Marc Ponthus
Uncompromising in artistic standards, Marc Ponthus is the first pianist to perform solo programs featuring a single avante-garde composer from the second half of the 20th century including Boulez, Stockhausen (3 concerts) and Xenakis in North America.[1][2] He performed the world premiere of a Webern's unpublished work in New York City. In 2004, he recorded the complete piano music of Iannis Xenakis for Neuma Records, receiving glowing reviews from Gramophone Magazine and BBC Magazine. Ponthus has conducted a number of ensembles, mostly for contemporary music and has staged and directed contemporary chamber operas.
In addition to his work as a pianist, Ponthus is the director of the Mannes College of Music's Institute and Festival for Contemporary Performance. Ponthus was the editor and wrote the preface for a collection of essays of Elliott Carter (A Centennial Celebration), published by Pendragon Press in 2008. He is a recipient of the Tanne Foundation's Award for achievement in the arts.
In addition to his artistic endeavors, Ponthus has been involved in humanitarian issues, writing for the London newspaper The Independent about his experiences in war-torn Sarajevo. An oboist from Bosnia was able to come to the US to study at Boston's New England Conservatory of Music as a result of his efforts.
Ponthus has combined video collage in live performances. He has worked in theatre and has directed short films. His short film on concepts of mythology was chosen as an Official Selection at the Northeast Film Festival in 2013. Ponthus also composes under the nom de plume Outis.
References
- ↑ Rothstein, Edward, "Coaxing Out the Music That's Hiding in the Chaos", New York Times, April 1, 1994
- ↑ Oestreich, James, "Classical Music in Review: Marc Ponthus Pianist Weill Hall", New York Times, October 26, 1991
New York Times/Anne Midgette/Feb 19 2002 Performance of complete Xenakis piano music. Steinways be warned - a Frenchman is on the rampage http://www.nytimes.com/2002/02/19/arts/music-review-steinways-be-warned-a-frenchman-is-on-the-rampage.html
Boston Globe/Richard Dyer/March 5, 1993 Marc Ponthus Masters Boulez for a Brilliant Debut https://pqasb.pqarchiver.com/boston/doc/294760053.html?FMT=FT&FMTS=ABS:FT&type=current&date=Mar+5%2C+1993&author=Dyer%2C+Richard&pub=Boston+Globe+%28pre-1997+Fulltext%29&edition=&startpage=&desc=Marc+Ponthus+masters+Boulez+for+brilliant+debut
New York Times/Allan Kozinn/June 17, 2004 In Summertime Enrichment, the new and familiar mix - IFCP concert http://www.nytimes.com/2004/06/17/arts/music-review-in-summertime-enrichment-the-new-and-the-familiar-mix.html?module=Search&mabReward=relbias%3Ar%2C%7B%222%22%3A%22RI%3A18%22%7D
Boston Globe/Richard Dyer/May 22, 1996 - From Bosnia to Boston - A musical escape inspired by concerts under fire, oboist plays her way to New England Conservatory https://pqasb.pqarchiver.com/boston/doc/290782398.html?FMT=FT&FMTS=ABS:FT&type=current&date=May+22%2C+1996&author=Dyer%2C+Richard&pub=Boston+Globe+%28pre-1997+Fulltext%29&edition=&startpage=&desc=From+Bosnia+to+Boston%3A+A+musical+escape+Inspired+by+concerts+under+fire%2C+oboist+plays+her+way+to+New+England+Conservatory
Boston Globe/Richard Dyer/Feb 12 1995 Marc Ponthus - An Artist who "shows up" https://pqasb.pqarchiver.com/boston/doc/290714925.html?FMT=FT&FMTS=ABS:FT&type=current&date=Feb+12%2C+1995&author=Dyer%2C+Richard&pub=Boston+Globe+%28pre-1997+Fulltext%29&desc=Marc+Ponthus+--+an+artist+%60who+shows+up%27&pf=1
New York Times/April 1, 1994/Edward Rothstein All Stockhausen concert - Coaxing out the music that's hiding in the chaos http://www.nytimes.com/1994/04/01/arts/review-recital-coaxing-out-the-music-that-s-hiding-in-the-chaos.html
New York Times/James R Oestreich/Oct 26 1990 - Marc Ponthus at Weill Hall - all Boulez program http://www.nytimes.com/1991/10/26/arts/classical-music-in-review-578591.html?module=Search&mabReward=relbias%3Ar%2C%7B%222%22%3A%22RI%3A18%22%7D
http://www.allmusic.com/album/xenakis-complete-music-for-piano-ravel-gaspard-de-la-nuit-mw0001848439