Les fêtes de Polymnie
| Jean-Philippe Rameau |
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Operas
See also: |
Les fêtes de Polymnie (The Festivals of Polyhymnia) is an opéra-ballet in three entrées and a prologue by Jean-Philippe Rameau. The work was first performed on 12 October 1745 at the Opéra, Paris, and is set to a libretto by Louis de Cahusac. The piece was written to celebrate the French victory at the Battle of Fontenoy in the War of the Austrian Succession.[1] It was revived at the same venue on 21 August 1753.[2]
Neither Cuthbert Girdlestone[3] nor Graham Sadler (in the New Penguin Guide[4]) consider this among Rameau's finest works, though both remark on the originality of its overture, which breaks the traditional Lullian mould common to French overtures up to that time.
Roles
Information taken from the site Rameau2014.fr.[5]
| Role | Voice type | Premiere Cast |
|---|---|---|
| Prologue | ||
| Mnémosine | soprano | Marie-Jeanne Chevalier |
| La Victoire (Victory) | soprano | Mlle Rotisset de Romainville |
| Polymnie (Polyhymnia) | soprano | Bourbonnois |
| Le chef des arts (Chief of the arts) | La Tour | |
| Chorus: Followers of the chief of arts; the Muses | ||
| 1st entrée: La Fable | ||
| Alcide (Hercules) | haute-contre | Pierre Jélyotte |
| Hébé (Hebe) | soprano | Marie Fel |
| Jupiter | bass | Joseph Le Page |
| Le Destin (Destiny) | bass | Lefèvre |
| Chorus : Games, Graces, Pleasures and followers of Hebe; gods and goddesses | ||
| 2nd entrée: L'Histoire | ||
| Seleucus | basse-taille (bass) | Claude-Louis-Dominique De Chassé de Chinais |
| Stratonice | soprano | Marie-Jeanne Chevalier |
| Antiochus | haute-contre | Pierre Jélyotte |
| Une syrienne (A Syrian woman) | soprano | Marie-Angélique Coupée |
| Chorus: Peoples and warriors of Syria | ||
| 3rd entrée: La Féerie | ||
| Oriade | soprano | Mlle Rotisset de Romainville |
| Argélie | soprano | Marie Fel |
| Zimès | basse-taille (bass) | Claude-Louis-Dominique de Chassé de Chinais |
| Chorus: Hunters; a troupe of nymphs from Oriade's court | ||
Synopsis
The prologue, Le temple de Mémoire ("The Temple of Memory"), describes the victory of Fontenoy in allegorical fashion. The first entrée is entitled La fable (Legend) and depicts the marriage of Hercules and Hebe, the goddess of youth. The second entrée, L'histoire ("History"), tells the story of the Hellenistic king of Syria Seleucus I Nicator, who gives up his fiancée Stratonice when he learns his son Antiochus I Soter is passionately in love with her (this tale was also the subject of a later 18th century French opera, Étienne Méhul's Stratonice). The third and final entrée is called La féerie ("Fairy tale") and is set in the Middle East. Through her love for him, Argélie redeems Zimès from the power of the evil fairy Alcine.
Recording
- Les fêtes de Polymnie Véronique Gens, Emöke Baráth, Aurélia Legay, Mathias Vidal, Thomas Dolié, Purcell Choir, Orfeo Orchestra conducted by György Vashegyi (2 CDs, Glossa 2015)
References
Sources
- Casaglia, Gherardo (2005).[http://www.amadeusonline.net/almanacco?r=&alm_testo=Les_f%EAtes_de_Polymnie "Les fêtes de Polymnie"]. Almanacco Amadeus (in Italian).
- Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-14-029312-4
- Girdlestone, Cuthbert, Jean-Philippe Rameau: His Life and Work (Dover paperback edition, 1969)
- Sadler, Graham, (Ed.), The New Grove French Baroque Masters Grove/Macmillan, 1988
External links
- ["Les fêtes de Polymnie" Complete orchestral score]: Scores at the International Music Score Library Project (IMSLP)