Mary Lattimore

Mary Lattimore is an American classically trained harpist based in Philadelphia, Pennsylvania. In addition to her solo work and collaborations with fellow Philadelphia musician Jeff Zeigler, she has also performed with multiple prominent indie musicians, including Thurston Moore, Kurt Vile, and Steve Gunn.[1][2]

Biography

Originally from Asheville, North Carolina,[3] Lattimore was born and raised in western North Carolina.[4] Her mother was also a harpist, and she first learned to play the harp when she was 11 years old. She was not very interested in it at first, but this began to change as she got better at it.[5]

Musical career

One of her first musical activities was her contribution to the Valerie Project, which released its self-titled debut album in 2007. This album was intended to be an alternative soundtrack to the film Valerie and Her Week of Wonders.[3] In 2012, she released her first solo effort, a self-titled cassette, on Fred Thomas' Life Like imprint. The following year, this album was re-released by Desire Path Recordings as the Withdrawing Room.[3] In 2014, she and Zeigler released Slant of Light on Thrill Jockey.[1] Also that year, she received a Pew Fellowship grant, which she used to travel around California and Texas; while doing so, she recorded the album At the Dam, which was released on Ghostly International in 2016.[4] The album's title was taken from an essay about the Hoover Dam in Joan Didion's 1979 book The White Album.[6]

Discography

References

  1. 1 2 Cantor, Dave (6 January 2015). "Mary Lattimore on the Harp, Touring and Improvisation". Paste.
  2. ↑ Warren, Bruce (9 March 2016). "Songs We Love: Mary Lattimore, 'Otis Walks Into The Woods'". Songs We Love. NPR.
  3. 1 2 3 Simpson, Paul. "Mary Lattimore Biography". AllMusic.
  4. 1 2 Hussey, Allison (8 February 2017). "Mary Lattimore's Spellbinding Solo Harp Work Offers Intimate Opportunities for Self-Reflection". Indy Week.
  5. ↑ Sharp, Elliott (28 August 2011). "Interview with Harpist Mary Lattimore". The A.V. Club.
  6. ↑ Lozano, Kevin (7 March 2016). "At the Dam Review". Pitchfork Media.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.