by Dave Field

References

Further reading

• Hamri, Mohamed (1975), Tales of Joujouka. Capra Press.
• Gysin, Brion, The Process.
• Schuyler, Philip (2000) "Joujouka/Jajouka/Zahjoukah – Moroccan Music and Euro-American Imagination", in Armbrust, Walter, editor. "Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond". Berkeley: University of California Press, 2000.
• Strauss, Neil (12 October 1995). "The Pop Life: To Save Jajouka, How About a Mercedes in the Village?". The New York Times.
• Davis, Stephen (1993). Jajouka Rolling Stone: A Fable of Gods and Heroes. Random House.
• Palmer, Robert (14 October 1971). Jajouka: Up the Mountain. Rolling Stone..
• Davis, Stephen (2001). Old Gods Almost Dead. Broadway Books, 135–37, 172, 195–201, 227; 233–34, 248–53, 270, 354, 504–505, 508.

External links

• Master Musicians of Joujouka. Official site of the Sufi Brotherhood living in Joujouka
• Master Musicians of Joujouka official myspace page
• Master Musicians of Joujouka at AllMusic
• Feature article "A Rolling Stone's Moroccan Odyssey" Frank Rynne writes on The Master Musicians of Joujouka, Brian Jones,Hamri and Brion Gysin and , Irish Times, 22 July 2008
• Link to Interview with Frank Rynne on KBoo FM Portland, Oregon, 5 July 2008 on Joujouka music and history, Sufism, William Burroughs Brion Gysin and Brian Jones
• Review of latest CD "Boujeloud" on Dusted.com
• Photos of the Master Musicians of Joujouka live at Casa da Música, Porto, 1 April 2006
• Campion, Chris (August 1995). "Night Spirit Masters", "The Wire". Click link for article pdf
• Links to Frank Rynne interviewed about Brian Jones and Joujouka
• Obituary of Hamri from The Independent (London, 19 Oct 2000) pdf download of original article at bottom of text. Retrieved 6 August 2007
• "The Master Musicians of Joujouka: The Faded Myth of the Goat-God". Qantara.de. Fariborz, Arian (2005). Retrieved 14 January 2007.
• "Master Musicians of Joujouka Cavort With Corgan" Report and photo of Billy Corgan of Smashing Pumpkins and Master Musicians of Joujouka. Pitchfork (29 August 2006). Retrieved 14 January 2007.
• "Into The Mystic". The Wire. Retrieved 14 January 2007 Ranaldo, Lee (August 1996). .
• "Souvenirs. Sur les traces des Rolling Stones". Telquel Online. Retrieved 14 January 2007.(in French) Alaoui, Mehdi Sekkouri (22 September 2006).
• "Joujouka Comes Into the 21st Century". The Handstand. Rynne, Frank (January 2006). Retrieved 16 January 2007.
• "The Master Musicians of Joujouka: Boujeloud". Pop Matters. Sole, Deanne (19 November 2006). Retrieved 16 January 2007