Martha Boto
| Martha Boto | |
|---|---|
.png) Martha Boto (1995) | |
| Born |
December 27, 1925 Buenos Aires, Argentina |
| Died |
October 13, 2004 (aged 78) Paris, France |
| Nationality | Argentinian |
| Education | Escuela Superior de Bellas Artes |
| Known for | Sculpture |
| Movement | Kinetic art |
| Spouse(s) | Gregorio Vardanega |
Martha Boto (27 December 1925 – 13 October 2004) was an Argentinian artist.[1] Boto was born in Buenos Aires, Argentina, and studied drawing and painting at Escuela Superior de Bellas Artes in 1944.[2] She moved to Paris in 1959 with her husband and collaborator Gregorio Vardanega, where she lived until her death in 2004.[1]
She is considered to be a pioneer of kinetic and programmed art.[3]
Work
Boto's earliest work was primarily geometric abstractions, and she had several solo exhibitions in the 1950s.[4] By 1956, she joined the Concrete art group "Arte Nuevo" and began to experiment with materials such as plexiglass, light, and mirrors.[2] She was among the first artists in Buenos Aires to use movement as a component in her sculptures.[1] In 1957, she started the group Artistas No Figurativos de la Argentina alongside Gregorio Vardanega.[2]
After Boto moved to Paris, Denise René promoted her work [4] and she also showed pieces at the first Biennale de Paris.[2] Boto began to incorporate more industrial materials, such as electric motors, into her sculptures at this time.
References
- 1 2 3 "Martha Boto - Peggy Guggenheim Collection".
- 1 2 3 4 "Martha Boto - Sicardi Gallery".
- ↑ Medosch, Armin (10 June 2016). "New Tendencies: Art at the Threshold of the Information Revolution (1961 - 1978)". MIT Press – via Google Books.
- 1 2 "Martha Boto".