Lou Beale

Louise Ada "Lou" Beale (also Medeemey in some spin-off media) is a fictional character from the BBC soap opera EastEnders, played by Anna Wing. She made her first on-screen appearance on 19 February 1985 and departed on 26 July 1988, when the character was killed off. The character is played by Karen Meagher in the 1988 EastEnders special, CivvyStreet, set during the Second World War. She appeared in 232 episodes.^[1]

Lou Beale was the first EastEnders character to be created by series co-creator Tony Holland, taking the inspiration for some of the series' earliest characters from his own London family and background.

Lou is the archetypal East End matriarch throughout EastEnders' first three years. An intimidating force within the local community, she is the dowager of Albert Square's central family, the Beales and Fowlers. Never afraid to speak her mind, and woe betide anyone who manages to get on her wrong side, Lou has the respect of her friends and family, even if they do find her a bit of a nuisance at times.

Storylines

Backstory

Born in the East End at the outbreak of World War I, Lou lived in Walford all her life. She was born into a large working-class East End family, the youngest of seven siblings, and grew up with a strong sense of community spirit. In the 1930s, she fell in love with a local boy, Albert Beale (Gary Olson), and gave birth to his daughter, Maggie (Olivia Stanley), but had her adopted because she was born out of wedlock. By 1936, Lou and Albert had married and in 1938 moved to 45 Albert Square. They had six more children: Harry (Aaron Mason), Ronnie (Chase Marks), Dora, Kenny (Michael Attwell), and twins Pete (Peter Dean) and Pauline (Wendy Richard). Albert died in 1965, and Lou remained in the same house with Pauline and her husband, Arthur Fowler (Bill Treacher). Lou regularly intervened in her family's affairs, especially when she disapproved of Pete's relationship with Kathy Hills (Gillian Taylforth) because he had previously divorced his first wife, Pat (Pam St Clement), and she had banished her son Kenny to New Zealand in the 1960s for having an affair with Pat. Lou then watched her grandchildren Michelle (Susan Tully), Mark (David Scarboro/Todd Carty) and Ian Beale (Adam Woodyatt) grow up, with Pauline, Pete, Arthur and Kathy looking after her in her old age. In one episode she claims she was one of seven children, one boy and six girls, and on Christmas Day 1987, she states she is from a family of eight, five boys and three girls.

1985–1988

Lou's affinity and ties with the area mean that she tends to view Albert Square as her own and thinks that gives her an excuse to intrude into people's business as she sees fit. She is great friends with Dot Cotton (June Brown) and Ethel Skinner (Gretchen Franklin), her lifelong neighbours. She also has a good relationship with the local general practitioner, Dr Legg (Leonard Fenton) and an old Jewish pawnbroker known only as 'Uncle' (Leonard Maguire).

Lou has a tempestuous relationship with her children-in-law Kathy and Arthur, blaming Kathy for Pete's first divorce (something Lou regards as unnatural, despite her fervent dislike of Pat), and showing displeasure at Arthur's unemployment; nothing he does is ever good enough for her daughter Pauline. In February 1985, she is furious to discover that Pauline is pregnant for the third time, her family already financially crippled by Arthur's long stint of unemployment. Lou isn't adverse to speaking her mind or scolding her family if she disapproves of their actions, but she soon comes to celebrate her grandson Martin's (Jon Peyton Price) birth – although she would have preferred him to be named Albert after her late husband. She is a strict traditionalist and moralist but she believes in strong family-values most of all, and will defend her family if any outsider dares to criticise them. She provides a warm shoulder to cry on when 16-year-old Michelle finds out she is pregnant in late 1985 and is supportive of her favourite grandchild, Ian, on his plans to work within the catering trade rather than following in his father's footsteps in a more masculine occupation. Lou collapses in late 1985, prompting Dr Legg to send Lou into hospital for some tests and she is diagnosed with angina. The family have to make changes within the household to accommodate Lou's health problems, such as moving her bedroom downstairs, however, Lou doesn't take well to the changes.

Dot, Ethel and Lou.

Lou has a long-standing feud with Pat, having never forgiven her for having an affair with Kenny. Lou is plagued with mixed feelings when Kenny returns to London in 1988, after banishing him from their lives twenty years before. She has always had a difficult relationship with her son, feeling him to be "too big for the Square" and fears that Pat's revelation, that he is the true father of Pete's son Simon (Nick Berry), will tear her beloved family apart. Before his return to New Zealand, Lou manages to make amends with her estranged son, despite Pat's malicious stirring – who later admits to Simon that Brian Wicks (Leslie Schofield) is his real father after all.

In her later years, Lou is plagued with ill-health. In July 1988, she returns from a holiday in her beloved Leigh-on-Sea feeling distinctly unwell. Fearing she is dying, she takes the opportunity to announce to her nearest and dearest exactly what she thinks of them, even managing to make a truce of sorts with nemesis Pat. After gathering her clan of Beales and Fowlers around her, she has a few choice words of wisdom and encouragement for each family member. The next morning, she is discovered dead in her bed by daughter Pauline, having died peacefully in her sleep the previous night. Her friends and family mourn her death affectionately, never quite managing to forget the irreplaceable "old bag".

The youngest of seven siblings, Lou was from a large East End family herself. Only her sister Flo (Linda Robson) came to outlive her. In 1990, Harry Osborne (John Boswall) returns to Albert Square – he had been engaged to Lou's sister, Doris, but she married Morris Miller after Harry was presumed dead in the war. In 1993, Lou's relative Nellie Ellis (Elizabeth Kelly) comes to stay with Pauline and Arthur. In 1997, it is discovered that Lou had given birth to another daughter, also fathered by Albert, who Lou had given up for adoption because she was conceived out of wedlock. Pauline, Ian and Mark travel to Ireland later that year to reunite with their long-lost family member, Maggie. In 2001, Mark names his stepdaughter Louise Mitchell (Rachel Cox) after Lou. In 2015, Ian's grandson Louie Beale is also named after Lou.

Character creation and development

Background

The creators of EastEnders, Tony Holland and Julia Smith, had always intended the programme to be primarily based around a large family "in old East-end tradition". By the 1980s, such families were on the decline in the East End. Natives had begun to emigrate out of East London to the wider area around Ilford, Romford, Chelmsford and Eastbourne. However, there were still some that refused to uproot and leave the area that had been home to many generations of their family.

To construct the focal family, Holland and Smith were helped considerably by Tony Holland's recollections of his own East End background.^[2] Lou was the first EastEnders character to be created. She was based on Holland's aunt Lou Beale, one of four sisters from a large Walthamstow family.^[3] Lou was mother to his cousins Peter and Pauline and married to Albert – a family set-up that would eventually be recreated on-screen and would go on to be forever hailed as the first family of EastEnders, the Beales and Fowlers. Peter Batt, who was one of the original scriptwriters of EastEnders, has stated that elements of Lou Beale were based on his mother.^[4]

Lou's original character outline as written by series creators Julia Smith and Tony Holland appeared in an abridged form in their book, EastEnders: The Inside Story:"A lively 70 year old. Archetypal East-end mother-earth figure. Fat, funny, sometimes loud, often openly sentimental. An obsessive view of family...she can be a stubborn cruel "old bag" when she wants to be, sometimes keeping "atmospheres" going for months. It was always Lou's house that was used for the big family celebrations. Especially Christmas. Twenty or more people crammed into a tiny house. Five sisters wedged into a minuscule kitchen; drinking gin and orange; wearing funny hats; all wearing aprons; laughing raucously and trying to cook a huge dinner at the same time. Lou's house was also the meeting place for the family Sunday teas. Ham, or tinned salmon salad. Bread and butter. Jelly and tinned cream. And, tea...the changing face of the area (especially the immigrants) is a constant source of fear to her, but then she doesn't go out much. She prefers to be at home, or on a trip down memory lane: day trips to Southend – the Kursal, Rossi's ice-cream and a plate of cockles; one wonderful week's holiday in a caravan in Clacton; fruit picking in Essex; Christmas; weddings; street parties...She has a soft spot for her son, Pete..." (page 51).^[2]

Casting

The actress Anna Wing, who was now 70 years old and had been acting since the late 1930s, auditioned for the role. She was so keen to play the part that she turned up for the audition clutching her birth certificate to prove she was a Hackney greengrocer's daughter and implored the producers to give her the job.^[5] When she first read for the part Holland and Smith felt that "she overacted terribly", but on the second reading she "brought the performance down considerably".^[2] There were initial fears over whether an actress of her age would have the stamina to survive EastEnders' gruelling schedule, but when asked if she'd like to be in a popular soap, Wing replied "All my life I've been an actress, now I want to be a household name!"^[2]

Wing was set to appear in a stage play of Adrian Mole, which would have clashed with the filming of EastEnders. Julia Smith refused to offer her any leeway and informed her that she had to take a gamble — she could either turn down the play, meaning that if she failed to get the part of Lou she would have lost two jobs, or she could give up the possibility of playing Lou and accept the play.^[2] Wing decided to turn down the play and she was subsequently given the role of Lou.^[2] An early choice in the casting process, Wing had the face, voice and attitude that Tony Holland had imagined for the character.^[6] She was told by producers to bring something from her own background to the role.^[7]

Narrative, impact and progression

Lou's fierce demeanour made an impact from the opening episode, with one of the popular press in Britain (The Sun newspaper) running the headline "Enter the dragon... Lou Beale!"^[2]

Lou was a frightening matriarch who domineered over both the Beale and Fowler families and most of her neighbours in Walford as well. The character did have a softer side, most often seen when interacting with her grandchildren. She was depicted as the linchpin of the Walford community and was often first to rally around her neighbours in times of trouble, or instruct various members of her clan to do so in her stead.

She was a family orientated character, particularly opposed to change and determined to hold on to the ever-diminishing traditions of the East End.^[2] Most of her storylines were family based, which included various feuds, most notably with Pat Wicks (Pam St. Clement), the ex-wife of her son who showed up in Walford in 1986. Various scandals and hardships were thrown at the character and her family, which she stoically battled through in order to keep the close-knit family that she presided over, together. The character was also used for comedy, most regularly with the other older characters, Dot Cotton (June Brown) and Ethel Skinner (Gretchen Franklin), and she had a tendency to take to her bed and feign sickness if she didn't get her own way.^[5] Her relationship with son-in-law Arthur (Bill Treacher) was another on-going sub-plot often used for comical effect — Lou portraying the stereotypical nagging mother-in-law and Arthur being the main protagonist for most of her displeasure, although they did share moments of closeness as well.

However, in 1988 Anna Wing began to grow disillusioned with the direction the show was going in. She felt EastEnders did not fit in with her beliefs as a Quaker, commenting "We had 31 million viewers and it was shown all over the world, and I suddenly thought 'Should I be in this?'...I had a crisis of conscience." After three years playing Lou, Anna Wing asked to be written out.^[8] Wing has since revealed that creator Julia Smith was devastated when she decided to leave, commenting "she said I could have been in it for ever and ever until I popped off for real."^[9]

The character was subsequently killed off, dying in her sleep in July 1988 after being frequently ill throughout the year. The character's final episodes were written by Tony Holland and directed by Julia Smith. Lou spent her final day arranging her affairs, seeing various members of her family, passing on advice and giving them presents and at the end of the episode she announced: "That's you lot sorted. I can go now." At the start of episode 359, Lou was found to have died peacefully in her sleep. The episode then jumped a few days later to the day of her funeral — an emotional episode, which featured Pete breaking down at Lou's graveside and ended with him proposing a toast in the Vic to absent friends and that "bloody old bag." The episode was also notable for featuring, for the first time, a train crossing the railway viaduct in Bridge Street^[10] — a special-effects shot commissioned especially for the occasion. The train was actually a ten-second illusion, produced by the BBC's electronic workshop. One EastEnders official commented: "It cost an arm and a leg, but old Lou was worth it."^[5]

Character continuity regarding children

Lou was a central character, who remained at the heart of the series during her time on screen and is still occasionally referred to by long-running characters in a nostalgic nod back to the show's early history. There remains, however, a certain level of uncertainty and conflicting information regarding the character's background, in particular the number of offspring she supposedly produced.

When EastEnders began in 1985, Pauline (Wendy Richard) and Pete (Peter Dean) were the only two of Lou's offspring to feature on screen. Through character dialogue in July 1985, the audience were told of the existence of three other children: Keith, Paul and Norma — who had moved away to Romford and Eastbourne before the series began. As the series progressed, Keith, Paul and Norma were apparently forgotten in favour of other children and were not mentioned again.

Circa 1986, viewers were made aware of another child, Kenny, who had moved away to New Zealand before 1985. In addition, the character of Lou Beale also featured heavily within a series of spin-off EastEnders novels by Hugh Miller, set prior to 1985 and published in 1986. Within the novelisations readers were introduced to further characters from Lou's history: sons Harry and Ronnie, a daughter Dora and siblings Elsie, Liz, Queenie and Terence. Kenny also appeared in the books. In the EastEnders novels, Harry, Dora and Ronnie moved away from home when they were in their twenties and lost contact with their mother. The Beales' fruit and veg stall on Bridge Street market was passed to Ronnie after his father's death, and again passed to Pete when Ronnie moved away from Walford.^[11][12]

In February 1988 Kenny actually appeared in EastEnders for a brief stint and in December 1988 he was also seen as a young child in CivvyStreet. Harry and Ronnie also appeared in the spin-off episode, but did not feature within the television serial itself.

In 1997 another of Lou's children was introduced: Maggie Flaherty (Olivia Shanley), her eldest child, who was given up for adoption as she was born out of wedlock. Other than the already established Pete, Pauline and Kenny, Maggie remains the only sibling to appear in the on-screen serial. In 2000 an EastEnders book was published entitled EastEnders Who's Who. The book pertained to the existence of Ronnie and yet another child, Maureen, who had both died.^[13] Harry and Dora were not mentioned in the book and neither Maureen nor Dora has been mentioned or seen on-screen, either in the serial itself or in EastEnders: CivvyStreet.

References

External links

• Lou Beale at BBC Online
• Interview with Anna Wing from the Walford Gazette
• Interview with Anna Wing on TalkWalford