La donna è mobile
"La donna è mobile" [la ˈdɔnna ɛ mˈmɔːbile] (Woman is fickle) is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). The canzone is famous as a showcase for tenors. Raffaele Mirate's performance of the bravura aria at the opera's 1851 premiere was hailed as the highlight of the evening. Before the opera's first public performance (in Venice), the song was rehearsed under tight secrecy:[1] a necessary precaution, as "La donna è mobile" proved to be incredibly catchy, and soon after the song's first public performance, every gondolier in Venice was singing it.
As the opera progresses, the reprise of the tune in the following scenes exemplifies a sense of confusion, as Rigoletto realizes that from the sound of the Duke's lively voice coming from within the tavern (offstage), the body in the sack over which he had grimly triumphed, was not that of the Duke after all: Rigoletto had paid Sparafucile, an assassin, to kill the Duke, but Sparafucile had deceived Rigoletto by indiscriminately killing Gilda, Rigoletto's beloved daughter, instead. The song is an irony, as no character in the opera presents traits associated with rationality; every character may be considered callous and mobile ("inconstant").
The music
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The almost comical-sounding theme of "La donna è mobile" is introduced immediately, and runs as illustrated (transposed from the original key of B major). The theme is repeated several times in the approximately two to three minutes it takes to perform the aria, but with the important—and obvious—omission of the last bar. This has the effect of driving the music forward as it creates the impression of being incomplete and unresolved, which it is, ending not on the tonic or dominant but on the submediant. Once the Duke has finished singing, however, the theme is once again repeated; but this time it includes the last, and conclusive, bar and finally resolving to the tonic. The song is strophic in form with an orchestral ritornello.
Libretto
| Italian | Prosaic translation | Poetic adaption |
|---|---|---|
1. La donna è mobile
|
Woman is flighty. |
Plume in the summerwind
|
Popular culture
The tune has been used as a Football chant by fans of many British teams, organically changing lyrics for humorous effect.[2] The song was used in the Grand Theft Auto III soundtrack on Double Clef FM.
In the 2004 film The Punisher, Frank Castle's neighbors are listening to this song while he is fighting the Russian.
The song was featured in an episode of I Dream of Jeannie titled "My Master, the Great Caruso", which originally aired on December 5, 1966. In it, Jeannie (Barbara Eden) gives Tony (Larry Hagman) a voice equal to that of Enrico Caruso. Dr. Bellows (Hayden Rorke) hears him sing and enters him in the base talent show. Tony then makes Jeannie take his Caruso-like voice away, but he ends up winning anyway - albeit with comedic results.
The song was sung as Wiggletto in The Wiggles' album and DVD: "Dance, Dance!"
References
- ↑ Downes, Olin (1918). The Lure of Music: Depicting the Human Side of Great Composers. Kessinger. p. 38.
- ↑ "Tales from the terraces: The chants of a lifetime.". The Independent. 21 April 2006. Retrieved 27 December 2016.
External links
- "La donna è mobile" on YouTube; Luciano Pavarotti in the 1992 film by Jean-Pierre Ponnelle
- "La donna è mobile", translated by Randy Garrou, Aria Database
