Princess Yongtai
| Princess Yongtai 永泰公主 | |||||
|---|---|---|---|---|---|
| Born | 685 | ||||
| Died | October 9, 701 (aged 15–16) | ||||
| Burial | Qianling Mausoleum, Shaanxi | ||||
| |||||
| Clan | House of Li | ||||
| Father | Emperor Zhongzong of Tang | ||||
| Mother | Empress Wei | ||||
Princess Yongtai (Chinese: 永泰公主; Wade–Giles: Yung-t'ai), born Li Xianhui (Chinese: 李仙蕙; pinyin: Lǐ Xiānhuì); 685 – October 9, 701[3][4]), courtesy name Nonghui (穠輝), was a princess of the Tang Dynasty.
Biography
Li was the seventh daughter of Emperor Zhongzong of Tang and the second daughter of Empress Wei. She married Wu Yanji (武延基), a grandnephew of Wu Zetian.[5]
Death
The cause of Li's death is widely disputed. One report states that Wu Zetian, who had deposed Zhongzong after a brief reign, heard of remarks that Li supposedly made and had her flogged to death, or alternatively she was made to hang herself. Her husband and elder brother were also executed. In contrast, the epitaph from her tomb states that she died in childbirth. After Wu Zetian's death, when her father again came to the throne, she and her brother were reburied in grand tombs in the Qianling Mausoleum in 705.[6]
Tomb
Li's tomb was discovered in 1960, and excavated from 1964. Among the Qianling Mausoleum burials, Li's is the largest belonging to a woman.[7] It had been robbed in the past, probably soon after the burial, and items in precious materials taken, but the thieves had not bothered with the over 800 pottery tomb figures, and the extensive frescoes were untouched. The robbers had left in a hurry, leaving silver items scattered around, and the corpse of one of their number. The tomb had a flattened pyramid rising 12 metres above ground, and a long sloping entrance tunnel lined with frescoes, leading to an ante-chamber and the tomb chamber itself, 12 metres below ground level with a high domed roof.[8] Most of the contents, including the frescoes, are now in the Shaanxi History Museum.
The frescoes depicted the four deities, ceremonial weaponry, daily life in the imperial court, and celestial bodies. The tomb also provides an example of Tang dynasty architecture, with depictions of buildings and caisson motifs.[9] The main subject of the frescoes is women, the majority of whom are shown without make-up and wearing no jewellery.[10] There are also several carved human figures, who seem to be ladies-in-waiting.[11]
Notes
- ↑ The Tomb of Princess Yongtai. TravelChinaGuide. Retrieved 2008-02-11.
- ↑ Shaanxi History Museum.
- ↑ Tombstone of the Deceased Princess Yongtai of Tang.
- ↑ Academia Sinica Chinese-Western Calendar Converter.
- ↑ "關於大唐最美公主——永泰公主李仙蕙死因的解析" [On the most beautiful Tang princess: resolving the Princess Yongtai Li Xianhui's cause of death] (in Chinese). KK News. 25 August 2016. Retrieved 14 March 2017.
- ↑ Watson, 136; Hay, 51
- ↑ Wang (2003), p. 59.
- ↑ Watson, 136-141, Hay, passim throughout
- ↑ Wang (2003), p. 59-64.
- ↑ Wang (2003), p. 64.
- ↑ Wang (2003), p. 67.
References
- Hay, Jonathan (2010). "Seeing through dead eyes: How early Tang tombs staged the afterlife". RES: Anthropology and Aesthetics. Peabody Museum of Archaeology and Ethnology, Harvard. Spring/Autumn (57/58): 16–54. JSTOR http://www.jstor.org/stable/25769971.
- Wang 王, Xiaoli 晓莉 (2003). "永泰公主墓壁画题材及艺术特色" [Artistic characteristics and topics in the murals of the Princess Yongtai's tomb]. Wenbo (in Chinese) (5): 59–67.
- Watson, William (1973). The Genius of China: An exhibition of archaeological finds of the People's Republic of china held at the Royal Academy, London by permission of the President and Council from 29 September 1973 to 23 January 1974. London: Times Newspapers Ltd. ISBN 0723001073.