Luigi Fontanella

Luigi Fontanella (born 1943 Salerno, Italy) is a poet, critic, translator, playwright, and novelist.

Life

He graduated from the Sapienza University of Rome (Laurea in Lettere), and Harvard University (Ph.D. in Romance Languages and Literatures). He has taught at Columbia University, Princeton University, and Wellesley College.[1] He is currently a Professor of Italian at Stony Brook University.[2]

He is the founder of IPA (Italian Poetry in America), and the editor of Gradiva and Gradiva Publications.[3]

He is the president of the International Poetry Prize "Gradiva", established in 2012. In 2014 he was awarded the National Poetry Prize "Frascati" for his literary career.

Fontanella lives on Long Island, NY, and Florence, Italy. He is the author of 15 collections of poetry, 9 books of criticism, and 4 books of narrative. His most recent collections are Land of Time (New York: Chelsea Editions 2006, Edited by Irene Marchegiani, Introduction by Dante Della Terza); L'angelo della neve (Milano: Mondadori, Almanacco dello Specchio, 2009); Bertgang (Bergamo: Moretti & Vitali, 2012, Prata Prize & I Murazzi Prize); Disunita Ombra (Milan: Archinto, RCS, 2013); "L'adolescenza e la notte" (Florence: Passigli, 2015, Pascoli Prize, Viareggio-Giuria Prize); "La morte rosa" (Azzate, Varese: Stampa 2000, 2015).

Awards

Works

Literary Criticism

Poetry

Fiction

Reviews

...his most recent poetry is like a rare hothouse flower blooming in Fontanella's garden, laid out like a golf course, with surprising bridges between pleasure and reflection which, in the end, enliven both author and readers. Fontanella is essentially the transcriber of unique lyric moments in a poetic corpus that is neither too fertile (abundant) nor too facile (redundant), yet shines with a contemporary relevance that carries it well beyond its cycles of conception and completion. (Giose Rimanelli)[3]
There's great freedom of forms and intonations in Luigi Fontanella's poetry. He doesn't take a strong formal stand; his poetry entertains moments of nearly proselike colloquial narrative along with moments of powerful lyrical tension. There's a movement of extremes, from powerful tonality to near atonality, and I like this a great deal; it's a stance that very effectively catches the spirit that makes work in poetry possible nowadays. (Giovanni Raboni)

References

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