Leslie Wayne

Artist working, Hells Kitchen, NY, 1998

Leslie Wayne (born 1953, Landstühl, Germany) is a visual artist who lives and works in New York.[1] Wayne is best known for her "highly dimensional paintings".[2]

Early life and education

Leslie Wayne was born in Landstühl, Germany to American parents and grew up in Los Angeles and Newport Beach. At the age of 7, she was taking private art lessons and attended classes on the weekends throughout high school.[3] Her first two years of undergraduate work at the University of California, Santa Barbara's College of Creative Studies focused on the figure, plein-air landscapes, and printmaking. She created a suite of etchings and aquatints based on the photographs of Jacques Henri Lartigue, with whom she had begun a correspondence.[4]

Wayne moved to Paris from 1974-1975, where she attended French classes at the Alliance Française, Wayne then moved to Israel from 1975-1980. She continued to paint and explore other creative outlets, including ceramics and children's book illustration.[4] Wayne returned to Southern California in 1980 and two years later moved to New York City where she enrolled in the Parsons School of Design. At Parsons, Wayne became a sculpture major and studied with Ronald Bladen and Don Porcaro, whom she later married in 1987. She graduated with honors, with a BFA in sculpture in 1984.[4]

Work

Early work

Wayne's early work was driven by a focus on technique and observation. Her inspiration came from French Impressionism, particularly the paintings of Van Gogh, Lautrec and Manet, and the photographs of Jacques Henri Lartigue. Only after her classes at the Académie de la Grande Chaumière, did she first venture into abstraction.

Wayne had her first solo show at the Jerusalem Theatre Gallery in 1979 of works that were inspired by Georgia O’Keefe's desert landscape paintings.[1] Returning to California, she continued to paint plein-aire landscapes. With the hills of Laguna Beach as a backdrop, Wayne developed an identification with the landscape and geology of the West.

New York

Wayne moved to New York City in 1982 and enrolled at Parsons School of Design. While a student, she focused on sculpture, and was inspired by the work of David Smith.[5] After graduation, Wayne returned to painting, developing a minimalist abstract style inspired by the many trips she and her husband, sculptor Don Porcaro made to the Southwest. She exhibited these works in her first New York solo show at 55 Mercer Gallery. Although this show resulted in the attention of the New York art scene, Wayne longed for the creative excitement she felt when she was making sculpture. Experimenting in her studio, Wayne began challenging the physical limitations of paint, resulting in a style that became the central focus of her career. In 1992 she received a fellowship at Yaddo where she worked on refining her new approach, and showed these paintings at 55 Mercer Gallery later that year. From the success of that show she was invited to join Jack Shainman Gallery.

Wayne's seminal works, hybrids of sculpture and painting, range from small scale to larger multi-paneled and shaped paintings. Wayne's themes explore the intersection of abstraction and figuration and forms in nature, as well as perception and the relationship between object and image. Wayne engages with action painting, surrealist automatism, and the conventions of the painting medium.[6]

Career

Wayne had her first two New York solo shows at 55 Mercer Gallery in 1990 and 1992. In 1993 she joined Jack Shainman Gallery and had her first solo show that year.

Throughout the late 1990s and into the 2000s Wayne exhibited with L.A. Louver in Los Angeles, Solomon Projects in Atlanta, GA, Byron Cohen Gallery for Contemporary Art in Kansas City, MO and Galerie Bugdahn und Kaimer in Düsseldorf, Germany.

Her work was featured in the 44th Biennial Exhibition of Contemporary American Painting: Painting Outside Painting, curated by Terrie Sultan for the Corcoran Gallery of Art in Washington, D.C. in 1995.

In 2002, an installation of sixty of Wayne's paintings inaugurated the new Samuel Dorsky Museum of Art in New Paltz, NY as part of an installation with 60 of Porcaro's small scale sculptures. The show was expanded in 2004, becoming a survey of her and Porcaro's work from the previous decade. Titled "The Object of Time: Charting A Decade", the exhibition travelled to the University Gallery at the University of Florida in Gainesville, the Crossley Gallery at the Ringling School of Art and Design, and the Red Gallery at the Savannah College of Art and Design.[1]

In 2011, the Halsey Institute of Contemporary Art at the College of Charleston mounted a five year survey of Wayne's recent work. A catalogue and video interview accompanied the exhibition. The show traveled to the Visual Arts Center of Richmond, the Joseloff Gallery at the University of Hartford and the Foosaner Art Museum. In 2014, the Abroms Engel Institute of Contemporary Art at the University of Alabama presented a survey of Wayne's paintings entitled "Mind The Gap", which inaugurated the newly opened museum.

Wayne's work is in many public collections throughout the United States and abroad, including the Birmingham Museum of Art, Birmingham, AL; The Cooper Hewitt, Smithsonian Design Museum, NYC; The Corcoran Gallery of Art, Washington, D.C.; Collezione Maramotti, Regio Emilia, Italy; Fondation Cartier pour l'Art Contemporain, Paris, France; Harvard University Business School Schwartz Art Collection, Cambridge, MA; Colección Jumex, Mexico City, Mexico; Neuberger Museum of Art, Purchase, NY; Portland Museum of Art, Portland, OR; The Miami Museum of Contemporary Art, Miami, FL; and Reed College Special Collections Library, Portland, OR, among others.[7]

Awards

Wayne's honors and awards include a John Simon Guggenheim Memorial Foundation Award in Fine Arts (2017), Joan Mitchell Foundation Artist's Grant (2012), New York Foundation for the Arts Fellowship in Painting (2006), Buhl Foundation Award for Abstract Photography (2004), Adolph and Esther Gottlieb Foundation Artist's Grant (1994), Hillwood Art Museum/New York State Council on the Arts Projects Residency Grant (1993), Yaddo Artist's Residency Fellowship (1992), Change Inc. Artist's Emergency Grant (1985), Artist's Space Exhibition Grant (1985, 1990), and a Pollock-Krasner Foundation Artist's Grant (1985).[8] In 2016, Wayne was inducted into the National Academy in New York City, and was also awarded an MTA Arts & Design commission to design the windows for the newly renovated Bay Parkway Station.[9].

Personal life

Wayne lives and works in New York City with her husband, sculptor Don Porcaro.[10]

References

  1. 1 2 3 Rashid, Katie (2010). Leslie Wayne: One Big Love. New York City: Jack Shainman Gallery.
  2. ↑ Goodman, Jonathan. "Leslie Wayne, Rags". Brooklyn Rail. Retrieved 25 January 2017.
  3. ↑ Buhmann, Stephanie; Wayne, Leslie. "Leslie Wayne with Stephanie Buhmann" (PDF). Retrieved 25 January 2017.
  4. 1 2 3 Schwartz, Dr. Julia; Wayne, Leslie. "Interview with Leslie Wayne". Retrieved 25 January 2017.
  5. ↑ Grissom, Wesley. "Paint". Arbus Magazine. September/October 2013.
  6. ↑ Huebner, Michael (May 20, 2014). "New York artist Leslie Wayne challenging traditional two-dimensional painting in 'Mind the Gap' at UAB's AEIVA". Alabama Media Group. Retrieved 25 January 2017.
  7. ↑ Sann, Elisabeth (2014). Leslie Wayne: Rags. New York City: Jack Shainman Gallery.
  8. ↑ "Leslie Wayne Biography" (PDF). Jack Shainman Gallery. Retrieved 25 January 2017.
  9. ↑ Wayne, Leslie. "News". Leslie Wayne Studio.
  10. ↑ Genocchio, Benjamin (27 April 2008). "Married to Art and to Each Other". The New York Times. Retrieved 25 January 2017.
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