List of compositions by Charles Gounod
This is a list of musical compositions by the 19th-century French composer Charles Gounod (1818–93), sorted by musical category and date.[1]
Operas
- Sapho (1851, revised 1884)
- La nonne sanglante (1854)
- Le médecin malgré lui (1858)
- Faust (1859, revised 1869)
- Philémon et Baucis (1860, revised 1876)
- La colombe (1860)
- La reine de Saba (1862)
- Mireille (1864)
- Roméo et Juliette (1867, revised 1888)
- Cinq-Mars (1877)
- Polyeucte (1878)
- Le tribut de Zamora (1881)
- Maître Pierre (incomplete, 1877–84)
Oratorios
- Tobie. Words by Lefèvre (1854)
- Version in English by H. Farnie
- Gallia. For solo soprano, chorus, orchestra, and organ (1871)
- Versions:
- For voice and piano. Arranged by Antony Choudens
- For piano solo. Arranged by Antony
- For voice, piano, organ, violin or violoncello. With French, Latin, Italian, and German words (1872)
- Jésus sur le lac de Tibériade (1873)
- Version for voice and piano arranged by Léon Lemoine
- La rédemption, trilogy (1882)
- Versions:
- For voice and piano arranged by Berthold Tours
- In English by J. Troutbeck
- In German by J. Weyl
- Christus factus est (1842)
- Mors et vita, trilogy (1884)
- Versions:
- For voice and piano. Arranged by Brown (1885)
- In English by J. Troutbeck
Ballet
- Faust (1868)
- Roméo et Juliette (1888)
- Souvenir d'un bal, air. For vln. and pno. (1896)
Theatre
- "Dramatic pieces" (1841)
- "Fragments from Romeo e Giulietta (1842)
- "Sextet from Le cantatrici villane" (1842)
- Ulysse, tragedy by M. Ponsard (1851)
- Le bourgeois gentilhomme, by Lulli (1856)
- Les deux reines, drama by Ernest Legouvé (1865)
- Jeanne d'Arc, drama by Jules Barbier (1873)
- Georges Dandin, comedy by Molière (1873)
- Les drames sacrés, by Armand Sylvestre and Eugène Morand (1892)
Masses
- "Mass" (1839)
- "Mass" (1840)
- "Requiem mass" (1842)
- "Mass" (1843)
- A son ami Gabriel de Vendeuvre. Two tenors and two basses (1846)
- Version in German by J. André. With organ ad lib
- A l'association des sociétés chorales de Paris et du departement de la Seine. For Four-part male choir and organ ad lib (1846)
- Version for 3 voices arranged by A. Lebeau. Messe des orphéonistes. (1870)
- "Mass." For 3-part male choir (1853)
- Versions:
- For 3-part male choir and organ (1863)
- For 4 voices
- St. Cecilia Mass (Messe solennelle à Sainte-Cécile) ("A la mémoire de J. Zimmermann, mon père") (1855, revised 1864)
- Versions:
- For soli, chorus, orchestra, and organ
- For soli, chorus, and organ. Orchestra reduction by E. Vast (1861)
- For soli, chorus, and organ. Added second offertory (1873)
- For soli, four-part chorus, and organ or piano. Added Laudate Dominum (1878)
- For soli, two-part chorus, and organ or piano (1887)
- The Kyrie, Sanctus, Benedictus, and Agnus Dei, for soli or chorus in unison with organ or piano accompaniment (1886)
- With the organ replacing the wind instruments. To be played with a string quartet. Arranged by H. d'Aubel (1895)
- Messe brève en ut majeur. Three-part (soloists or male choir) and organ or harmonium (1872)
- Version for four voices (male choir) and organ
- Messe brève pour les morts (1873)
- Messe du Sacré-Cœur de Jésus. Four-part. For chorus and orchestra (1876)
- Versions:
- For voice and piano. Arranged by A. Lavignac
- For 2 voices and organ or harmonium. Arranged by Antony Choudens (1877)
- For piano and organ. Arranged by Leon Lemoine (1878)
- For 3 voices and organ
- The office of holy communion. Translated by George F. Tredaway
- Messe No. 3. 3-part. With organ ad lib (1882)
- Versions:
- In E♭ (from G)
- For piano and voice. Arranged by Berthold Tours (1883)
- Messe funèbre à quatre voix. For sop. 1, sop. 2, ten., bs., and org. (1883)
- A la mémoire de Jeanne d'Arc. For soli, chorus, and organ (1887) [Plus a prelude with a fanfare and other pieces]
- Quatrième messe solennelle. For chorus and organ (1888) [Preceded by a Te Deum]
- Aux cathédrales. Four-part. For soli, chorus, and organ or piano (1890)
- Messe brève No. 7. Four-part. For soli, chorus, and organ or piano (1890)
- Messe dite de Clovis. Four-part. With organ (1890)
- Messe de Saint-Jean. Four-part. With organ (1890)
- Requiem. For soli, chorus, and piano (1893)
- Versions:
- For soli, chorus, and organ
- For 2 voices and organ
- With an accompaniment of string quartet or harp and organ
Motets
- Te deum (1841)
- "Hymne en français." For soli, chorus, and orchestra (1843)
- A la reine des apôtres. For sop. or bar. (1843, revised in 1846 as Chant pour le départ des missionnaires du séminaire des missions étrangères)
- Versions:
- For sop. or ten.
- For 2 voices
- For chorus
- Chantons, chantons de Dieu le pouvoir éternel, by Handel. For chorus. (1843)
- Domine salvum (1853)
- Ave verum (1853)
- O salutaris (1854)
- Dans cette étable, pastorale sur un noël du XVIIIème siècle (1855–56)
- Bethléem, noël du XVIIIème siècle. With piano or organ (1855–56)
- Version in English by Farnie
- The shepherd's nativity hymn (1855–56)
- Version in English by Farnie
- Les sept paroles du Christ sur la croix. For chorus (1855)
- Regina coeli; Laudate Dominum (1856)
- O Salutaris and Inviolata. Four-part (1856)
- Laudate Dominum. 2-part (1856)
- O salutaris hostia. For solo soprano, chorus, and orchestra (1856)
- Ave verum de Mozart. Four-part. For chorus (1856)
- Interlude and prayer for Joseph en Egypte by Méhul. For voice (1856)
- Ave verum. For solo bs. or alt. (1856)
- Version for solo ten. or sop.
- Jésus de Nazareth. Words by A. Porte (1856)
- Versions:
- With piano or organ in G, C, and E♭ (1860–66)
- With orchestra (1864)
- In English by Chorley (1862)
- For orchestra and chorus (1877)
- O salutaris eternel. For orchestra and organ or solo organ ad lib (1856)
- Da pacem, antiphon. 3-part.(1856)
- Pater noster. Four-part (1856)
- Inviolata. 2-part (1856)
- Ave Maria. Words by Paul Besnard. For solo soprano, organ, piano, and orchestra (1859) [Based on Bach's first prelude]
- Versions:
- For solo alto or baritone and piano
- For solo soprano or tenor and piano
- For soprano or tenor, violin, organ, and piano
- For soprano, violin, organ, piano, and orchestra
- In English by Chorley
- Fixer ici ton sort (1859)
- Prière à Marie (1861)
- Près du fleuve étranger. Four-part. Words by A. Quételard (1861)
- Versions:
- In English by Farnie (1866)
- As Ave verum. For chorus and orchestra
- Tout l'univers est plein de sa magnificence. Words by Racine (1861)
- Ave verum. Four-part (1861)
- Ave verum; O salutaris. With orchestra or organ (1861)
- Le vendredi-saint. 6-part. Words by Alexis Badou (1866)
- Noël, chant des religieuses. Words by Jules Barbier. For female soli and chorus, with piano and organ ad lib (1866)
- Versions:
- In English by Webb (1869) (this work is performed by the Robert Mitchell Boys Choir in the 1947 film The Bishop's Wife)[2]
- In English by Metzler (1889)
- Stabat mater. Words by M. Castaing. For orchestra (1867)
- Version with piano and organ ad lib
- Tota pulchra es. 2-part (1868)
- Sub tuum. 2-part (1868)
- Prière à la Vierge. Words by M. (1868)
- Le mois de Marie (1868)
- Le crucifix (1868)
- Version in English by Webb (1869)
- Sicut cervus. Four-part (1868)
- Cantique pour l'adoration du Saint-Sacrement. Words by A. de Ségur (1868)
- Le ciel a visité la terre. Words by A. de Ségur (1868)
- In English by Farnie (1877)
- Prière pour l'empereur et la famille impériale. Words by Baclen (1869)
- L'anniversaire des martys, 6 canticles. Words by C. Dallet. With piano or organ (1870)
- Ave verum (1871)
- There is a green hill far away. Words by C. F. Alexander (1871)
- Motet pour la fête de l'exaltation de la Sainte Croix. With piano, organ, and harmonium ad lib (1871)
- De profundis (1871)
- O salutaris. 2-part. For mezzo-soprano and tenor (1871)
- Angeli custodes (1872–73)
- Prière d'Abraham. Words by Jules Barbier (1872–73)
- O salutaris. For solo sop. or ten. (1872–73)
- Version for alt. or bar. (1875)
- "Two Benedictus: A morning service. An evening service" (1872–73)
- L'Ave Maria de l'enfant (no date)
- To God, we choir above. Words by P. Skelton (no date)
- Que sa volonté soit faite! With piano or organ ad lib (1872)
- Cantique pour la première communion. Words by R. P. Dulong de Rosnay. With piano or harmonium (1872)
- Bienheureux le cœur sincère. 2-part. Words by Jules Barbier. For sop. and alt. (1872)
- La salutation angélique. For voice and piano (1872)
- D'un cœur qui t'aime. 2-part. Words by Racine and Athalie. For sop. and alt. (1872)
- Hymn to the holy virgin, canticle (1872)
- In English by B. P. Wyatt Smith (1883)
- Le roi d'amour est mon pasteur, melody. Words by Paul Collin (1872)
- In English by H. W. Baker (1884)
- Glory to thee my God, this night. Words by Bishop Ken (1872)
- Hymne à Saint-Augustin. 1-part. Words by M. Ribolet. For chorus and organ (1872)
- Forever with the Lord. Words by J. Montgomery (1872)
- Ce qu'il faut à mon âme, canticle. Words by Félix Sédillot (1872)
- Le nom de Marie, canticle. Words by A. de Ségur (1872)
- Version in English by Farnie
- Requiem (1873)
- Temple, ouvre-toi. Words by Legouvé (1873)
- Version in English by Westbrook
- Vexilla regis (1873)
- On the sea of Galilee. Words by Weldon. For solo, chorus, and orchestra. Arranged by E. Tinel (1873)
- Ave verum. For soprano or tenor, violin, organ, piano, harp, and contrabass ad lib (1876) [Hymne à Sainte Cécile]
- "60 sacred songs." With organ or piano (1879)
- Miserere. Four-part. For soli, chorus, and organ ad lib (1880)
- De profundis. For soli, chorus, and orchestra (1880)
- Version for voice and piano
- L'hymne apostolique (1886)
- Quam dilecta tabernacula tua. For solo bar. (1886)
- Hymne de la patrie. Notre-Dame de France. Words by Georges Boyer (1886)
- Te Deum. For soli or small chorus, chorus, organ, and harp (1886)
- The holy vision. Words by Frederic E. Wheaterly (1886)
- "60 sacred songs" (1887)
- La communion des saints. For soprano and chorus (1889)
- Ave Maria (1890)
- La contemplation de Saint François au pied de la croix and La mort de Saint François (1891)
- Second Ave Maria, meditation (1892) [Based on Bach's second prelude]
- Je te rends grâce, ô Dieu d'amour, canticle. Four-part. Words by Paul Collin. For soli ad lib, chorus and piano or organ (1892)
- Version for voice and piano
- Toujours à toi, Seigneur, hymn. Four-part. Words by Paul Collin. For chorus (1892)
- Tantum ergo. With violin, violoncello, and organ (1892)
- Pater noster. 5-part. For soli, chorus, and organ (1892)
- Le jour de Noël, epilogue (1892)
- Christus factus est obediens, canticle (no date)
- Ave Maria (published 1894)
- Salve regina (published 1894)
- Adoro te supplex, hymn (published 1894)
- Version in English by A. Phillips (published 1895)
- La prière de Jeanne d'Arc. Words by Jules Barbier (published 1894)
- Version in Latin by Dourlent
- Agnus Dei, by Henri Busser. With org. and vln. ad lib (published 1895)
- Motet à Saint Jean l'evangéliste, epilogue (published 1895)
- Pater noster, by Henri Busser (published 1895)
- Sancta Maria, canticle. Words by Eucher (published 1895)
- Amen (published 1895)
- O salutaris (published 1897)
- Hymne à l'eucharistie, canticle. Words by E. Julliotte (published 1900)
- D'un cœur qui t'aime. Words by Racine. For sop. and alt. (published 1900)
- Version for org. as "Bethléem" (1891)
Songs
- Marie Stuart and Rizzio, lyric scene (1837)
- La vendetta, lyric scene (1838)
- Fernand, lyric scenes. 3-part (1839)
- Le vallon, meditation. Words by A. de Lamartine (1840–42)
- Version in English by L. H. F. du Terreaux
- Le soir (1840–42)
- "Un hymne français." For soli, chorus, and orchestra (1843)
- "Bach's 1st prelude." For vln., org., and pno. (1852)
- Version for voice. Words by A. de Lamartine
- Quatre grands chœurs. For orchestra (1852–58)
- Chant des compagnons; Le vin des Gaulois et la danse de l'Épée (1852–58)
- Les pauvres du bon Dieu (1852–58)
- La chanson de Roland. Four-part. For men's voices (1852–58) ["Chœur de Grétry" from ''Guillaume Tell'']
- Chasse: Où sommes-nous? (1852–58)
- Vive l'Empereur! (1852–58)
- Hymne à la France (1852–58)
- La cigale et la fourmi (1852–58)
- Le corbeau et le renard (1852–58)
- Bonjour, bonsoir. 3-part. Words by Spenner. For chorus (1852–58)
- Le rosier blanc. Words by Spenner (1852–58)
- Patte de velours. Words by Spenner (1852–58)
- La jeune fille et la fauvette, melody. Words by La Chauvinière (1852–58)
- Cantate. Words by Turpin. For women's voices (1852–58)
- Un rêve (1852–58)
- La distribution des prix (1852–58)
- Paraissez, roi des rois (1852–58)
- Reine des cieux. Words by Turpin (1852–58)
- La géographie. Words by Turpin (1852–58)
- L'action de grâce. Words by Turpin (1852–58)
- Le catéchisme. Words by Turpin (1852–58)
- Le bénédicité. Words by Turpin (1852–58)
- Où voulez-vous aller? Words by M. Théophile Gautier. For piano and violin, or violoncello, or flute, or harmonium (1852–58). Dedicated to Alexis Dupont
- Versions:
- In English by W. J. Ryby (1878)
- In English by O. Meredith (1882)
- Primavera, melody. Words by M. Théophile Gautier (1852–58)
- Marguerite, romance. Words by O. Pradere (1854–55)
- Chant de paix (1854–55)
- Les vacances. Words by L. Bigorie. (1854–55)
- Le jour des prix. Words by E. Scribe (1854–55)
- Le temps qui fuit et s'envole (1854–55)
- La prière et l'étude: L'emploi de la journée. Words by C. Turpin (1854–55)
- La récréation; L'ècriture; L'arithmétique. Words by C. Turpin (1854–55)
- Version for duet for "L'ècriture" and "L'arithmétique"
- Fêtes des ècoles. 3-part. Words by A. Lefèvre. For chorus (1854–55)
- Version for 4 voices
- L'hiver, by Lully. For chorus (1854–55)
- Chantons, chantons de Dieu le pouvoir éternel, by Handel. For chorus (1854–55)
- En ce doux asile, by Rameau. For chorus (1854–55)
- L'ange gardien. Four-part. Words by Quételard. For chorus (1854–55)
- Mon habit, by Béranger (1855)
- Six mélodies (1855)
- Deux vieux amis, scene. Words by Pierre Véron. For ten. and bar. (1855)
- Sérénade. Words by Victor Hugo. With piano, organ, and harmonium ad lib (1855, revised 1864, 1866, and 1867)
- Les châteaux en Espagne. Words by Pierre Véron. For ten. and bar. (1855)
- L'âme de la morte. Words by Théodore de Banville (1860)
- L'âme d'un ange. Words by Théodore de Banville (1860) [Based on the Italian folk song "La rondinella"]
- Chanson de printemps. Words by Eugène Tourneux (1860)
- La jeune fille et la fauvette. Words by Edmond de La Chauviniere (1860)
- Dans cette étable, pastorale. For chorus and orchestra (1860) [Based on an 18th-century "noël"]
- Le Juif errant. Words by Béranger (1860)
- Six mélodies enfantines. With pno. (1860)
- A une jeune Grecque, epitaph. Words by Prosper Yvaren, from the Greek words by Sappho (1860)
- Medjé, Arab song. Words by Jules Barbier (1865)
- Solitude. Words by A. de Lamartine (1865)
- Tombez mes ailes, romance. Words by Ernest Legouve (1865)
- Stances. Words by Louise Bertin (1865)
- Crépuscule. Words by M. (1865)
- Un rève. Words by M. Spenner. Arranged with piano by F. Morand (1865)
- Au printemps. Words by J. Barbier (1865)
- Le vendredi-saint. 6-part. Words by Alexis Bardou. For chorus and piano (1865)
- A une bourse. Words by Émile Augier (1865)
- A une jeune fille. Words by Émile Augier (1865)
- Les pauvres du bon Dieu Words by M. Lebeau. Arranged by F. Morand (1865)
- Version with words by Baelen [Hommage to countess Herminie de Leautaud's recently born son]
- Envoi de fleurs. Words by Émile Augier (1865)
- Donne-moi cette fleur. Words by Léon Gozlan (1865)
- Départ, scene. Words by Émile Augier (1865)
- Déesse ou femme, madrigal. Words by Barbier and Carré (1865)
- Boire à l'ombre. Words by Émile Augier (1865)
- Version in English by A. Phillips
- Le temple de l'harmonie, 12 choruses and a cantata. For voice and piano (1865)
- Les martyrs, scene. For men's chorus (1869)
- "20 melodies." For voice and piano (1869)
- Absence. Words by A. de Ségur (1870)
- Chantez Noël 2-part. Words by Jules Barbier. For sop. and alt. (1870)
- La cigale et la fourmi. For chorus (1870)
- Le corbeau et le renard. For chorus (1870)
- Je ne puis espérer. Words by Albert Delpit (1870)
- Chantez, voix bénies, hymn. Words by Louis Gallet (1870)
- Versions:
- In Italian by Zaffira (1872)
- In English by C. J. Rowe
- Par une belle nuit, nocturne. 2-part. Words by A. de Ségur. For sop. and alt. (1870)
- La paquerette. Words by Alexandre Dumas (1871)
- Chanter et souffir. Words by Albert Delpit (1871)
- Mignon. Words by Louis Gallet (1871)
- Le souvenir. Words by Joseph Collin (1871)
- Oh! that we two are maying. Words by Charles Kingsley. With harmonium and viola ad lib (1871)
- The sea hath its pearls. With harmonium and violin ad lib (1871)
- Beware: I know a maiden. Words by Henry Wadsworth Longfellow (1871)
- Queen of love. Words by Francis Turner Palgrave (1871)
- La siesta, duet (1871)
- The daisy. Words by Henry Dulcken, from the French words by A. Dumas (1871)
- Boléro. Words by Jules Barbier (1871)
- Version in English by B. Kett
- Good night. Words by Shelley (1871)
- It is not always May. Words by Henry Wadsworth Longfellow (1871)
- Oh, happy home! Oh, blessed flower! Words by E. Maitland (1871–72)
- The fountains mingle with the river. Words by Shelley (1871–72)
- There is dew. Words by Thomas Hood (1871–72)
- Woes me! Woes me! Words by Campbell (1871–72)
- The Royal Albert Hall. For chorus (1871–72)
- Le pays bien heureux: Question d'enfant. (1871–72) [From "The better land" by Felicie Hemans]
- Perche piangi? Cantilena. Words by Corrade Marchese Pavesi (1871–72)
- Prière du soir. Words by C. Ligny (1871–72)
- Version in English by Webb (1869)
- Quanti mai. Words by Jules Barbier, from Metastasio (1871–72)
- Si vous n'ouvrez votre fenêtre. Words by A. Dumas (1871–72)
- Biondina, in 12 numbers. Words by Giuseppe Zaffira (1871–72)
- Heureux sera le jour. Words by Ronsard. H. Lemoine (1871–72)
- La fauvette. Words by Millevoye (1871–72)
- La fleur du foyer. Words by Charles Ligny and E. Maitland (1871–72)
- Oh! dille tu! madrigal. Words by Giuseppe Zaffira (1871–72)
- Chanson d'avril, serenade by Passant and François Coppée (1872)
- Chanson de la brise, duo. Words by C. Ligny (1872)
- Maid of Athens. Virgine d'Atene/Vierge d'Athène. Words by Lord Byron (1872)
- Versions:
- In French by J. Ruelle
- In Italian by A. Zanardini
- The message of the breeze, duet (1872)
- Ma belle amie est morte, lamento. Words by Théophile Gautier (1872)
- Little Celandine. Words by C. Ligny. For sop. and alt. (1872)
- Barcarola Words by Giuseppe Zaffira. For sop. and bar. (1872–73)
- Version in French by Jules Barbier
- Blessed is the man (1872–73)
- Chidiock Tichborne (1872–73)
- Ella è malaia (1872–73)
- E le campane hanno suonato (1872–73)
- Entreat me not to leave thee (1872–73)
- E stati, alquanto (1872–73)
- Ha qualche tempo (1872–73)
- L'ho accompagnata (1872–73)
- There is dew. Words by Thomas Hood (1872–73)
- Ho messo nuove corde al mandolino (1872–73)
- Ier fu mandata (1872–73)
- If thou art sleeping, maiden, awake. Words by Henry Wadsworth Longfellow (1872–73)
- Invocation. Words by O. Pradère (1872–73)
- Le labbra ella compose (1872–73)
- Loin du pays (1873)
- Roy's wife of Aldivalloch (1873)
- My beloved spake (1873)
- The Worker. Words by Frederick Weatherley (1873)
- L'ouvrier, lyric scene. Words by Charles Ligny and Frederick Weatherley (1873)
- Peacefully slumber (1873)
- Prière du soir. Words by Eugène Manucl (1873)
- Comeio son poeta (1873)
- Siam iti l'altro giorno (1873)
- Sotto un cappello rosa (1873)
- Welcome to skye (1873)
- Stances à la mémoire de Livingstone. Words by Lord Houghton (1873)
- Sur la montagne. Words by Jules Barbier (1874)
- A la Madone. Words by Jules Barbier (1874)
- Aimons-nous. Words by Jules Barbier (1874)
- A la brise. Madrigal. Words by Jules Barbier (1875)
- Clos ta paupière. Berceuse. Words by Jules Barbier (1875)
- En avant, military song. Words by Paul Déroulède. For solo, chorus, and piano 4 hands (1875)
- Mon amour a mon cœur. Words by Jules Barbier (1875)
- Viens, les gazons sont verts. Words by Jules Barbier (1875)
- Cantate, in 5 movements. Four-part. With organ (1875)
- Prend garde. Words by Jules Barbier (1876)
- Prière. Words by Sully-Prudhomme (1876)
- Compliment. Words by A. Dumas (1876)
- Les lilas blancs, waltz. Words by Paul Bourguignat (1876)
- Ma fille, souviens-toi. Words by Louise-Marie B. (1876)
- A toi, mon cœur! Words by Jules Barbier (1876)
- Les jeunes Françaises, duet. Words by E. Iegollvé (1876)
- L'absent (1876)
- "20 Mélodies." For sop. or ten. and pno. (1877)
- Version for alt. or bs. and pno.
- Vive la France! Words by P. Déroulède. Orchestrated by A. Wormser (1877)
- Version for solo and chorus
- La chanson du patre (1878)
- Le départ du mousse, barcarolle. Words by Pierre Barbier (1878)
- La reine du matin. Words by Jules Barbier and M. Carré (1878)
- Rêverie. Words by Jules Barbier (1878)
- Jesus à la crèche, "Noël" (1878)
- "15 children's melodies." With pno. (1878)
- Mélancolie, rêverie. Words by François Coppée (1879–80)
- Les châteaux en Espagne. Words by Pierre Véron. For ten. and bar. (1881)
- Tu m'aimes: Réponse de Medjé. Words by Marie Barbier (1882)
- Elle sait. Words by Georges Boyer (1882)
- Ce que je suis sans toi. Words by M. de Peyre (1882)
- Chant des sauveteurs bretons. Words by Anais Ségalas (1882)
- Pauvre Braga, charmant garçon! Words by G. Nadaud (1882)
- La chanson de la glu, by J. Richepin (1883)
- Déjà l'aube matinale, duo (1883)
- Dernières volontés. Words by Louis Veuillot (1883)
- Les deux pigeons. Words by La Fontaine (1883)
- Memorare. For sop. and alt. (1883)
- Voguons sur les flots, barcarolle (1883)
- "14 big choruses." Four-part. With pno. (1883)
- A Cécile. Words by G. Dubufe (1883)
- Quand l'enfant prie. Words by Georges Boyer (1883)
- La couronne des reines. Words by D'ennery and Brésil (1885)
- Les adieux à la maison (1885)
- Blessures. Words by Henri Turpin (1885)
- Voix d'Alsace-Lorraine. Words by R. Rousseil (1885)
- Le temps des roses. Words by Camille Roy (1885)
- Versions:
- In Italian by A. Zanardini
- In English by Germaine Mellor (1888)
- Aria di camera, pastoral by Johann Adolph Hasse (1886)
- Versions:
- In French by E. Vergin [Also: E. Colonne]. With pno.
- With orchestra
- Dieu partout. 2-part. Words by E. Plouvier (1886)
- Le travail béni. 2-part. Words by E. Plouvier (1886)
- La fête des couronnes. 2-part. Words by E. Plouvier (1886)
- "Six choruses" (1886)
- Le temps qui fuit (1887)
- Ce qu'il faut à mon ame, canticle. Words by Félix Sédillot (1887)
- Vincenette. Words by Pierre Barbier (1887)
- Gliding, down the river, boat song. Words by H. B. Farnie (1887)
- Passiflora. Words by Jeanne de Chambrun (1888)
- Hymne à la nuit. Words by Jules Barbier (1889)
- Aubade à la fiancee. Words by A. Dennery and J. Brésil (1890)
- "20 mélodies." For voice and piano (1890)
- A la nuit (1891)
- L'absent (1892)
- Tout l'univers obéit a l'amour. Words by La Fontaine (1893)
- Blanche Colombe; A la Madone; A ma sœur; Parlez pour moi, romances (no date) [From the collection L'âge d'or]
- Au rossignol. Words by A. de Lamartine (no date)
- La liberté éclairant le monde. 3-part. Words by E. Guiard (published 1894)
- L'aveu. Words by Jean Rameau (published 1894)
- "3 songs." (published 1895)
- "Tranquil night" ["Night resplendent" from Cinq-Mars]
- "Love in Arcadia"
- "Image so dear"
- Repentir ("O Divine Redeemer"), for mezzo-soprano (published 1894)
- When the children pray. Words by O. Thospe. With violin and harmonium by H. Kingswill (published 1894)
- Célèbre sérénade, berceuse. 2-part. Words by V. du Fresnel. For 2 voices or chorus (published 1895)
- Le beau. Words by Jules Barbier (published 1895)
- La chanson du pécheur. Words by Théophile Gautier (published 1895)
- Souvenir d'un bal (published 1895)
- Soir d'automne (published 1896)
- Easter eve. Words by C. Armstrong (published 1897)
- Óyeme. Words by Sully-Prudhomme, from Spanish words by El Marqués de Alta Villa (published 1898)
Instrumental
- "Fugues" (1837–39)
- "Scherzo" (1837)
- "Marche militaire suisse" (1840–41)
- "Quintette" (1840–41)
- "Plusieurs petits morceaux" (1840–41)
- "Canon" (1843)
- "Instrumental piece" (1843)
- "Méditation." For vln., pno., and org. (1852) [Based on Bach's first prelude]
- Version for piano solo
- "Valse" (1854)
- La jeune religieuse, by Schubert. For piano, violin, violoncello ad lib, and Debain harmonicorde (1856)
- "Quintette de Cosi fan tutte," by Mozart. For vln., vlc., org., and pno. (1856)
- Symphonie No. 1. For orchestra (1855)
- Versions:
- For piano 4 hands. Arranged by Georges Bizet
- For piano 2 hands. Arranged by A. Goria (1856)
- Symphonie No. 2. For orchestra (1855)
- Version for piano 2 hands. Arranged by Antony Choudens (1866)
- "Communion." For org. (1858)
- "Overture from the opera Le medecin malgré lui." For piano 2 hands (1858)
- L'angelus, menuet. For piano 4 hands (1858)
- Version for easy piano
- "Valse caractéristique." For piano 2 hands (1860)
- Version for piano 4 hands
- "Meditation on Faust. For pno., vln., vlc., and org. (1862)
- La pervenche, romance (1861)
- Le ruisseau, romance (1861)
- Musette: Les pifferari, impromptu. For piano (1861)
- Royal-Menuet. For piano (1863)
- "Rêverie arabe" from La reine de Saba. For pno. or org., vln., and vlc. (1863)
- "Serenade." For pno., vln., and vlc. (1863)
- Versions:
- For pno. and org.
- For pno.
- For easy pno.
- Le bal d'enfants. For easy pno. (1864)
- "Le berger de la crau" from Mireille. For pno. (1864)
- Versions:
- For easy pno.
- For org.
- "Choeur des magnanarelles" from Mireille (1864)
- "Valse-ariette" from Mireille (1864)
- "Heureux petit berger" from Mireille. For pno. (1864)
- Hymne a Sainte-Cécile. For vln., org., and pno. (1864)
- Version for violin, harps, timpani, wind instruments, and contrabasses (1865)
- Georgina. For pno. (1864)
- "6 melodies." For pno. (1864)
- "8 melodies." For pno. (1864)
- "Les champs"
- "Chant du guerrier"
- "Le vallon"
- "Le Juif errant"
- "Visions de Faust"
- ?
- "L'ame d'un ange"
- "Le chant d'Euryclée"
- Aubade; Chant d'automne; Le lever, O ma belle rebelle; Le premier jour de mai; Venise. For easy pno. (1864)
- "Marche nuptiale" (1864)
- Le Soir, romance (1864)
- Le Calme, romance (1864)
- Chant des compagnons, For orchestra (1865)
- Valse des fiancés: Souvenances, nocturne. For pno. (1865)
- La chanson du printemps, romance (1866)
- Marche pontificale (1869)
- "Variety of chorales by J. S. Bach." For org. (1869–70)
- La melodia, romanza. For org. (1871)
- Ivy: Le lierre, For pno. (1871)
- Saltarello. For orchestra (1871)
- "Marche romaine" (1872)
- Dodelinette. lullaby. For pno. (1873)
- Marche funèbre d'une marionnette For pno. (1873). Orchestrated 1879. [Published with narrative in 1882 with words by George Price and Jean Ker Mary]
- Maid of Athens. For pno. (1873)
- Peacefully slumber, lullaby. For vln. and pno. (1873)
- Offertorium. For org. (1873)
- La veneziana. For pno. (1873)
- La fête de Jupiter, march. For pno. (1877–85)
- Sarabande de Cinq-Mars. For pno. (1877–85)
- Cinq-Mars, march. For org. and hp. (1877–85)
- Version for pno. 4 hands
- "Invocation; Prélude." For pno. (1877–85)
- "Pastorale; Sérénade." For pno. (1877–85)
- "Marche-fanfare." For pno. (1877–85)
- "Marche religieuse." For orchestra (1877–85)
- "Grand waltz" (1877–85)
- "Meditation." For pno. (1877–85)
- "Overture from Cinq-Mars" For pno. 4 hands (1877–85)
- Version for pno. 2 hands
- "Saltarelle; Marche religieuse." For pno. 2 hands (1877–85)
- Version for pno. 4 hands
- Cinq-Mars, fantasy. For pno. and vln. (1877–85)
- "Marche solennelle." For pno. (1877–85)
- Version for harmonium and piano
- "3 small and easy pieces." For pno. 4 hands (1879)
- "La nacelle"
- "La rosière"
- "Le page"
- "Valse caractéristique." For pno. (1881)
- "Wedding march No. 1." For pno. (1881)
- Version for org. and 3 trb. (1882)
- "Wedding march No. 2." For pno. (1882)
- "Petite etude-scherzo." For 2 cb. (1877–85)
- "Meditation on the song The arrow and the song." For pno., vln. or tpt., vlc., and org. (1877–85)
- Le rendez-vous, valses. For piano and orchestra (1877–85)
- Passacaille, serenade by Jacques Bosch. For gtr. and vln. ad lib (1877–85)
- Fantaisie sur l'hymne national russe. For pedal piano and orchestra (1886)
- Suite concertante. For pedal piano and orchestra (1888)
- Versions:
- No. 3. For 2 pno. Arranged by Camille Saint-Saëns and A. Leduc
- No. 5. For piano 2 hands. Arranged by G. Pierné (1889)
- No. 5. For piano 4 hands. Arranged by C. de Bériot (1889)
- "Petite symphonie." fl., 2 ob., 2 cl., 2 hn., and 2 bsn. (1888)
- Concerto in E-flat major. For pedal piano and orchestra (1889)
- Tempo di marcia (1893) [Incomplete; only 8 measures]
- "Preparatory preludes and fugues for Bach's The Well-Tempered Clavier. (published 1895)
- "Quartet." For 2 vln., vla., and vlc. (published 1895)
- "Scherzo." For pno. (published 1896)
- Album for the pianoforte. Revised, phrased, and fingered by O. Thürner (published 1906)
- "6 pieces." For pno. (published 1907)
- "6 string quartets." (published 1993)
References
- ↑ Condé, Gérard. Charles Gounod. Paris: Fayard. 2009. 1086 p. ISBN 2-213-63249-9
- ↑ https://www.youtube.com/watch?v=EgIvJl2P3JI
External links
- Charles GOUNOD: Catalogo delle composizioni at www
.flaminioonline .it - Charles-gounod.com: Charles Gounod: His life, his works. . .
- Marie-Anne de Bovet, Charles Gounod: His Life and His Works. Pre-1923 work, digitised and re-released in 2008 as ISBN 0559263309
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