Louis Keouli Thompson
| Louis Keouli Thompson | |
|---|---|
 Louis Keouli Thompson aka Segis Luvaun | |
| Background information | |
| Birth name | Louis Thompson |
| Also known as | Segis Luvaun |
| Born |
April 22, 1882 Honolulu, Oahu, Kingdom of Hawai'i |
| Died |
July 15, 1937 Kittanning, Armstrong County, Pennsylvania |
| Genres | Hawaiian Folk |
| Occupation(s) | Musician, singer-songwriter |
| Instruments | Vocals, Ukulele, Steel Guitar, Violin |
| Years active | 1900–1922 |
| Associated acts | Honolulu Students, The Tawmsen's |
| Notable instruments | |
| Steel Guitar, Ukulele, Violin | |
Louis Keouli Thompson (April 22, 1882 – July 15, 1937) better known by his stage name Segis Luvaun, was a Hawaiian singer and musician and the reported King of Ukulele Players.[1] Thompson, native to Hawai'i, claimed United States citizenship when Hawaii was annexed by the United States as a territory in 1898. He performed much of his life, first touring the United States and later throughout Scandinavia and Europe, many times for Royalty.[1]
Personal life
Louis Thompson was born in Honolulu in the Kingdom of Hawaii in 1882. The earliest known record of him is the 1900 census[2] showing him as a 17-year-old student at the Kamehameha School, then known as the Kamehameha School for Boys. Indeed, Thompson is shown in the schools Class of 1900 class photo.[3] The 1900 census shows both his parents being from the Hawaiian Islands. A 1919 Visa application, filled out by Thompson, records his father's name as Keouli Tawmsen[4] and a 1916 Visa application indicated that his father was deceased at that time.[5] However, on the marriage license to Eveline Walters (shown below), indicates his father's name is 'Carlo Luvaun'.[6] No other information is known of his family.
Thompson married Mildred Elnora Rupp on July 26, 1910 in Chicago, Illinois.[7] At the time, Thompson went by Lu, with his full name on the marriage license recorded as Lu Kaoly Thompson. Rupp was born on October 26, 1893 in Winfield, Kansas.[8] Although Thompson was actually 28 and Rupp was 17 at the time, the marriage license shows them as 26 and 21, respectively. He and Rupp had one child, Billven Keouli Thompson, born December 16, 1911 in Topeka, Kansas. Billven is Thompson's only known child.
Sometime after marrying Rupp in 1910 and before leaving for Europe in 1914, Thompson married Moana.[6] Although little is known about Moana, including her maidian name, one might speculate that she was the inspiration behind Thompson's chart 'Moana Waltz'.
Thompson married Eveline Walters on April 7, 1917 in St. Giles, London, England. At this time, Thompson was 35 and Walters was 21.[6] She was born on September 11, 1896 in Somersetshire, England.[9] and her father's name was Gaius Walters[6]
Within three years (1903) of graduating from Kamehameha School for Boys, Thompson had already left his home land of Hawai'i for the main land of the United States.[3] He toured there for ten years before moving to London in 1914. In 1919, he moved to Copenhagen, Denmark. By 1922, he once again moved, this time to Prague, Czechoslovakia. His last known residence in Europe, per Visa applications, was Riga, Latvia. He remained in Europe until September 1936 when he returned to the United States sailing from Marseille to Boston. He died of heart failure in a Pennsylvania hospital, on July 15, 1937.
Career
Much of Thompson's career has been gathered through newspaper ads and articles, as well as mention in books about the Hawaiian music movement at the time. According to Kamehameha School archives, Thompson had left for the United States main land by 1902 or 1903. Several articles show him touring in the United States as early as 1907 and as late as 1913. In his book How to Play the Ukulele, Thompson records that he was discovered in 1912 while touring in the United States by Sir Walter de Freece, who brought him to Europe. Tracking his travels through passport and visa applications, shows that he lived and performed in locations such as London, Oslo, Copenhagen, the Netherlands, Germany and Switzerland from 1914 to 1931.
United States Tour (1902–1913)
Thompson was manager of a troupe called the Honolulu Students that he toured with across various venues within the United States. The stage name that he used while with the Honolulu Students is Professor Lu Thompson Keouli. During 1907 and 1908, Thompson, along with the Honolulu Students toured as part of the Chautauqua circuit[10]
| Date | Location | Event |
|---|---|---|
| 1907? | Amherst, Massachusetts – Amherst College | Chautauqua performance of the Honolulu Students.[10] |
| October 25, 1907 | Northampton, Massachusetts | Chautauqua performance of the Honolulu Students.[10] |
| October 28, 1907 | Hartford, Connecticut | Chautauqua performance of the Honolulu Students.[10] |
| November 13, 1907 | Baldwinsville, New York | Chautauqua performance of the Honolulu Students.[10] |
| November 14, 1907 | Port Henry, New York | Chautauqua performance of the Honolulu Students.[10] |
| November 15, 1907 | Brandon, Vermont | Chautauqua performance of the Honolulu Students.[10] |
| November 16, 1907 | Bristol, Vermont | Chautauqua performance of the Honolulu Students.[10] |
| November 18, 1907 | Cambridge, Vermont | Chautauqua performance of the Honolulu Students.[10] |
| January 27, 1909 | Jamestown, New York Y.M.C.A. | Performance of the Honolulu Students as reported in the Hawaiian Gazette.[11] Thompson listed as Professor Keouli. |
| Nov 1913 | Madison, Wisconsin – Orpheum Theatre | Newspaper advertisement for "The Tawmsen's" performing at the Orpheum Theatre. |
European Tour (1914–1928)
| Date | Location | Event |
|---|---|---|
| TBD | TBD | TBD |
Stage Names
Thompson appears to have been very prolific with his epithet. Although there is no record of why he chose different aliases, he chose both unique names and spellings at different times in his career. Below is a list of names he was known to use.
- Juan Akoni
- L. Thompson
- Lewis Thompson
- Louis K Thompson
- Lu Kaoly Thompson
- Lu Keouli Thompson
- Luvaun
- Luvaun Tawmsen
- San Juan[12]
- Segis Luvaun
Discography
1916 HMV Label (London, England)
Recorded in London, England under the HMV label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| 1916 | "Yaaka Hula Hickey Dula" (Goetz, Young and Wendling) | HO3059ae | B-703 | Hawaiian Guitar, Vocal |
| "You've Got To Do It" ("Pell Mell" Revue[13])(Nat D. Ayer) | HO3060ae | B-726 | Hawaiian Guitar, Vocal | |
| Unidentified Title | HO3061ae | ? | Hawaiian Guitar, Vocal | |
| "Moana Waltz" (Luvaun) | HO3062ae | B-726 | Hawaiian Guitar, Vocal | |
| "A Broken Doll" (Tate)("Samples" revue) | HO3063ae | B-701 | Hawaiian Guitar, Vocal | |
| "If You Were The Only Girl in the World" (Ayer)("The Bing Boys Are Here") | HO3064/5 | B-703 | Hawaiian Guitar, Vocal | |
1917 Zonophone label (London, England)
Recorded in London, England under the Zonophone label as Juan Akoni[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| 1917 | "Come and Dance With Me" | y20732e | 1879 | Ukulele/Hawaiian Guitar |
| Unidentified Title | y20733e | ? | Ukulele/Hawaiian Guitar | |
| "Oh How She Could Yacki Hacki Wicki Wacki Woo" | y20734e | 1802 | Ukulele/Hawaiian Guitar | |
| "Honolulu Tomboy" | y20735e | ? | Ukulele/Hawaiian Guitar | |
| "Yaaka Hula Hickey Dula" | y20736e | 1802 | Ukulele/Hawaiian Guitar | |
| "Hawaiian Medley" (Luvaun) | y20737e | 2055 | Ukulele/Hawaiian Guitar | |
1917 Winner Label (London, England)
Recorded in London, England under the Winner label as Luvaun assisted by Lady Chetwynd[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| 1917 | "My Hawaiian Butterfly" (--) | (2234) | 3149 | Luvaun (Ukulele/Hawaiian Guitar), Lady Chetwynd (Violin) |
| "Ideal Girl Waltz" (--) | (2235) | 3149 | Luvaun (Ukulele/Hawaiian Guitar), Lady Chetwynd (Violin) | |
| "Come and Dance With Me" | (2238) | 3151 | Luvaun (Ukulele/Hawaiian Guitar), Lady Chetwynd (Violin) | |
| "Moana Waltz" | (2239) | 3151 | Luvaun (Ukulele/Hawaiian Guitar), Lady Chetwynd (Violin) | |
| "Ua Like No Alike" | 5515 | 3240 | Luvaun (Ukulele/Hawaiian Guitar), Lady Chetwynd (Violin) | |
| "Aloha Oe" | 5516 | 3149 | Luvaun (Ukulele/Hawaiian Guitar), Lady Chetwynd (Violin) | |
1917 Zonophone Label (London, England)
Recorded in London, England under the Zonophone label as Juan Akoni[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| 1917 | "Along The Way To Waikiki" | y20972e | 1879 | Ukulele or Hawaiian Guitar |
| Unidentified Title | y20973e | ? | Ukulele or Hawaiian Guitar | |
| "Hawaiian Butterfly" | y20974e | ? | Ukulele or Hawaiian Guitar | |
| "Hawaiian Butterfly" | y20975e | 1847 | Ukulele or Hawaiian Guitar | |
| "The Ideal Girl – Waltz" (Luvaun) | y20976e | 2055 | Ukulele or Hawaiian Guitar | |
| "What Do You Want To Make Those Eyes at Me For?" | y20977e | 1847 | Ukulele or Hawaiian Guitar | |
1920 Ekophon Label (Saltsjöbaden, Sweden)
Recorded in Saltsjöbaden, Sweden under the Ekophon label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c 1920 | "Chong Fran Hongkong" (H. Weeks) | W-1152 | NS-1419-I | Segis Luvaun(Ukulele), Ernst Rolf(Vocal) |
| "Ukalele Waltz" (sic) | W-1153 | NS-1715-II | Hawaiian guitar/ukulele | |
| Unidentified Title | W-1154 | ? | Hawaiian guitar/ukulele | |
| Unidentified Title | W-1155 | NS-1716-? | Hawaiian guitar/ukulele | |
| "Original Hawaiian Waltz" | W-1153 | NS-1715-I. Also Beka S-889 | Hawaiian guitar/ukulele | |
| "My Hawaiian Sweethearth" (sic) | W-1157 | NS-1714-II. Also Beka S-889 | Hawaiian guitar/ukulele | |
| Unidentified Title | W-1160 | NS-1716-? | Hawaiian guitar/ukulele | |
| "Sommarsol Till Sista Stund" (Dansk) | W-1161 | NS-1714-I | Hawaiian guitar/ukulele | |
| "Hawajansk Kärlekssang" | W-1163 | NS-1419-II | Ukulele | |
| "Karl Alfred" (Taube) | W-1193 | NS-1417-I | Segis Luvaun(Ukulele), Ernst Rolf(Vocal) | |
| "Titta in En Annan Dag" (Rygaard) | W-1196 | NS-1417-II | Segis Luvaun(Ukulele), Ernst Rolf(Vocal) | |
1920–1921 Grammaphon/Polydor Label (Berlin, Germany)
Recorded in Berlin, Germany under the Grammaphon/Polydor label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c 1920–1921 | "Kilima Waltz" (S. Luvaun)[14] | 141at | 14363. Also Reneyphone 14663; Polypho X/N-14636 | Hawaiian guitar, English/Hawaiian vocal |
| "If You Could Care" (Darewsky) | 142at | 14363. Also Reneyphone 14663; Polyphon X/N-14636 | Hawaiian guitar, English/Hawaiian vocal | |
| "Aloha Oe" (von Queen[15])(sic) | 143at | 14364. Also Polyphon X/N-14364 | Hawaiian guitar, English/Hawaiian vocal | |
| "The Eve Waltz" (Luvaun) | ---at | 14367. Also Reneyphone 14367; Polyphon NS-98502 | Hawaiian guitar, English/Hawaiian vocal | |
| "Ja-Da" (Robn. Carledon) | 145at | 14365. Also Reneyphone 14365; Polyphon X/N-14365 | Hawaiian guitar, English/Hawaiian vocal | |
| "My Philosophy" (von S. Luvaun) | 146at | 14364. Also Polyphon X/N-14365 | Hawaiian guitar, English/Hawaiian vocal | |
| "Won't You Dance With Me" (Luvaun) | ---at | 14367. Also Reneyphone 14367; Polyphon NS-98502 | Hawaiian guitar, English/Hawaiian vocal | |
| "Moana Waltz" (Luvaun) | 148at | 14365. Also Reneyphone 14365; Polyphon X/N-14365 | Hawaiian guitar, English/Hawaiian vocal | |
| "Wiki-Waki" (S. Luvaun) | 150at | 14366. Also Polyphon 288106, NS-98500, X/N-14366 | Hawaiian guitar, English/Hawaiian vocal | |
| "After You Get What You Want, You Don't Want It" (Irving Berlin) | 151at | 14366. Also Polyphon X/N-14366 | Hawaiian guitar, English/Hawaiian vocal | |
Early 1921 Grammaphon/Polydor Label (Berlin, Germany)
Recorded in Berlin, Germany under the Grammaphon/Polydor label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c early 1921 | "Beautiful" (S. Luvaun) (My Beautiful Eve) | 180at | Berlin, Germany | Hawaiian guitar, English/Hawaiian vocal |
| "Cuddle and Kiss" (Jerome) | 181at | 14368. Also Polyphon 288109 | Hawaiian guitar, English/Hawaiian vocal | |
| "Ideal Girl" (Luvaun) | 182at | 14369. Also Reneyphone 14369; Polyphon NS-98504 | Hawaiian guitar, English/Hawaiian vocal | |
| "Norway (Norwegen)(La Norvege*)" (S. Luvaun) | 183at | 14369, 14370, 07341?. Also Reneyphone 14369*; Polyphon NS-98504, 288113, NS-98500 | Hawaiian guitar, English/Hawaiian vocal | |
| "I'm Forever Blowing Bubbles" (Kenbroin-Kelette) | 185at | 14370, 07341? | Hawaiian guitar, English/Hawaiian vocal | |
| "Hawaiian Lullaby" (Luvaun) | 14371 | Hawaiian guitar, English/Hawaiian vocal | ||
| "Ua Ike No A Like" (Queen Liliuokalani)[16] | 14371. Also Polyphon X/N-288115 | Hawaiian guitar, English/Hawaiian vocal | ||
| "Venetian Moon. Foxtrot" (Magini) | 14372. Also Polyphon X/N-288117 | Hawaiian guitar, English/Hawaiian vocal | ||
| "La Veeda" (Alden) | 14372. Also Polyphon X/N-288117 | Hawaiian guitar, English/Hawaiian vocal | ||
| "Beautiful Heroor" | X/N-288109 | Hawaiian guitar, English/Hawaiian vocal | ||
Late 1921 Grammaphon/Polydor Label (Berlin, Germany)
Recorded in Berlin, Germany under the Grammaphon/Polydor label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c late 1921 / early 1922 | "You've Got A Million Dollar Smile" (H. Darewski) | 258at | 14373. Also Polyphon 288119, X/N-14373 | Hawaiian guitar, English/Hawaiian vocal |
| "Hawaiian Butterfly" (B. Baskette & J. Santley) | 259at | 14373. Also Polyphon 288120, X/N-14373 | Hawaiian guitar, English/Hawaiian vocal | |
| "Yaaka Hula Hickey Dula (Hawaisches Liebesständchen)" (Bernhard) | 20306 | Hawaiian guitar, English/Hawaiian vocal | ||
| "You've Got To Do It" (Warum?) (Ayer) | 20306. Also Polyphon X/N-288115 | Hawaiian guitar, English/Hawaiian vocal | ||
Sept 1924 Grammaphon/Polydor Label (Berlin, Germany)
Recorded in Berlin, Germany under the Grammaphon/Polydor label with Eric Borchard's Jazzband[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c Sept 1924 | "Hula Lou!" (Halloh kleiner Schatz). Foxtrot (Yellen & King) ("Hula-Lou!" Foxtrot. Yellen et King)* | 1784ax | 20115. Also Reneyphone F-40407* | Segis Luvaun(Hawaiian guitar), Louis de Vries(trumpet), Emile Christian(trombone/?vocal), Eric Borchard(clarinet, tenor sax, ?vocal), Billy Bartholomew(alto sax, clarinet), Sascha Dickstein(violin), Austin Egen(piano), Harold M. Kirchstein(banjo, guitar), unidentified German(drums) |
1923–1926 Deutsche Grammophon Label (Berlin, Germany)
Recorded in Berlin, Germany under the Deutsche Grammophon label with Efim Schachmeister[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c 1923–1926 | Unidentified | |||
Mar 1925 Vox Label (Berlin, Germany)
Recorded in Berlin, Germany under Vox label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c Mar 1925 | "I Need Some Bettin'" Foxtrot (T. Fiorito & R. King) (sic) | 2468-B | 6248 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) |
| "Die Nacht war schwül..." Foxtrot (S. Romberg & A. Goodman) | 2469-B | 6231 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "California" Foxtrot (C. Conrad) | 2470-B | 6231 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "Waiting Around" (Davis & Hanley) | 2471-B | 6248 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "Nobody Lied" (Weber) | 2468-B | 6248 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "Shine" (F. Dabney) | ----B | 6234 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "And Her Mother Came Too" (O. Noello) (sic) | ----B | 6234 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "Sing Along" (Fr. Wood & O.P. Long) | ----B | 6235 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "Somebody's Wrong" (Marshall, Egan, Whiting) | ----B | 6235 | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
| "Swanee River Moon" (--) | 2476-B | 6252. Also Derby-571b | Segis Luvaun(Hawaiian guitar), Unidentified(piano) | |
Late 1925 Vox Label (Berlin, Germany)
Recorded in Berlin, Germany under Vox label with Original Hawaiian Trio (Bruquil, Milissa, San Juan) as San Juan[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c late 1925 | "When The Clock Strikes One-Two-Three-Four" (--) | 2526-B | 6271 | Bruquil/Milissa/San Juan(Hawaiian guitar-trio) |
| "Hawaiian Twilight" (--) | ----B | 6241. Also Derby-571a | Bruquil/Milissa/San Juan(Hawaiian guitar-trio) | |
| "Kilima-Waltz" | ----B | 6241 | Bruquil/Milissa/San Juan(Hawaiian guitar-trio) | |
| "Pua Carnation" | ----B | 6242 | Bruquil/Milissa/San Juan(Hawaiian guitar-trio) | |
| "Dreamy Hawaii" | ----B | 6242 | Bruquil/Milissa/San Juan(Hawaiian guitar-trio) | |
| "Aloha Land" (--) | 2530-B | 6271 | Bruquil/Milissa/San Juan(Hawaiian guitar-trio) | |
Sept–Oct 1925 Winner Label (London, England)
Recorded in London, England under Winner label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c Sept–Oct 1925 | "Sunny Hawaii" Waltz | 4323 | Segis Luvaun(Hawaiian guitar), Unknown(violin) | |
| "My Eve" Waltz | 4323 | Segis Luvaun(Hawaiian guitar), Unknown(violin) | ||
| "At Dusk" Waltz (Luvaun) | 9634-2 | 4433 | Segis Luvaun(Hawaiian guitar), Unknown(violin) | |
| "Prancing" Foxtrot (Luvaun) | 9635-1 | 4433 | Segis Luvaun(Hawaiian guitar), Unknown(violin) | |
1925–1926 The Bell Label (London, England)
Recorded in London, England under The Bell label as Unknown[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c 1925–1926 | "At Dusk" | 435- | 735, 758 | possibly Segis Luvaun(Hawaiian guitar) |
| "My Eve" | 436-? | 351, 735 | possibly Segis Luvaun(Hawaiian guitar) | |
| "London" Foxtrot | 437–1 | 357, 732, 758 | possibly Segis Luvaun(Hawaiian guitar) | |
| "Prancing" | ? | 360 | possibly Segis Luvaun(Hawaiian guitar) | |
| "Moana Waltz" | 439–1 | 363 | possibly Segis Luvaun(Hawaiian guitar) | |
Mar 1928 Grammaphon/Polydor Label (Berlin, Germany)
Recorded in Berlin, Germany under Grammaphon/Polydor label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c Mar 1928 | "Aloha-Oe" Foxtrot (Luvaun) | 63br | 21321. Also Polydor(F)-21321 | Segis Luvaun(Hawaiian guitar), Possibly Nikolaus Brodsky(piano), Probably Segis Luvaun(English/Hawaiian vocal), 2 unidentified(vocal) |
| "Sunny Havanna" Foxtrot (Nicholls) | 64br | 21321. Also Polydor(F)-21321 | Segis Luvaun(Hawaiian guitar), Possibly Nikolaus Brodsky(piano), Probably Segis Luvaun(English/Hawaiian vocal), 2 unidentified(vocal) | |
| "Kilima-Valse" (Luvaun) | 65½br | 21322. Also Polydor(F)-21322, Polyphon NS-98508. | Segis Luvaun(Hawaiian guitar), Possibly Nikolaus Brodsky(piano), Probably Segis Luvaun(English/Hawaiian vocal), 2 unidentified(vocal) | |
| "Ma-Oui Girl" Foxtrot (Kealakai)[17] | 66br | 21322. Also Polydor(F)-21322, Polyphon NS-98508. | Segis Luvaun(Hawaiian guitar), Possibly Nikolaus Brodsky(piano), Probably Segis Luvaun(English/Hawaiian vocal), 2 unidentified(vocal) | |
| "Yaaka-Hula-Hicki-Dula" Foxtrot (Bernard) | 67br | *21323. Also Polydor(F)-32323, Polyphon NS-98510A | Segis Luvaun(Hawaiian guitar), Possibly Nikolaus Brodsky(piano), Probably Segis Luvaun(English/Hawaiian vocal), 2 unidentified(vocal) | |
| "Wela-Ka-Hao" Foxtrot (Luvaun) | 68br | 21323. Also Polydor(F)-21323, Polyphon NS-98510B | Segis Luvaun(Hawaiian guitar), Possibly Nikolaus Brodsky(piano), Probably Segis Luvaun(English/Hawaiian vocal), 2 unidentified(vocal) | |
Apr 1928 Grammaphon/Polydor Label (Berlin, Germany)
Recorded in Berlin, Germany under Grammaphon/Polydor label as Segis Luvaun[12]
| Year | Song | Ctrl# | Album | Notes |
|---|---|---|---|---|
| c Apr 1928 | "Always (Heimweh)" (Irving Berlin) | 132br | 21666 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) |
| "Moana Rose. Lied" (Luvaun) | br | 21417 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Nach der Heimat. Volkslied" | 134br | 21666 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Melodie in F" (Rubinstein) | 135br | 21665. Also Polyphon NS-98514 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Romance of Eve" (Luvaun) | 136br | 21665. Also Polyphon NS-98514 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Marcheta. Lied" (Schertzinger) | br | 21417 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Mondnacht. Lied" | 138½br | 21664 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Lysistrata. Glühwürmchen-Idyll" (Paul Lincke) | 139br | 21664 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "One, Two, Three, Four" (Reading) | 140br | 21416 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
| "Tell All The World" (--) | 141br | 21416 | Probably Segis Luvaun, Nikolaus Brodsky(vocal-duet), Unidentified(banjo) | |
Publications
- Book, How to Play the Ukulele, by Luvaun, London, Ascherberg, Hopwood & Crew, Ltd. (1926), [MT645.L9;]
- Sheet Music, Hawaiian Onestep, für Salonorchester, by Segis Luvaun, arr. von B. Bernards; für Pianoforte, arr. von Kurt Lubbe, Lepizig Publishing House, Germany, c 1919–1923.[12]
- Sheet Music, Moana. Hawaiian Waltz, by Luvaun. Amsterdam Frederiksplein, Louis Noiret Music Publishing Company. 1922.
Notes
- 1 2 Luvaun (1926), p. 2.
- ↑ Source Citation: Year: 1900; Census Place: Honolulu, Oahu, Hawaii Territory; Roll: T623_1837; Page: 26B; Enumeration District: 24.
- 1 2 KS Archives – Kamehameha School for Boys, Class of 1900 Retrieved on 2012-06-02.
- ↑ Source Citation: National Archives and Records Administration (NARA), Washington D.C.; Passport Applications, January 2, 1906 – March 31, 1925; ARC Identifier 583830 / MLR Number A1 534; NARA Series: M1490; Roll #807.
- ↑ Source Citation: National Archives and Records Administration (NARA), Washington D.C.; Passport Applications, January 2, 1906 – March 31, 1925; ARC Identifier 583830 / MLR Number A1 534; NARA Series: M1490; Roll #315.
- 1 2 3 4 Certified Copy of an entry of marriage for Segis Luvaun and Eveline Walters, Registration District of St. Giles, entry Number 169.
- ↑ Source: Ancestry.com. Cook County, Illinois, Marriages Index, 1871–1920 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2011.
- ↑ Edmund West, comp.. Family Data Collection – Births [database on-line]. Provo, UT, USA: The Generations Network, Inc., 2001.
- ↑ Source Citation: National Archives and Records Administration (NARA); Washington D.C.; Emergency Passport Applications, Argentina thru Venezuela, 1906–1925; Collection Number: ARC Identifier 1244183 / MLR Number A1 544; ; ; Box #: 4715; Volume #: 3.
- 1 2 3 4 5 6 7 8 9 The Honolulu Students : from the Hawaiian islands., Rochester, N.Y., The Central Printing & Engraving Company (190-?)
- ↑ Hawaiian Gazette (1909), pg 7.
- 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Bio-Discography (1990)
- ↑ "Pell-Mell", a revue by Fred Thompson and Morris Harvey; with music by Nat D. Ayer and lyrics by Clifford Grey and Hugh E. Wright, opened at the London Ambassador theatre on June 5, 1916.
- ↑ Composed by George (Keoki) E. K. Awai
- ↑ Composed by Queen Liliuokalani
- ↑ Composed by Alice K. Everett
- ↑ Composer Ignacio Libornio
References
- Luvaun, How to Play the Ukulele, London, Ascherberg, Hopwood & Crew, Ltd. (1926), [MT645.L9;]
- The Hawaiian Gazette, March 2, 1909, "Hawaiian Singers in the Empire State", Honolulu, Hawaii, pg. 7.
- The Segis Luvaun Bio-Discography, Rainer E. Lotz, Rugby/England, The International Talking Machine Review, 77, Spring 1990, pp. 2255–2259.