Marcia Mead

Marcia Mead

Portrait of Marcia Mead ca. 1910-15.
Born 1879
Pittsfield, Pennsylvania, U.S.A.
Died 1967
Nationality American
Alma mater Columbia University
Occupation Architect
Practice Schenck & Mead (1914–1915)

Marcia Mead (1879–1967) was an early 20th century American architect known for taking a neighborhood-centered approach to the design of low-cost housing. With Anna P. Schenck (1874–1915), she was a partner in the firm of Schenck & Mead, which was acclaimed in 1914 as the first team of women architects in America but was actually formed later than both Gannon and Hands and the partnership of Florence Luscomb and Ida Annah Ryan.[1][2][3] Schenck died early in their partnership, after which Mead pursued a solo career.

Education

Marcia Mead was born in Pittsfield, Pennsylvania, in 1879, and in 1898 she received a degree from the State Normal College in Edinboro.[1] She went on to the School of Architecture at Columbia University and in 1913 became the first woman to graduate from that program.[1][4] Around this time, she worked for the university's superintendent of buildings and grounds,[2][4] and she also placed among the top ten finalists in a contest to design structures for a piece of land in Chicago.[2][5] Although Mead's plan wasn't ultimately chosen, it was featured in promotional literature.[2][5]

Anna Pendleton Schenck was born on January 8, 1874, and studied architecture privately before gaining work as a draftsperson with various New York architectural firms.

Career

Mead and Schenck may have begun working together as early as 1912.[1] When they formed the partnership of Schenck & Mead in early 1914, they were (incorrectly) hailed by the New York Times as the first firm of women architects in America; that milestone had actually been set two decades earlier by Gannon and Hands.[1][2] After Mead and Schenck opened their offices in midtown Manhattan, their first commissions included a summer home and a bungalow-style residence.[5][6] Their main interest, however, lay in designing housing that was practical for women, modern tenements for the poor, and neighborhood developments for the working classes.[2][6] They planned to work from "the feminist side" of things, giving priority to matters like closets, clothes chutes, and water pumps that they felt made a world of difference in women's lives but were often neglected by male architects.[2] In addition, they approached community planning and design holistically, taking into account not just individual residences but also street layouts, store locations, and open space.[2][5]

In 1915, Schenck & Mead won a nationwide architectural competition sponsored by the City Club of Chicago for a neighborhood center.[7][8] Their proposal was for a center an area of the Bronx between Washington Bridge and Macombs Dam Park.[7][8][9] Around the same time, they put forward a proposal for a group of model homes for the poor in Washington, D.C., to be known as the Ellen Wilson Memorial Homes after the late wife of then-President Woodrow Wilson.[7] The plan was ambitious, comprising a playground, day nursery, laundry, small emergency hospital, communal kitchen, library, and club rooms, alongside 130 individual residences.[10]

On April 29, 1915, just a few months after the firm won the Chicago competition, Schenck died of pneumonia.[11] Mead continued to use the firm's name for several years while establishing a solo practice.[11]

Anna Pendleton Schenck ca 1915.

One large 1917–18 project for which Mead was the lead architect was in Bridgeport, Connecticut, which had a shortage of affordable housing as a consequence of the rapid development of war-related industries like shipbuilding during World War I. A local firm, Bridgeport Housing Company, financed construction of a group of 87 one- and two-family row houses designed by Mead.[4] The development occupied a city block and was laid out around a central playground, keeping the children away from automobile traffic.[4] Unusually for the time, about half of the houses had a hot water system supplied from a nearby powerhouse.[4] In discussing her design for this community housing, Mead stressed the importance of cross-ventilation and windows for light, and she paid close attention to the structure of a housewife's day since "the work of taking care of the home falls to her lot."[4] During this project, for example, she managed to get the local standards for sink and washtub heights changed to be higher, using live demonstrations to convince officials that basins set too low strained women's backs.[4]

In 1918, Mead became the fourth woman member of the American Institute of Architects, and in 1929 she was made a Life Member.[12]

In 1923-24, the Canadian architect Esther Hill worked for Mead as an apprentice.[1]

Mead died in 1967.

Legacy

Since 1983, Barnard College has had the Marcia Mead Design Award for undergraduate excellence in architectural design.[13]

Publications

References and sources

  1. 1 2 3 4 5 6 Allaback, Sarah. The First American Women Architects. University of Illinois Press, 2008.
  2. 1 2 3 4 5 6 7 8 "Girl Architects Organize a Firm; First of Its Kind, It's Expected to Show That Women Need Only Opportunity". New York Times, March 8, 1914.
  3. ↑ "That Exceptional One": Women in American Architecture 1888–1988. American Architecture Foundation. (Exhibition catalog)
  4. 1 2 3 4 5 6 7 Blackwell, Alice Stone. "The War-Boom City: Housing in Bridgport". The Woman Citizen, vol. 3, pp. 150–151.
  5. 1 2 3 4 Legaspi, Rexy. “ 'Girl Power' in the 1900s: The First Women Architects Find Success in a Man’s World". The Plan Collection website.
  6. 1 2 "More Women Architects". The Architect and Engineer, vol. 35, p. 116.
  7. 1 2 3 "The Neighborhood Center Idea". The Architect and Engineer, vol. 41, no. 2 (May 1915), p. 104.
  8. 1 2 "Women Architects Win Chicago Prize; Best Plans for a Neighborhood Centre Are Submitted by Schenck & Mead". New York Times, March 6, 1915.
  9. ↑ Ford, George B. "Neighborhood Centers". Journal of the American Institute of Architecture, vol. 3, no. 5 (May 1915).
  10. ↑ "Mrs. Wilson Memorial Homes". American Contractor, vol. 36, Sept. 15, 1915, p. 83.
  11. 1 2 Dunn, Ashley Elizabeth, and Leslie Coburn. Drawing the Future: Chicago Architecture on the International Stage, 1900-1925
  12. ↑ Hays, Johanna. Louise Blanchard Bethune: America's First Female Professional Architect. McFarland, 2014, pp. 20-21.
  13. ↑ "Academic Advising". Barnard College website.
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