Maria Pawlikowska-Jasnorzewska

Maria Pawlikowska-Jasnorzewska
Born 24 November 1891
Kraków
Died 9 July 1945(1945-07-09) (aged 53)
Manchester, England
Occupation Poet, dramatist
Language Polish
Nationality Polish
Period Poland's interwar period
Notable works Baba-dziwo
Gołąb ofiarny
Spouse Władysław Bzowski (1915-1929)
Jan Pawlikowski (1919-1929)
Stefan Jasnorzewski (1931)
Website
maria-pawlikowska-jasnorzewska.com

Maria Pawlikowska-Jasnorzewska, née Kossak (24 November 1891 – 9 July 1945), was a prolific Polish poet known as the Polish Sappho and "queen of lyrical poetry" during Poland's interwar period.[1] She was also a dramatist.

Life

Born in Kraków into a family of painters, Maria Kossak grew up surrounded by artists, writers, and intellectuals. Her grandfather, Juliusz Kossak, and father, Wojciech Kossak, were both professional painters famous for their depictions of historical scenes and horses. Her younger sister, Magdalena Samozwaniec, was also a popular writer of satire.

Maria Pawlikowska-Jasnorzewska by Witkacy (pastel)

Fluent in French, English, and German, in her youth, Kossak divided her time between painting and poetry. It was only during her marriage to Jan Pawlikowski — after the annulment of her first marriage to Władysław Bzowski — that her literary interests prevailed, inspired by the couple's discussions about her poetic output and the world of literature in general. Their passionate relationship based on shared interests and mutual love was an endless source of poetic inspiration for her. However, her second marriage also failed.

Following her divorce, Maria Pawlikowska became associated with the Warsaw-based Skamander group of poets: Julian Tuwim, Jan Lechoń, Kazimierz Wierzyński, and other renowned writers such as Jarosław Iwaszkiewicz, Irena Krzywicka, Kazimiera Iłłakowiczówna and Tadeusz Boy-Żeleński. In the inter-war period Pawlikowska-Jasnorzewska published twelve volumes of poetry and established herself as one of the most innovative poets of the era.

She began her career as a playwright in 1924, with her first farce, Archibald the Chauffeur, produced in Warsaw. By 1939 she had written fifteen plays whose treatment of taboo topics such as abortion, extramarital affairs, and incest provoked scandals. She was compared by critics to Molière, Marivaux, Oscar Wilde, George Bernard Shaw, and Witkacy.[2] Her plays depicted her unconventional approach to motherhood, which she understood as a painful obligation that ends mutual passion. She spoke in support of a woman's right to choose.

Grave of Maria Jasnorzewska in Southern Cemetery, Manchester

In 1939, at the onset of World War II, she followed her third husband, Stefan Jasnorzewski, to England. She was diagnosed with bone cancer in 1944, soon becoming hemiplegic, and on 9 July 1945 died in Manchester, cared for to the last by her husband. She is buried with her husband in Southern Cemetery, Manchester.

A Woman of Wonder

In 1937 Pawlikowska-Jasnorzewska wrote an anti-Nazi play, Baba-dziwo, which was translated into English by Elwira M. Grossman and Paul J. Kelly as A Woman of Wonder.

A Woman of Wonder depicts the ruthless dictatorship of [Her Highness] Valida Vrana in a country called Ritonia. Under Valida, people are ranked according to the number of children they have, with boys being the preferred sex. In Ritonia motherhood is not only a compulsory duty but also a tribute to "Her Motherly Highness." Thus the lives of women are reduced to a basic procreative function. The plot centres on the way a childless couple, Petronika and Norman, cope with this regime. Petronika is a chemist and Norman is a former governmental minister who lost his job because of his wife's insubordination. Unlike Petronika, Norman maintains the illusion of being Valida's faithful follower, even though he despises her. This difference in attitude creates tension in the marriage and even though Petronika asks for a divorce, the couple eventually remains together. While Norman waits passively for better times, Petronika prepares a secret weapon in her laboratory. Knowing Valida's weakness for perfume, she creates an intoxicating substance that eventually renders the vicious ruler powerless.[1]

Works

Awards

See also

Notes

  1. 1 2 Maria Pawlikowska-Jasnorzewska: Biography and A Woman of Wonder Archived 2007-01-26 at the Wayback Machine., University of Toronto.
  2. ↑ Pawlikowska-Jasnorzewska's Baba-dziwo. Experimenting With the Popular

Further reading

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