Lobgesang

watercolour portrait against blank background of a young man with dark, curly hair, facing the spectator: dressed in fashionable clothes of the 1830s, dark jacket with velvet collar, black silk cravat, high collar, white waistcoat
Portrait of Mendelssohn by James Warren Childe, 1839

Lobgesang (Hymn of Praise), Op. 52 (MWV A 18[1]), is "A Symphony-Cantata on Words of the Holy Bible, for Soloists, Chorus and Orchestra" by Felix Mendelssohn. After the composer's death it was also published as his Symphony No. 2 in B-flat major, a naming and numbering that is not Mendelssohn's.

It requires two sopranos and a tenor as soloists, along with a chorus and orchestra. It lasts almost twice as long as any of Mendelssohn's other four symphonies.

History

It was composed in 1840, along with the less-known Festgesang "Gutenberg Cantata", to celebrate the 400th anniversary of the invention of printing.

In 1842 Mendelssohn had published his Scottish Symphony as "Symphony No. 3", however a "Symphony No. 2" had never been published during Mendelssohn's lifetime. Possibly the composer's intention was to spare this number for his earlier Italian Symphony, which he premiered in 1833, but afterwards withheld for a revision that was never completed. The Italian Symphony was published posthumously as "Symphony No. 4". Decades after Mendelssohn's death, the editors of the old Mendelssohn complete edition entered Lobgesang as "No. 2" in the sequence of this symphonies for editorial reasons.[1] However, there is no indication that this represented the composer's intentions. The new Mendelssohn-Werkverzeichnis (MWV), published in 2009 by the Saxonian Academy of Sciences and Humanities, no longer lists Lobgesang among the symphonies, but rather among the sacred vocal works.[1][2]

Structure

Structurally, it consists of three purely orchestral movements followed by 10[3] movements for chorus and/or soloists and orchestra, and lasts approximately 65–70 minutes in total. The English titles of the movements are:

  1. Symphony
  2. All men, all things, all that have life and breath (Chorus)
  3. Praise thou the Lord, O ye Spirit (Soprano Solo and Semi-Chorus)[n 1]
  4. Sing ye Praise (Tenor Recitative and Aria)
  5. All ye that cried unto the Lord (Chorus)
  6. I waited for the Lord (Soprano Duet and Chorus)
  7. The sorrows of Death (Tenor Aria)
  8. The Night is Departing (Soprano Solo and Chorus)
  9. Let all men praise the Lord (Chorale of Now Thank We All Our God)
  10. My song shall be always Thy Mercy (Soprano and Tenor Duet)
  11. Ye nations, offer to the Lord (Chorus)

The now-standard harmonisation of Now Thank We All Our God was devised by Felix Mendelssohn in 1840 when he adopted the hymn, sung in the now-standard key of F major and with its original German lyrics, as the chorale to Lobgesang.

Instrumentation

The symphony is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, two cornets, three trombones, timpani, chorus, organ and strings.

Text

See also

Notes

  1. ↑ This is sometimes printed as Movement 2½

References

  1. 1 2 3 Wehner, Ralph (2009). Felix Mendelssohn Bartholdy. Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV). Wiesbaden: Breitkopf & Härtel. pp. 22–23. ISBN 978-3-7651-0317-9.
  2. ↑ Grouping and overview of MWV numbers
  3. ↑ Felix Mendelssohn-Bartholdy, Lobgesang: eine Symphonie-Cantate nach Worten der heiligen Schrift; op. 52, p. 198-223.

Further reading

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