Mario Volpe

'Rideup', 1976, Bern

Mario Aldo Volpe (1936[1] - 2013[2] ) was a Colombian artist who lived in Switzerland[3] for more than forty years. His artistic work spanned half a century and included around 3,000 abstract works on paper, board and canvas, mostly acrylic, ink, enamel and oil paintings as well as crayon, pencil and coloured pencil drawings.

Volpe’s work is marked by geometric and linear elements, organic shapes, lively colours and the extensive use of black. His most significant influences can be found in the New York School of painting of the fifties and sixties, his architecture studies, and his roots in Colombia’s Caribbean.

Volpe’s estate is managed by the “ART-Nachlassstiftung” in Bern, Switzerland.

Life

Volpe was born in Barranquilla, Colombia,[4] on October 19, 1936, as a son of Italian immigrants. As a 12-year-old he made his first trips to New York and Italy. After completing his school years in Barranquilla, he moved to the United States at the age of 19 to study English and prepare for college at the Wilbraham Academy[5] (now Wilbraham and Monson Academy) in Massachusetts.

At the age of 20, Volpe made his first direct encounter with contemporary art, at the Venice Biennale in 1956. That year, he took up his studies in architecture at the Carnegie Institute of Technology (now Carnegie Mellon School of Architecture) in Pittsburgh. After completing his architecture diploma in 1961, a scholarship from the Carnegie Institute allowed him to spend a summer at the American Academy in Fontainebleau, France, where he started to experiment with abstract drawing and became acquainted with painters and sculptors.

Volpe was accepted into the Harvard University Graduate School of Design, where he completed a year of the Masters class in architecture. In 1962, however, he decided to leave Harvard in order to fully devote himself to painting. He enrolled in the Art Students League of New York where he attended free classes for two years.

In 1964, a travel scholarship from the Art Students League took him on a study trip through Europe (London, Copenhagen, Stockholm, Helsinki, St. Petersburg, Amsterdam, Brussels, Paris, Madrid and Sevilla). After a year in Rome, where he met his wife, Brigit Scherz, Volpe moved back to the United States, to take up a position as Assistant Professor in the Studio Arts Department of the University of Minnesota in Minneapolis.

After five years of teaching at the University of Minnesota, Volpe moved back to Europe in 1970. He spent a year living and working in Turin, Italy, and then moved to Bern, Switzerland, in 1972, where he got married to Brigit Scherz in 1973. Their two children, Martina and Philippe, were born in 1974 and 1975. Volpe lived and worked in Bern until his death on 21 August 2013, at the age of 76.

Work

“If we look at the trajectory which Volpe has accomplished in the fifty years of artistic work, we will observe an absolutely logical and coherent development."[6]

“His pictorial motifs stem from the fortunate meeting or collision of a temperament of Caribbean ancestry with the purism of a researcher trained at a New York art college who has absorbed the great lessons of European art.”[7]

“The canvases and the drawings of Mario Volpe powerfully evoke a destiny where diverse influences have made their mark. Whether in black or in colour, they communicate a rigorous exuberance, a fantastical Latin imagination reined in with the lasso."[8]

Curriculum vitae

Exhibitions

Solo exhibitions:

In addition, Volpe participated in around 60 group exhibitions, including at the Art Students League in New York, Art Expo in New York, Art Basel, Expo 2000 in Hanover, and various shows in Colombia and Switzerland.

References

  1. Artnet: Mario Volpe
  2. Obituary, Colombian Embassy in Bern
  3. Swissinfo: Colombian Painters in Switzerland, 2008
  4. Sikart, Swiss Institute for Art Research: Mario A. Volpe
  5. The Academy World, Monson and Wiilbraham Academy, Fall 2008
  6. Alvaro Medina: The Possibility of the Impossible in Mario Volpe; Colour Black, Till Schaap Edition, Bern, 2014
  7. Viana Conti: Mario Volpe - Works from 1961 to 2011: Black and white as the active silence of colour; Colour Black, Till Schaap Edition, Bern, 2014
  8. Christian Campiche: Volpe, or exuberance reined in with a lasso; Colour Black, Till Schaap Edition, Bern, 2014
  9. Leonard Davenport Fine Arts: Sidney Gross, Biography (1921-1969)
  10. Google Books: Exhibition: Berner Galerie, Bern, 6–28 February 1979

Bibliography


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